Best Actress and the end of the Great Depression: An Alternative Oscar History

by Cláudio Alves

Miriam Hopkins in BECKY SHARP (1935), Janet Gaynor in A STAR IS BORN (1937), and Vivien Leigh in GONE WITH THE WIND (1939) were the first 3 Best Actress nominees from full-color movies.

The woes of the Great Depression demanded escapism from Hollywood. Such spectacle came in a myriad of forms, including some technical advancements.

By 1935, the three-strip Technicolor process was ready for features, blessing the silver screen with hues that called themselves natural while shining bright like something out of a dream. New genres came into being, too, sometimes as an echo of the dark times – think gangster pictures and their basis in social realism turned pulp or the rise of horror at Universal – and sometimes as an antidote. The screwball comedy was a child of the Great Depression, alright, with some of its greatest hits holding a blissfully distorted mirror to off-screen miseries, distracting from them and offering some magical impossibility as succor for the soul. In other areas, movies kept getting bigger, upping the ante in ways that recalled the great epics of silent cinema, those endeavors that moved armies and mountains for the camera’s gaze and the audience’s pleasure.

Obviously, this all reverberated through the Oscars, including and especially the Best Actress race. But will my personal ballots reflect it in the same fashion? Well…

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Best Actress in the 1920s: An Alternative Oscar History

by Cláudio Alves

Janet Gaynor won the first ever Best Actress Oscar with her performances in Borzage's 7TH HEAVEN and STREET ANGEL, as well as Murnau's SUNRISE. Does she also win here?

To misquote Mark Twain, reports of my death have been greatly exaggerated. Or maybe I should go with Dr. Frankenstein by way of James Whale and scream to the high heavens: It’s ALIVE! Now, dear readers, as I try to return to writing regularly for The Film Experience, I feel like I owe you an explanation for my prolonged absence, not to mention an apology.

I’ve suffered from migraines since I was four, but around the middle of July, a crisis like none other began. Unparalleled in intensity and duration – still going, though not as strong as before - it took me to the ER, a CT scan, a cardiologist’s office, a bunch of new medication, and, soon, a wisdom tooth extraction and an appointment with a neurologist. In other words, it’s been hell, endless pain for over a month that mostly left me useless as far as writing articles or anything longform is concerned. Still, movies have been a refuge, as they’ve always been, and social media has allowed me to keep writing in short spurts whenever the pain medication kicked in, mostly about what I’ve been watching. Specifically, I’ve been emboldened by Twitter user HungryBear’s Oscar retrospectives to revisit my Best Actress picks from the very beginning of the Academy Awards, way back in 1928.

What better way to mark my comeback than to share these with you, too? TFE readers seemed to like reading – or enjoyed arguing over and against – my picks from the 80s, when I shared them two years ago, after all. That’s most of what I’ll be doing as I prepare myself for another TIFF coverage in September, with maybe a couple of other things thrown in if my ever-evolving torment nexus of pain permits it. Anyway, to start things off, we have the first three Oscar editions, when the twenties were honored and, with them, the twilight of the silent era…

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Q & A: Surprising Stars and How to Stop Category Fraud

Thanks to Pedro for suggesting we revive the "Ask Nathaniel - Q & A s". So many questions came in when I feared getting none. Let's start with Pedro since this was his idea.

Q: Of all people involved in moviemaking that you have interviewed or known, who surprised you the most and why? - Pedro

A: I wouldn't say I "know" very many people in the industry. Usually interviews are short and even if you meet the person multiple times it can be years inbetween conversations. So I'm not sure how to answer this one. As for "surprises" I will say that Jessica Chastain shocked me with a steel trap memory. I've met her three times and the third she went into detail about something we discussed the second time which was two years earlier. Mentally I was like "HOW?!?" as she talks to hundreds of journalists all year long...

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Showbiz History: Greta Garbo, R Crumb, Bill Murray, Cameron Diaz

6 random things that happened on this day in showbiz history

1797 Mary Shelley born. She lived in infamy during her time as a disgraced woman who ran off with an already married man but she'll live forever due to her epistolary novel "Frankenstein: Or, The Modern Prometheus," which has had countless editions since its first publication when she was only 20 years old. The book has inspired countless other works of art and the classic Frankenstein monster itself has shown up in over 50 films. Did any of you watch the Mary Shelley biopic starring Elle Fanning earlier this year? Murtada interviewed the director right here. 

← 1935 Greta Garbo is Anna Karenina, new in movie theaters. Garbo will win the NYFCC prize, the first of two Best Actress wins in a three year span. Surprisingly, that's not all that rare of a trick...

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Be More Link

Lots of stories to catch up on...

Screen
• Boy Culture on Faye Dunaway's Gucci ad
• The Guardian -Margot Robbie has joined Fox News sexual abuse scandal movie which already features Nicole Kidman as Gretchen Carlson and Charlize Theron as Megyn Kelly. Talk about star power in one film
• /Film -The more Tom Cruise runs in his movies, the better they perform at the box office. No, really
• THR -Mary Carlisle, who had been the oldest living screen star, has died at age 104.

More after the jump including Fan Bingbing rumors, Greta Garbo, Linda Hamilton's return, and Julia Roberts as an audience member...

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