Almost There: Jodie Foster in "Contact"

by Cláudio Alves

This past weekend, Jodie Foster threw a wrench into the Best Supporting Actress race, surprising pundits when she won the Golden Globe for The Mauritanian. Maybe we shouldn't have been so shocked; The Academy hasn't acknowledged Foster since her 1994 nomination for Nell, but the HFPA never stopped loving her (8 nominations, 3 wins, 1 lifetime achievement). Three years after her last Oscar nomination, she was back on the hunt for a Golden Globe. The movie was Robert Zemeckis' Contact and the role was one of the most challenging in the actress' long career…

Click to read more ...

Death in Venice @50: Piero, I love you

by Cláudio Alves

For a cinephile, costume enthusiast, and Oscar obsessive like myself, there are few things more enticing than the lone nominee. That elusive movie that gets nominated only for the Best Costume Design statuette. Such is the case of Luchino Visconti's adaptation of the Thomas Mann novel Death in Venice. To celebrate the film's 50th anniversary, I decided to explore that wondrous wardrobe that caught AMPAS' collective eye. It's one of the best works of Piero Tosi, a man who may have been the greatest costume designer to ever create for film.

After five unsuccessful Oscar nominations, Piero Tosi won an Honorary Academy Award in 2014, the first costume designer to ever do so. It couldn't have happened to a more deserving artist...

Click to read more ...

Today in Oscar History: Mrs Miniver, Shape of Water, John Garfield

On this day, March 4th, in Oscar history only...

1937 The 9th Academy Awards are held honoring the best of 1936. Historical epic Anthony Adverse wins the most Oscars (4) but showbiz biopic The Great Ziegfeld takes Best Picture. Some interesting things about this Oscar year: This was the first ceremony with the Supporting acting categories; My Man Godfrey became the first film nominated in all four acting categories and it remains the only film to achieve that without a parallel Best Picture nomination; The Story of Louis Pasteur earned the very weird now impossible distinction of being named both "Best Original Story" AND "Best Adaptation"... the "Best Original Screenplay" category was not yet invented and it did not technically replace "Best Story" as they ran parallel for the first 16 years of Best Original Screenplay...

Click to read more ...

FYC: "Pinocchio" for Best Makeup & Hairstyling

by Cláudio Alves

Carlo Collodi's 1883 novel The Adventures of Pinocchio has been adapted countless times to the big screen, from the time of the silent shorts to today's world of streaming services and opulent CGI. However, it should be noted that, throughout the majority of film history, the most famous adaptations of this literary nightmare have been rather unfaithful to its source material, its sharper edges indiscriminately sanded off. A tale of cruel moralism full of ghoulish characters, Pinocchio's story is often mellowed until its hellish visions are more enchanting than terrifying. 

When it was time for Matteo Garrone to shoot his version of the narrative, the Italian director went back to Collodi's original tone…

Click to read more ...

Minari: A tale of two (or more) grandmas

By Lynn Lee 

This is a story about grandmothers.

Having finally seen Minari, I’d originally intended to write about its place in the evolution of Asian American film over the last 20 years.  Or about Steven Yeun becoming the new face of Asian American masculinity in Hollywood.  But I couldn’t stop thinking about the Korean grandmother, Soon-ja, played by Youn Yuh-jung, because she reminded me so much of my own late grandmother.  Youn’s vibrant, hugely endearing performance—still Minari’s best shot at an Oscar acting nomination—and the cultural specificity of her character struck a chord of recognition that reverberated right to and through my core...

Click to read more ...