Wednesday, September 22, 2021 at 2:00PM Incredible celebrity impressions are after the jump plus Jessica Chastain's Oscar buzz, Olivia Colman's awards magnetism, anti-vax celebrity problems, and more...She’s looking at Katherine Hepburn’s Oscar record: pic.twitter.com/BEzQpPnvnE
— ShaneAvery (@ShaneAvery) September 21, 2021
Jessica Chastain, Keke Palmer, Tweetweek Wednesday, September 22, 2021 at 10:26AM 
Having a Criterion Channel subscription often feels like opening Christmas presents each month. Their monthly programming always provides subscribers with curated series from some of the greatest classic artists both domestically and in world cinema. This month, the Criterion Channel decided to honor the legendary director Billy Wilder with a sampling of five of his movies. The legendary Austrian director won six competitive Oscars over his decades-long career, plus an additional Irving G. Thalberg Memorial Award in 1988.
Although—or perhaps because—he was born in Austria, writer, director, and Hollywood legend Billy Wilder saw America more clearly than most, probing its absurdities and hypocrisies with a witty yet lacerating eye. This sampler of five of his finest—including the Tinseltown tragedy Sunset Blvd., scathing media satire Ace in the Hole, and gripping POW drama Stalag 17—showcases the pitch-perfect blend of human understanding and barbed cynicism that defines Wilder worldview.
For this piece, I revisited two of my all-time favorites, re-experienced one I didn't remember well, and discovered two new (to me) gems. Let’s take a look at the films the Criterion Channel chose to highlight...
Tuesday, September 21, 2021 at 4:30PM by Nathaniel R
Will The Netherlands submit "De Oost", currently streaming on Amazon?
For those of you who like to follow the admittedly super niche drama of the submission battles for Oscar's best International Feature Film race, we have another finalist list to report. The Netherlands will be announcing their submission in early October but we have their 14 wide finalist list. The first thing to note is that Paul Verhoeven's excellent lesbian nun drama Benedetta is not on it. Perhaps it's because the Dutch director who The Netherlands have submitted four times (Turkish Delight, Soldier of Orange, The Fourth Man, Black Book) is now working in France mostly. Elle, his most recent previous picture, was a submission for France and perhaps Benedetta wasn't deemed Dutch enough? Only three of the fourteen possibilities from The Netherlands have anything like an international profile and all three are about young soldiers so we suspect the Dutch will be sending a war drama.
After the jump a brief decription of each finalist, one of which is already in release in the US...
Tuesday, September 21, 2021 at 1:17PM by Patrick Ball
Hamilton, just celebrated at the Emmys, swept the Tonys six years ago.
Eighteen months after Broadway’s curtains dropped due to the Covid-19 Pandemic, they finally rose again last week as New Yorkers and theater lovers across the country welcomed their favorite witches, lions, and founding fathers back to Broadway. Correspondingly, The American Theater Wing and The Broadway League have set the 74th annual Tony Awards for the curtailed 2019-2020 Broadway season for this Sunday. Yes, you read that right, this weekend awards are finally being handed out for productions from an eligibility window that ran from the literal *summer* of 2019 to February 2020 -- a lifetime ago! (It's been two years and three months since the 73rd annual Tony Awards were held.)
Luckily, theater-related talent and content has been gracing our screens in abundance over the past year to help ease the wait...
Monday, September 20, 2021 at 8:00PM by Nathaniel R
going to the movies in "Belfast"
It's been strange to have gone without TIFF, my once favourite festival, for two years running. As a result i have yet to see Kenneth Branagh's Belfast which did not play at Venice though its Oscar buzz is now quite loud. It recently won TIFF's People's Choice Award which has long been a strong Oscar bellwether. We'd argue that that connection is less causal than reflective of a "similar taste profile", though. The type of people who go to huge and accessible film festivals are not unlike Oscar voters in that their tastes lean mainstream but mainstream under the now niche umbrella (sigh) of "also art"...
