1998: The Year of the (Blonde) Ingénue

Team Experience is revisiting '98 in the lead up to the Supporting Actress Smackdown on July 26th

by Mark Brinkerhoff

For as long as motion pictures have existed, ingénues have been central to Hollywood. Yet while pretty young things have never been out of style in the film industry, they do appear more dominant—or at least ubiquitous—in certain eras. And in 1998, ingénues, notably of the blonde variety, were seemingly everywhere in entertainment—on screens big and small...

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Cannes at Home: Day 11

by Cláudio Alves

Spike Lee's illustrious jury will hand out its prizes Saturday night. Friday was still full of screenings, however, including the last two premieres in the Main Competition. Justin Kurzel's Nitram has generated some controversy, purporting, as it does, to tell the story of the man responsible for the deadliest mass shooting in Australian history. To extend cinematic empathy, or even a gesture of exploitation, towards such a figure is bound to cause a polemic. The other film to screen on this last competitive day of Cannes 2021 was Joachim Lafosse's The Restless, the story of a Belgian family dealing with the struggles brought upon by bipolar disorder. To celebrate the event, we'll take a look at two previous tales of killers from these filmmakers. One is a mythic warrior, haunted by the carnage he commits. The other, a real-life mother who did something unthinkable…

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1998: Patricia Clarkson in "High Art"

We're revisiting the 1998 film year in the lead up to the next Supporting Actress Smackdown. As always Nick Taylor will suggest a few alternates to Oscar's ballot.

Unlike my last two companion pieces for 1998, which opened with well-deserved grousing about the meager recognition Velvet Goldmine and Beloved received from audiences and industry professionals alike, I actually feel pretty good about how High Art was received on the indie circuit. No, it didn’t get any notices from Oscar, but five nominations at the Independent Spirit Awards, with Ally Sheedy deservedly winning their Lead Actress prize, is a damn good run for any film, to say nothing of how well its reputation has grown since it debuted. But surely the best thing to come from High Art’s success is giving us Patricia Clarkson, Character Actress Extraordinaire™. Her highwire turn as the perpetually soused, washed-up German actress Greta earned Clarkson a handful of runner-up citations from critics groups who would go on to throw prizes at her for the first half of the ‘00s. The remarkable career that High Art made possible for Clarkson gives her performance a wonderful afterglow, and the fact that it still holds up as one of her best turns makes it even more glorious . . . .

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Cannes Wins: Tilda's pups win the Palm Dog. Plus Critics Week kudos.

by Nathaniel R

Tilda in dog collar

With Cannes wrapping up this weekend, the awards are now rolling out. Trust Tilda Swinton to bring inhuman glamour to the kick-off by accepting the Palm Dog award and wearing the coveted red collar herself!  Her three spaniels Rosie, Dora and Snowbear won for their roles in The Souvenir Part Two...

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Team Experience Emmy Reactions

Hope y'all aren't done talking about the Emmy nods yet. Abe, Cláudio, Juan Carlos, Chris and myself got together to share our reactions to Tuesday's Emmy nominations. From our disappointments about the snubs (sorry about Small Axe, Cláudio) to our individual joys (Carlos remains the world's biggest Handmaid's Tale fan) and our suggestions about how to improve the system (I explain why ranked ballots are the only way to go in the conversation).

Have a watch and share your own reactions, now that the dust has settled.

• Which snubs are still irritating you? 
• Which shows will you know be watching to see what the big deal is? 
• Who do you think will win the hot-hot-hot miniseries category?
• Who are you rooting for?