1986: The rise of Daniel Day-Lewis

by Cláudio Alves

Some years are especially momentous in an actor's career. A few days ago, I wrote about Adam Driver's promising 2021, how a collection of ambitious projects might make the performer essential to any overview of the cinematic year. A similar situation happened in 1986 when Daniel Day-Lewis first came to prominence for worldwide audiences. While he had had small roles in a couple of films in the early eighties, it was the international release of a remarkable pair of features that put his name on the map. It happened all at once, and, for New Yorker filmgoers, in particular, it was staggeringly sudden. On March 7th, 1986, NYC was blessed with the premiere of two pictures featuring two incredibly different performances by the same (then) little-known Irish actor. To this day, A Room with a View and My Beautiful Laundrette represent some of Daniel Day-Lewis' most excellent work…

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Category Analysis: Outstanding Supporting Actress in a Drama Series

 Team Experience is discussing all of the main Emmy categories

The 7 actresses with costars nominated don't really appear in scenes together, so here's an extra photo of the only one who is solely representing her show!

By Abe Friedtanzer

This category includes eight actresses from just three shows, which surely doesn’t represent the vast array of talented actress out there, like the 280 other eligible women who didn’t make the cut. Though it’s not exactly spreading the wealth, the nominees here are all fine actresses who do great work on television, including in this past season. There’s one clear frontrunner but it’s a formidable list, with two-time defending champ Julia Garner out of the running since Ozark, like so many other shows, didn’t release new episodes this season.

I’ll try to avoid major plot details in my analysis – but if you’d like more spoiler-filled descriptions, click on the episode titles. Let’s consider each nominee… 

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Almost There: Melanie Griffith in "Something Wild"

by Cláudio Alves

The 59th Academy Awards showcased a rare variety of genres in its acting honors. Usually, AMPAS restricts itself to prestige dramas, but they were atypically adventurous in 1986. Best Actress alone featured a sci-fi action epic, nostalgic time-travel fantasy, a black comedy on themes of suicide and murder, trashy neo-noir, and, of course, the respectable adaptation of a dramatic play. It's a pity that, amid all this, there wasn't space for some lighthearted romantic comedy. No matter how popular it is, it seems that genre always has some difficulty getting into the awards conversation. As for the 1986 crop of romcoms, none feels more like an "Almost There" case than Jonathan Demme's Something Wild. While arguments could be made for all its principal players, we shall focus on the picture's beguiling leading lady, Melanie Griffith…

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Yes No Maybe So: Spider-Man No Way Home

Hello, Peter! The internet has gone stark raving mad dissecting the first trailer for Spider-Man No Way Home, for easter eggs. We're less interested in trying to figure it out (we like to be surprised!) and more in what it's promising us. The familiar Tom Holland/Zendaya chemistry, mystical mayhem courtesy of Doctor Strange, and an attempt to relive the glory days of Sam Raimi's original Spidey trilogy (2002-2007).

We're in but let's do the Yes No Maybe So™ as we watch the trailer together after the jump...

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