Fair is Foul and Foul is Fair and Fests are Festing

by Jason Adams

I don't know about you but I've entirely lost all concept of time -- is it really time to start gearing up and delivering news about fall movie festivals? Wasn't it just Sundance a literal second ago? Next thing you'll tell me it's not 2020 anymore. Anyway while I was busy slowing sliding down the wall of my shower with a stunned vacant look on my face the New York Film Festival was announcing its Opening Night film for this year's 59th festival -- Joel Coen's The Tragedy of Macbeth, starring Denzel Washington and Lady Frances McDormand, will kick it off in the city that never sleeps on the night of September 24th. That's 64 days away! Here's their descriptor of the flick:

"A work of stark chiaroscuro and incantatory rage, Joel Coen’s boldly inventive visualization of The Scottish Play is an anguished film that stares, mouth agape, at a sorrowful world undone by blind greed and thoughtless ambition. In meticulously world-weary performances, a strikingly inward Denzel Washington is the man who would be king, and an effortlessly Machiavellian Frances McDormand is his Lady, a couple driven to political assassination—and deranged by guilt—after the cunning prognostications of a trio of “weird sisters” (a virtuoso physical inhabitation by Kathryn Hunter). Though it echoes the forbidding visual designs—and aspect ratios—of Laurence Olivier’s classic 1940s Shakespeare adaptations, as well as the bloody medieval madness of Kurosawa’s Throne of Blood, Coen’s tale of sound and fury is entirely his own—and undoubtedly one for our moment, a frightening depiction of amoral political power-grabbing that, like its hero, ruthlessly barrels ahead into the inferno. An Apple/A24 release."

Other names of note in Joel's take on the Scottish slaughter-tale of yore include Brendan Gleeson, Ralph Ineson (so basso-profundo memorable at Thomasin's pops in The VVitch), and the always memorable Harry Melling. Meanwhile names not of note specifically include Ethan Coen, who didn't work with Joel on this one? I hope the Coens TM are okay. I have a lot invested in that brand loyalty. What do we think -- will this one get the Coen name back in the Oscar business or what? 

Doc Corner: (Belated) Shark Week — 'Playing with Sharks' and 'Fin'

By Glenn Dunks

Sally Aitken’s Playing with Sharks and Eli Roth’s Fin are two very different documentaries but share common ground. Not just in that they are both about sharks, but because they each want to use their platforms to advocate for the preservation of the ocean’s perfect predators. Neither film reaches the heights of other better, similarly themed films (in recent years, I stump heavily for Karina Holden’s Blue), but it’s something of a sad indictment that their very existence is important as the environmental crises happening in our oceans appear so far from being solved.

Aitken’s film chooses to focus its lens on Valerie Taylor, a famed Australian diver whose role in some prominent Hollywood productions (you may know of one called Jaws, but also Blue Water, White Death in 1967) led to being a conservationist. Fin on the other hand is a most unexpected non-fiction diversion for Roth; a film more akin to The Cove than the gory horror features that he is better known for.

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The Honoraries: Danny Glover in "Places in the Heart"

We'll be celebrating each of the upcoming Honorary Oscar winners with a few pieces on their career. First up is Danny Glover who turns 75 today. Happy Birthday to a fine American actor!

by Eric Blume

Danny Glover shows up about fifteen minutes into director Robert Benton’s 1984 Oscar winner Places in the Heart, looking dapper and handsome in his worn suit, with an effortless charm that belies his character’s backstory.  He insinuates his way into the life of widowed Edna Spalding (that year’s Best Actress winner, Sally Field) and into the film’s narrative. Sadly he always stays on the sidelines but Glover provides a radiance and a verve that display his burgeoning talent and resourcefulness.

Places in the Heart marked Glover’s first large-scale film role, and he seizes the role of drifter Moses and does everything he can with it...

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Venice 2021: The Jury

by Nathaniel R

With Cannes wrapped we move on to the fall festival buzz. Next up is Venice (September 1st-11th) and we are thrilled to report that Elisa Giudici, our Italian correspondent who did such a fine job covering Cannes, will repeat that trick for Venice. The 78th Venice festival has just announced the complete jury for its competition films. Like Cannes, they've chosen a majority female jury this time around. Unlike Cannes they went big on very recent Oscar nominees and winners...

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Yes, we're working on the Oscar charts...

For those of you who have been asking. Yes, the Oscar charts will go up soon with first predictions of the year. I'll confess right up front that this year is mighty confusing. That's partially because we're still in pandemic mode and a lot of the big studios are playing it coy about release dates and there are surely numerous sales still to happen. One assumes the studios are all watching each week's box office reports and other much more vague indicators (like streaming numbers which are rarely public and always unverifiable even when they are) to decide on the best way forward in this tough time for the industry. 

Another reason this year feels confusing is that A24 has a truckload of promising films but very few with actual release dates (and they've been known to really only focus on one once things heat up). Meanwhile MGM/UA, not usually a big player, has multiple promising titles...

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