Who's Zooming Who? A Very Virtual Golden Globes Night

by Nathaniel R

On of the funniest bits had Tina defying the split screen to stroke Amy's hair

Given the restrictions placed on Hollywood's most convivial hobnobbing boozy party things went as well as you could probably expect for the 78th Golden Globe Awards. The HFPA was wise to lean into something that always works (Tina Fey and Amy Poehler paired... although this time they were on different coasts) in a year where all the other things that make Globes night so fun, weren't really going to be there to lean into...

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Let Them All Link

• Salon The Marvelous Mrs Maisel's Emmy campaign disrupts Los Angeles with 1959-era prices 
• The Atlantic's "friendship files" talks to three thirtysomething women who all cosplay Scarlett Johansson's Black Widow 
• Slate comparing the starpower of 2019's Little Women to the starpower (back in the day) of the 1994 cast - Saoirse vs Winona and more. Really fun article but the part on Sarandon and Dern is a major misread of the mid-90s. Sarandon was at the very peak of her fame in 1994, headlining a sleeper blockbuster (The Client) and building yet more momentum to win her inevitable Oscar win the following year. She should have bested Dern (who we loooove, don't get us wrong).

 After the jump The Godfather, Faye Dunaway's trouble, Steven Soderbergh's secret movie, Mulan trouble, Kristin Chenoweth's breakout and more...

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Doc Corner: Norman Lear's Golden Age of TV

Glenn here with our weekly look at documentaries from theatres, festivals, and on demand.

We get told time and time again that we are in a golden age of television, and it’s impossible to deny that the expansion of the viewing landscape has resulted in a boon of creativity that can be seen in every single corner of the television globe. There are times throughout the brisk Norman Lear: Just Another Version of You where it appears directors Heidi Ewing and Rachel Grady are attempting to suggest that this golden age was birthed some 40-odd years ago when Norman Lear was the centre of the small screen universe with a collection of series to his name that not only snagged record-busting ratings, but also critical acclaim and pop culture buzz that saw his shows watched by some 120 million American a week.

You could say he was like David E. Kelley and Shonda Rhimes of his day.

While guest appearances by the likes of Amy Poehler, Jon Stewart and even George Clooney highlight his influence both creatively and politically, Ewing and Grady’s film is far too concerned with the man himself to truly dive into the reverberations of his work on modern television...

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