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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Thursday
Jan282021

Japanese Academy Nominations

by Nathaniel R

Two of the nominees this year, a journalism mystery and a trans drama

Anyone have any theories as to why American theaters (pretend there's not a pandemic) so rarely get Japanese movies? Chinese, Indian, and South Korean movies hit the US quite regularly (on the coasts at least) but otherwise Asian movies don't seem to get much play in the US. Streaming sites appear to have the same preferences for Asian cinema (though you can add in Thai cinema to the mix there). We try to cover the Golden Horse Awards each year -- which honors Chinese language cinema -- but we realize we've never covered the Japanese Academy (now in their 44th year). That's surely because we've rarely heard of the movies or the stars. With Chinese cinema the titles and stars are often familiar to cinephiles. Theories?

Anyway, here are the nominees this year for the forthcoming March 19th ceremony in Tokyo. Three names -- two of which have been up for Oscars -- are familiar...

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Thursday
Jan282021

Showbiz History: Streisand makes history and Elijah Wood turns 40

6 random things that happened on this day, January 28th, in showbiz history...

1973 The 30th Golden Globes with The Godfather and Cabaret both winning Best Picture setting up their nail-biting historic Oscar night. Also on this night Diana Ross won the "New Star of the Year" award for playing Billie Holliday in Lady Sings the Blues for which she'd also be Oscar-nominated. Will Andra Day be as awards-lucky in the forthcoming United States vs. Billie Holliday?

1978 The 35th Golden Globes with The Turning Point and The Goodbye Girl winning the Best Picture prizes...

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Wednesday
Jan272021

The Best of Cloris Leachman (1926-2021)

by Nathaniel R

We've lost one of the true greats. The one and only Cloris Leachman has died at 94 years of age of natural causes. The showbiz bug hit early, as it often does with plays as a teenager and by the time she was 20 in 1946 she was a Miss America contestant. Her career developed slowly as many truly enduring careers do, with numerous small roles in film and television (and some large ones onstage) before the big breakthrough. That breakthrough was a double whammy, as befits hard-working but late-breaking fame. In short succession she made a huge impression as Phyllis the landlady on The Mary Tyler Moore Show in the 1970/1971 first season and in October 1971 she was also on the big screen, flexing very different acting chops, in the soon to be Oscar-winning classic, The Last Picture Show (1971).  

Though she is best remembered today for television sitcoms which she did on and off throughout her career, she was an actress of verve and versatility...

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Wednesday
Jan272021

Almost There: Ralph Fiennes in "The Grand Budapest Hotel"

by Cláudio Alves

With Netflix's The Dig arriving friday, let's talk about the remarkable Ralph Fiennes. Oscar-wise, the British actor hit it big quickly, earning a nomination for his third feature, Best Picture champion Schindler's List. For a handful of years, it seemed like he'd become an awards season perennial, but things turned out differently. While he conquered another Oscar nomination for 1996's The English Patient, he's won little buzz since. That doesn't reflect a decrease in the quality of his work nor a turn to less prestigious fare. Oddly, even when he gets great reviews in titles beloved by AMPAS, an acting nomination remains elusive. This was never more evident than in 2014 when Fiennes delivered a tour-de-force in one of the most nominated movies of the year, The Grand Budapest Hotel

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Wednesday
Jan272021

The Furniture: Promising Young Woman and Set Decoration as Weapon

"The Furniture," by Daniel Walber. (Click on the images for magnified detail)

The best part of Promising Young Woman, aside from Carey Mulligan’s performance, is the look. It’s refreshing to see a comedy with so striking a visual sensibility, a neon nihilism that leaps off the screen. It’s certainly the first time I’ve ever seen coffee shop decor that I could describe as “snide.”

The work put in by production designer Michael Perry, art director Liz Kloczkowski and set decorator Rae Deslich is remarkable. Promising Young Woman has such a heightened visual sensibility, occasionally its own plot seems surprisingly tame in comparison...

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