Cannes Diary #2: New Ozon and old Japanese sensations

by Elisa Giudici

At the premiere of "Everything Went Fine"

The Festival has really begun and I finally discovered where the press room is inside the enormous Palais. Free coffees and soft drinks for journalists are a treat I never experienced at other festivals (so I'm feeling spoiled). The room is lovely with its wooden tables and cream colored seats with a view on the blue sea. The day after Annette, it's still the first question everyone asks: do you like it or not? I've already had interesting discussion about the movie with a couple of colleagues. I am really curious to see how it will be received by broader audience after the "festival bubble" ends.

But on to the day two screenings...

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Cannes at Home: Day 3

by Cláudio Alves

The third day of this year's Cannes Film Festival was a busy one. First, there were two premieres for films in the main competition, Joachim Trier's The Worst Person in the World and Mahamat-Saleh Haroun's Lingui. The response to the latter was so effusive, some are already calling it a contender for the Palme d'Or. Then, in the Un Certain Regard section, Kogonada's sophomore feature, After Yang, took its bow. Other premieres from prominent directors included Andrea Arnold's Cow and Tom McCarthy's Stillwater. Our Cannes at Home program is made up of past films from this illustrious quintet, encompassing a meditation on loss, an allegory of civil war, love songs for architecture, and more.

OSLO, AUGUST 31ST (2011)
From dawn to dawn, a young man ponders the end. Joachim Trier gives a premise fit for po-faced European miserabilism a fresh face in Oslo, August 31st. While not treading new ground, the tale of potential death is all about life, approaching the material with a form that rarely overstates the idea with either in-your-face vitality or florid nihilism...

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Little Gold Men on 1934's "It Happened One Night"

by Nathaniel R

The year of guesting on podcasts continues (after no invites forever I'm suddenly mouthing off everywhere!) with Vanity Fair's "Little Gold Men" podcast. I join Katey and Joanna to talk about the early Best Picture winner It Happened One Night. The story of Clark Gable's bare chest sending undershirt sales plummeting is old school famous, of course, but Joanna's additional research nuggets kind of blew my mind. I'd seriously never heard the bit about Bugs Bunny before (whaaa?!). We also talk briefly about the 2021 Academy invitees previously discussed right here. 

Have a listen and even a watch (the movie is streaming free on Crackle with ads). What a great film.

Halfway Mark - Team Experience "Top Three" Random Joyfulness

Nathaniel here. Since I already shared my favourites of 2021 thus far in terms of films and performances, I asked the team about theirs halfway through the year. Since not everyone has had the opportunity to get fully back into the swing of moviegoing they were given free reign to share any kind of "top three" they wanted to. I felt such joy reading what made them the happiest, entertainment-wise, this year thus far. Maybe you will to. The various "top threes" after the jump...

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Streaming Roulette, July: No 7 Cherry Lane, Tomorrow War, Summer of Soul

Yes it's time for another round of streaming roulette where we point out a handful or two of titles that are streaming and just for fun, freeze frame them at totally random places in the scroll bar. Whatever comes up we share. Let's start with streaming premieres...

When I looked out into the crowd, I was overtaken with joy. I just saw so many black people. They were rejoicing.

SUMMER OF SOUL (Hulu)
We've already shared two thumbs up reviews: Murtada's from a long time ago at Sundance 2020 before the world stopped for COVID-19 and Glenn's Take when it reappeared this year. The story behind its making seems so incredible. How was all this footage just sitting here all this time and most people not knowing anything about this concert?

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