The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
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Wednesday, July 14, 2021 at 5:00PM by Nathaniel R
Sharon Stone is at Cannes!
The sartorial splendor of closing weekend events is just ahead of us but let's catch up on recent Cannes fashion. If you missed the previous reports they are here (opening night) and here (first few days). Now let's take a look at the glamour of midweek. Who takes your best-dressed crown? You can click on any of the images to enlarge them...
Wednesday, July 14, 2021 at 2:30PM By Glenn Dunks
In No Ordinary Man, a groundbreaking biography emerges out of the tragic throes of history. Populated almost exclusively by the voices and experiences of transgender individuals, this riveting and decidedly trans-positive documentary from co-directors Aisling Chin-Yee and Chase Joynt has the power and the depth to deserve a place in the queer canon (if such a thing exists). It dismantles the very politics of disclosure, and tells its story of self-discovery with empathy and tenderness while utilising film craft in a way that offers genuine inclusive insight.
It tells the story of Billy Tipton, an acclaimed jazz musician, husband and father who, upon his death, was discovered to have been assigned female at birth. At first mocked on the daytime talk show and tabloid entertainment circuit as a ‘unimaginable’ fraud who deceived his family and society for personal gain (women had little access to the jazz scene), No Ordinary Man charts how Tipton’s story was just one of many in a society that was woefully ill-prepared for the complexities of human behaviour. And how Tipton inspired a generation to live authentically.
Doc Corner, LGBT, Review, documentaries Wednesday, July 14, 2021 at 12:00PM 
Writer/director/showrunner Leslye Headland returns to TFE !by Nathaniel R
On Monday July 25th the next Supporting Actress Smackdown and its companion podcast arrive, with a discussion of the 1998 Oscars and more specifically, the Supporting Actress competition. You know what that means. For maximum enjoyment (re)watch Best Picture winner Shakespeare in Love as well as Little Voice, Hilary & Jackie, Primary Colors, and Gods and Monsters and send in your votes by Saturday July 23rd.
Let's meet your fellow panelists, shall we?
Introducing, Leslye Headland, Mitch Silpa, Smackdown Wednesday, July 14, 2021 at 9:15AM by Elisa Giudici
Three Floors (Nanni Moretti)
Cannes Film Festival has a color coded hierarchy. The lowest of the low are Yellow pass holders. With their slightly less powerless Blue cousins, they spend a lot of time (aka hours) in queue, hoping for a miracle. Pink journalists arrive later, having a high priority pass that lets them sleep a little more. At the top of journalist hierarchy, the aristocracy of pass holders: legendary Le Blanche, aka White pass holders. They can arrive at the last minute, waving their credentials to open every door.
The tales say so though I've never witnessed this with my own eyes. This year, with the (still not that reliable but definitively improved) ticketing system, things were a bit different. Even I, a humble yellow pass holder, was able to see almost every single movie on my list. Here are the four competition films I saw today...
Tuesday, July 13, 2021 at 7:16PM What an exciting day to be at Cannes this must have been. Asghar Farhadi unveiled a new picture to critical acclaim, with some even stating that A Hero is his greatest work since A Separation. In the main competition, Julia Ducournau also presented her sophomore feature, Titane. After Raw, the new film seems like it will continue the director's exploration on the limits of body horror. As for some sidebar prospects, Miguel Gomes opened his latest work in the Director's Fortnight. The Tsugua Diaries was co-directed with Maureen Fazendeiro and represents Gomes' first feature since Arabian Nights. Unfortunately, another project called Savagery remains incomplete since the pandemic forced the production to halt. In any case, for our homebound Cannes alternative, let's explore the past and best works from these filmmakers…
