Sundance: "Flee" beautifully animates a family's struggle

by Eurocheese

As the first acquisition at this year’s Sundance Film Festival, Flee made headlines as an early success story. To anyone who attended the premiere screening, it was no surprise that the film was snapped up so quickly. Between its lovely animation and personal message, it speaks to a refugee’s journey in a heartfelt way. I shed tears at several points during the film, and based on the reactions I heard during the Q&A afterwards, we’ll be hearing much more about its emotional impact in the future.

The story begins as a conversation between two friends, one of whom (Amin) seems to be hesitating when considering marriage to his longtime boyfriend...

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Film Review: "Supernova"

by Christopher James

Who wouldn’t want to see Stanley Tucci and Colin Firth in love?

The suave former Mr. Darcy would make the perfect husband for a cocktail-swirling Tucci. On paper, any movie starring these two men as lovers would be a real winner. Even though they are both straight, they've eached proven that they can realistically and empathetically play gay without leaning on stereotypes. Plus, Stanley Tucci's cookbooks (and the accompanying photo shoot) have done more for the gay community than any other straight moviestar ally. Yet, Supernova is a far cry from any delightful rom-com or charming late-in-life love story. Writer/director Harry Macqueen’s film is a much more serious and somber affair.

While both Tucci and Firth are in fine form, Supernova is more of a slog than an engrossing drama...

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Sundance: "Strawberry Mansion" review

by Jason Adams

"Out of my hair and into my home, to enter you must lick the ice cream cone," is how one character greets another in the trippy and lovingly strange Strawberry Mansion from writer-directors Kentucker Audley and Albert Birney. That invitation gives y'all your gist -- if you wanna enter a movie that will bestow such a whimsical greeting upon you at the door then you're probably in the right place. And it only gets weirder once you've come in. It's up to you whether you're willing to let the Strawberry wash over you. Me, I was mostly tickled. Pinkish, you know...

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Yes No Maybe So: "Godzilla v Kong"

Tony here. I’m a forever defendor of Gareth Edwards’ 2014 Godzilla picture. It’s an atmospheric, artful take on a big, blustery blockbuster featuring giant monsters. The acting is better than it has any right to be and there are images and wholesale sequences which evoke the best of Spielberg; Edwards sought to restore mystery and majesty to the genre. After Edwards’ film ONLY made $530 million worldwide, Warner Bros would return to the brainless goofiness of old (think the 1997 Godzilla) with Kong: Skull Island and Godzilla: King of the Monsters, seeking out higher dollars by doubling down on dumbing it down.

Despite interesting directors at the helm, they’re both mildly entertaining if overwrought examples of studio factory filmmaking, and Godzilla v Kong looks to continue this trend based on its trailer, a piece of unintentional hilarity...

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Interview: Bao Nguyen on "Be Water" and the cultural resonance of Bruce Lee

by Nathaniel R

Bao Nguyen's Be Water premiered on ESPN this past summer and has touched a lot of people since then. It's a lovely meditation on Bruce Lee's life, his relationships to both the East and the West, and the meaning of his legacy and activism. Be Water is one of 238 films eligible for the Oscar this year in Best Documentary Feature. We were thrilled to sit down with Bao Nguyen, over Zoom of course, to discuss his picture and the man and myth that is Bruce Lee.

Be Water was five years in the making, though things sped up considerably once ESPN signed on two years or so ago. Originally Be Water was supposed to come out around Bruce Lee's 80th birthday this past November but demand was so great for new movies during quarantine that the release was moved up to June. Nyugen, had a strange year (didn't we all!) but one recurring joy was hearing from and seeing photos of multigenerational families watching the film together. He describes the film as "connective tissue" and the parents and kids and grandparents could then discuss what Bruce Lee meant to them...

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