Almost There: Angelina Jolie in "A Mighty Heart"

by Cláudio Alves

There are few true stars in contemporary Hollywood. Angelina Jolie is arguably one of them, part of a dying breed of movie mythology. Not that it means she's a prolific thespian. For that matter, it's pretty sad how the actress has started to evade our screens in recent years, headlining fewer and fewer projects as time goes by. That being said, Jolie is back in theaters right now, thanks to The Eternals, where she plays an immortal goddess-like figure. It's a delightfully obvious casting choice. In celebration of this occasion, we shall look back. Look back to a time when this Oscar-winning powerhouse was at the high of her visibility and popularity, but the Academy ignored her just the same. In 2007, Jolie seemed like a likely Best Actress nominee for Michael Winterbottom's A Mighty Heart…

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I can't believe she won

by Cláudio Alves

To love the Oscars is to live in perpetual disappointment. The Academy can celebrate cinematic excellence and their choices may even serve as a gateway to a cinephile's love for the seventh art. However, more often than not, great artistry is left unrewarded while more conventional fare coasts by and triumphs. When it comes to actors, it isn't rare to find stupendous professionals whose labor was and will never be recognized by AMPAS. Perchance their filmography is too foreign, their style too outré or their directors too artsy. Whatever the reason may be, an Oscar obsessive quickly learns that a lot of their favorites will never get close to winning that little golden man.

Sometimes, though, there can be wonderful surprises. One such event took place in 2007. Quite frankly, all these years later, I still can't believe this happened…

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Is Daniel Day-Lewis the best triple Oscar winner?

by Cláudio Alves

In the past 92 years, only a handful of performers have managed to win more than one Oscar. More than two is even rarer and more than three is a feat only ever achieved by Katharine Hepburn. In the relatively exclusive club of three-time Oscar-winning actors, we can find six names, four men and two women. Despite their golden prizes, perusing their winning performances can be a sad affair with most of them having at least one terrible victory in their collection. For Meryl Streep it's The Iron Lady, for Ingrid Bergman Anastasia and Murder on the Orient Express. Jack Nicholso's win for As Good As It Gets isn't very well-regarded and Walter Brennan's first two victories are rather dire.

Only one rises above the others as a perfect case of the Academy honoring an actor for the right performances. It's Daniel Day-Lewis, of course…

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The New Classics - Eastern Promises

Michael Cusumano here to argue a case for the the best fight scene of the last two decades.

The Scene: The Sauna Fight
It’s no surprise that just about every discussion of the sauna fight from Eastern Promises dwells on the bare skin. If the King of Middle Earth strips down to his tattoos and takes on two goons in a bathhouse brawl it’s gonna dominate the conversation.

And it’s not only gawking. It’s thematically on point. This scene uses nakedness to make you feel a character’s vulnerability as effectively as any film since Psycho, plus all the skin on display reflects the film’s obsession with bodies -- bodies as currency and bodies defaced and disfigured... 

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The New Classics - Michael Clayton

Michael Cusumano here to christen my new series on future classics of the 21st Century with Tony Gilroy's 2007 legal thriller. In each episode we'll be discussing one great scene. 

The Scene: Karen Crowder’s Downfall 

How does the final scene of Tony Gilroy’s Michael Clayton work so well despite the wheezy cliché at its center? Secretly recording the villain’s confession is right up there with the Monologuing Killer on the list of tired plot devices. Yet when Clooney coerces Swinton into exposing her sins it doesn’t feel the least bit lazy. On the contrary: it’s electrifying...

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