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Entries in Tony Yazbeck (4)

Saturday
Aug172019

Let Them All Link

Salon The Marvelous Mrs Maisel's Emmy campaign disrupts Los Angeles with 1959-era prices 
• The Atlantic's "friendship files" talks to three thirtysomething women who all cosplay Scarlett Johansson's Black Widow 
Slate comparing the starpower of 2019's Little Women to the starpower (back in the day) of the 1994 cast - Saoirse vs Winona and more. Really fun article but the part on Sarandon and Dern is a major misread of the mid-90s. Sarandon was at the very peak of her fame in 1994, headlining a sleeper blockbuster (The Client) and building yet more momentum to win her inevitable Oscar win the following year. She should have bested Dern (who we loooove, don't get us wrong).

 After the jump The Godfather, Faye Dunaway's trouble, Steven Soderbergh's secret movie, Mulan trouble, Kristin Chenoweth's breakout and more...

Click to read more ...

Friday
Apr272018

"Carousel" and "Spongebob" lead the Drama Desk Nominations

by Nathaniel R

Jessie Mueller and Joshua Henry in Rodges & Hammerstein's revived "CAROUSEL" which led the nominations

As discussed in a previous recent post, most theatrical awards don't have as direct a correlation to the Tony Awards as film awards do to the Oscars. At the Drama Desk Awards, which have been around almost as long as the Tonys, Off Broadway is also considered so their nominations naturally differ quite a lot. Expected Tony frontrunner The Band's Visit received zero nominations due to its previous Off Broadway run (i.e. eligible last season instead with the Drama Desk)

The nominations are after the jump...

Click to read more ...

Monday
Aug282017

Stage Door: "Prince of Broadway"

by Nathaniel R

Though I don't cherish the form I've seen quite a few jukebox musicals in my day. Sometimes they take the biographical route like Jersey Boys. Often they'll sift through the lyrics of some artist's catalogue hoping to yank out phrases and threads from which they can stitch together a frankenstein story. Mammia Mia is either the apotheosis or the nadir of that latter form, depending on your perspective. But what if the jukebox isn't beholden to one composer? Prince of Broadway, which just opened at the Samuel Friedman in NYC, is devoted to the producer Harold Prince who did not write music. So what you have is a greatest hits of, uh, dozens of different composers from a wide range of musicals. If this were a CD it might be called "Now That's What I Call Broadway, Vol. Whatever"

Prince backed a TON of über famous shows in his illustrious career including Phantom of the Opera, Fiddler on the Roof, Cabaret... you name it! None of the musicals sound alike so there's little hope of cohesion in the show. Wisely Prince of Broadway  doesn't try to create a "story" from these disparate musicals in a career that stretches all the way back to 1950 (Prince is 89 years old and directed this production).What they've come up with instead is much less intrusive even if it doesn't totally work...

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Monday
Oct272014

Stage Door: A Hellavu "On the Town" Revival

New York, New York, a helluva town.
The Bronx is up, but the Battery's down.
The people ride in a hole in the groun'.
New York, New York, it's a helluva town! ♪ ♫

On the Town, the 1944 stage musical by Betty Comden & Adolph Green, most famous in its 1949 big screen incarnation with Gene Kelly & Frank Sinatra, is back on the boards. (Just in time for Green's centennial this December. What a songwriting pair those two were.)

I always thought the '49 film was somewhat forgotten, at least in comparison to Anchors Aweigh (1945) the first Kelly/Sinatra sailors musical but maybe that's because I'm an Oscar freak and the first pairing was a much bigger Oscar deal in its day with 5 nominations and a win. So I was surprised some years ago that On the Town made the AFI's 25 greatest musicals list at #19 . I always thought of it as very stage bound so I shouldn't have been surprised that it's so utterly delightful on the stage. [more]

Click to read more ...