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Captain America: The Winter Soldier (2014) B+/A-
Nymphomaniac (2014) B-
Divergent (2014) C
Enemy (2014) B/B+

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The Film Experience™ was created by Nathaniel R. "Like it" on facebook!

 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd


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Podcast: One Last Golden Globe Gala!

You thought the Golden Globe festivities were over didn't you? Nope. There's one more left. It's time for the Film Experience Golden Globe Podcast. Katey, Nick, Joe and Nathaniel all met up for one last pre-Oscar nomination chat. We still don't agree on the movies but we all love the Globes unironically. It's always such a party for people who love celebrities and movies. We're sad it's over!

You can download the podcast on iTunes or listen right here at the bottom of the post.

Topics include...

  • Crowd shots and nominee closeups.
  • Introducing... Katharine McPhee!
  • The unintentional eroticism of the DeMille Award
  • Leonardo DiCaprio's tipping point.
  • Johnny Depp, Original Song and other Unnecessaries
  • Seating charts, surprise marriages
  • Calista and Harrison... and Harrison's earrings. 
  • No sloppy Globe seconds for Oscar.
  • Uggie up to his old tricks
  • What will happen with The Help at SAG?
  • Viola Davis vs. Meryl Streep, the problematic narrative
  • Octavia Spencer and David Fincher
  • Brad vs. George and Mr CrankyPants Joe Reid
  • Goodbyes

We'd love to hear your takes on any of the issues discussed in the comments.
We do a lot of theorizing and questioning!

Giddy for the Globes


Scene Work: Corey Stoll On Ernest Hemingway and Woody Allen

With the SAG Awards fast approaching, Oscar nominations hitting on Tuesday and "Original Screenplay" wins and Best Director nominations piling up for Woody Allen how about a little trip back to Midnight In Paris? Specifically to that magical hour when all of the movie's best moments take place. On the first of Gil's (Owen Wilson) midnight adventures he meets the Fitzgeralds who then introduce him to Ernest Hemingway (Corey Stoll). This introduction -- Stoll pisses off the Fitzgeralds (on purpose) and then badgers and ingratiates himself with Gil, who is reeling from meeting his hero. It's one of the movie's most memorable scenes and Corey Stoll immediately establishes himself as the film's MVP despite a plethora of famous actors in showy cameos.

If you're a writer, declare yourself the best writer! But you're not as long as I'm around unless you want to put the gloves on and settle it."
-Stoll as Hemingway. 

This introduction was also, not so surprisingly, the rising actor's most satisfying scene to shoot. When I spoke to him in December about that bizarre SAG rule which prevented him from technically being part of the movie's Best Ensemble nomination, we discussed this introduction in particular and his working relationship with comeback kid Woody Allen.

"That's the scene I was most nervous about," the actor recalls about his memorable introduction. He loved how 'commanding and unapologetically self-centered' this fictionalized Heminway was. "It's actually the scene where Woody let me do a number of takes. I think often he just lets actors find it themselves. They either find it immediately or not and he still moves on."

He recounts the speed at which Woody works. He doesn't want the actors to obsess too much on the work and wants to keep things more spontaneous. "With this I lucked out. At a certain point after my final take of the closeup he said 'that's 100% what I was looking for'."

I can't help but register surprise that Allen spoke to him at all. You hear stories. His funny response:

That was the only praise that I heard the entire time! He's not big on ass-kissing."
-Stoll on Woody Allen 

Amusingly enough, Allen's purposeful steering of the actors away from actual biography towards communal fantasies presented a slight obstacle for Stoll after the fact. "I've sort of been asked a lot of questions about Hemingway." When he did a public reading of Hemingway's letters he worried that he'd be "a bit of a fraud" in front of scholars. "I knew the basics of his life," the actor says about the famous author, but that isn't what he used, creatively, for the performance.  "What was most important in this context was having his rhythm and cadence and his use of language be the driving force of the performance. As a reader that's what you get.  That's where I put my energy and attention."

The work paid off and the actors career is on the upswing. "All this attention and praise is really nice," he confesses. "But the role itself is so much more satisfying. Whatever happens, I played Ernest Hemingway in a Woody Allen movie!"

Two Stoll Roles: North Country with Charlize Theron. Intimate Apparel with Viola Davis

Currently Stoll is enjoying running into old co-stars on the awards circuit including Charlize Theron (North Country). His "Intimate Apparel" stage partner Viola Davis is also on the campaign trail this year. Would he like to reprise that for a film? "Any day. Any time. Wonderful experience." He's up for Best Supporting Actor next month at the Spirit Awards and one can't help but pray that he'll be a shock surprise on Oscar Nomination morning this year in the same category.

Before we wrap up, I had to ask him about his role in the upcoming summer blockbuster Bourne Legacy opposite Jeremy Renner, also a former co-star

"Please don't tell me you're playing a villain, " I say sharing with him one of my major movie pet peeves. "They always make bald men villains!"

"I can't tell you anything," Stoll says laughing. "I'm contractually obligated! They weren't specific about how they were going to ruin me but there's nothing to be gained."

Interview Index | Nathaniel's Supporting Actor Ballot



Sing "Far From Heaven", Sing!

Far From Heaven, one of our favorite movies here at TFE, is stage bound. Musical stage bound to be more precise. Not every property was meant to be reinterpreted for the musical form but you've generally got a head start on greatness if the story or appeal is already heightened as it were...

Some emotions are too deep to speak. You have to sing them. Imagine Cathy Whitaker's voice soaring over some poignant melody while her heart is quietly breaking? Imagine the opportunities for a great 11th hour duet that maybe becomes a solo at the train station.

Gives you chills it does.

Viola Davis in "Far From Heaven"But this could all go horribly wrong. Perhaps big brassy pastiche numbers like "Mr & Mrs Magnatech" await us? And Mr Whitaker's gay escapades in musical context could veer way too far into unintentional camp rather than 50s homage. The musical will premiere in July 2012 at the Williamstown Theater Festival but no cast has yet been announced.

Do you think they'll give the best sidebar song to Sybil the maid (the Viola Davis role) or Cathy's evil bestie Elle (the Patty Clarkson role)?

Invent song titles in the comments. May the best amateur composer win!

The musical is being written by the team behind the musicalized Grey Gardens. If you've never heard any songs from that show I've included the best one after the jump "Around the World".

Click to read more ...


Review: "Haywire"

If you've ever wanted to see Ewan McGregor, Michael Fassbender or Channing Tatum punched in the face repeatedly, HAYWIRE is your movie. At one time or another, the actors take quite a believable pummelling from rogue CIA agent Mallory (Gina Carano) in Steven Soderbergh's experimental action picture. Soderbergh first spotted his new muse, a real life mixed martial arts champ, while channel-surfing and was so transfixed he ended up building a feature around her. 'Why can't there be a female James Bond?' went his reasoning. He must have meant it in a loose sense for Mallory is no Bond. She's not super verbal, isn't at all comfortable at elegant black tie events, and has no discernible signature catchphrase. She orders no martinis, neither shaken nor stirred.

Carano's lack of acting experience shows when she's not fighting but thankfully that isn't often. Soderbergh, ever a resourceful director, keeps forcing her to dodge bullets, fists, and sharp objects...

Read the rest at Towleroad

P.S. What movies will you be catching up with this weekend? Have you ever wanted to punch Ewan, Channing or Fassy in the face?


Link Crumbs Trail

Mike Myers Oscar BuzzLinks. I Know These People Edition
<-- This Had Oscar buzz is a new tumblr from Joe Reid. I was totally giggling gawking at it earlier. It's all true! It's all true!
Pajiba Joanna on Michael Fassbender Penis Expert
Do Dump or Marry is but one of me pal JA's great features on My New Plaid Pants but I particularly enjoyed the latest all ladies 9 to 5 edition. 
Critical Condition looks at five stars who squandered their goodwill.
Nicks Flick Picks have you been following Nick's Best Actress Birthday party? It's amazing. Next up Patricia Neal and Geena Davis 
In Contention Kris Tapley is a Sundance Virgin. Virgin!
Slant Kurt interviews Steven Soderbergh 

Awards, Special Interest Edition 
The NAACP has released their Image Award nominees and Awards Daily is pleased to see the Cicely Tyson mention in supporting actress. That's all well and good as she was quite touching in the movie but it seems utterly bizarre to have FIVE actresses nominated from The Help for acting prizes and no sign of Jessica Chastain. It's Viola, Octavia, Cicely, Emma... and Bryce!?! Pariah, which is finally in theaters, also did very well in their nominations. Congratulations to the nominees especially Regina King who was nominated for Southland... so underrated. 

Team "Help" when the Oscar buzz was but a whisper at their world premiere.

And though I forgot to mention it a few days back, the Gay and Lesbian Entertainment Critics Association (aka GALECA) gave both of their best film prizes --the standard best film plus the best gay film prize -- to Andrew Haigh's Weekend. Michael Fassbender won the "We're Wilde About You Rising Star Award". We Were Here, a documentary about the early years of the AIDS crisis in San Francisco, took their Best Documentary honors. It's also an Oscar finalist this year.

Overseas the London Film Critics Circle took their cue from Nathaniel (kidding) splitting their prizes between his two favorite films of the year The Artist (Picture, Director) and A Separation (Screenplay, Foreign Film, Supporting Actress). And back here in the States the Iowa Film Critics yearned for Hawaiian vacations with The Descendantszzzs