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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Saturday
Oct102020

NYFF: Yulene Olaizola's "Tragic Jungle"

by Jason Adams

M. Night Shyamalan's name has become synonymous with cinematic puzzlery, but there can be a dulling obviousness to the way he approaches the concept of Mystery, at least in his weakest moments. He genuinely thinks he can explain the unexplainable. His "twists" mostly seem to mash the Unknown into tight little balls we can hold in our hand to exit the theater with. And so it's only the opening passages of his film The Happening, about Mother Nature seeking vengeance against the humans who've abused her so, that retain any sort of power -- Shyamalan spends the remainder of that film piling plot contrivances on top of his original interesting idea until it's the audience who can't breath from the sheer weight of nonsense pouring off the screen.

I'll admit I thought of The Happening while watching the breeze move gently through the rainforest trees of Mexican director Yulene Olaizola's captivating and hypnotic new film Tragic Jungle...

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Saturday
Oct102020

Showbiz History: Liz Taylor's Gigantic Film and Marriage

6 random things that happened on this day, October 10th, in showbiz history

1956 Giant with its gargantuan running time and trifecta of iconic stars -- Taylor, Dean, Hudson (plus Mineo & McCambridge!) --gets its world premiere in NYC. It will open for Thanksgiving in movie theaters and lead Oscar nomination morning with 10 citations. Sadly it will lose Best Picture to a much lesser movie, Around the World in 80 Days. But these things happen in Oscar annals.

1963 From Russia With Love, the second Bond film, has its world premiere in London and goes on to become an even bigger hit than the franchise launch Dr No.

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Friday
Oct092020

Ranking Laurence Olivier's Oscar nominations

by Cláudio Alves

The Supporting Actress Smackdown of 1965 will be up on Sunday afternoon so here's an extra list before we get there. Before each event, I like to watch every nominated movie, even those I have already seen. Because of that, I found myself with the unenviable penance of revisiting 1965's Othello. Many of you surely did the same, exposing yourself to one of Sir Laurence Olivier's most problematic star turns, a Blackface version of Othello. I figured if I was going to force myself to watch this dirge, I should something productive with it. Hence, this write-up, in which that famous thespian's ten acting Oscar nominations are ranked...

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Friday
Oct092020

Kelly Reichardt and the "Roads to Nowhere"

by Cláudio Alves

With First Cow, Kelly Reichardt reaches an apotheosis in her career. Watching the director's filmography, one wouldn't suppose she was building up towards a monument, a grand summation of an auteur's cinematic idioms and preoccupations. Yet, here we are. While Reichardt has a very characteristic style and collection of favorite themes, one of the main elements of her oeuvre is a conspicuous lack of grandiosity. She's one of the great voices in contemporary American cinema, but her works seldom underline their mastery or call back to the films that came before, their predecessors in the Reichardt canon. 

Because of that, it feels like a good time to meditate on Kelly Reichardt's cinema, to revisit her features' wonder and, perchance, reevaluate what each one was trying to say. It's also an opportune moment to examine how those films were made, the methodologies of the artist. The way something is created imbues it with particular qualities, both aesthetic and ideological, thematic, and even spiritual. Helping us through this odyssey of discovery on the films of Kelly Reichardt, we now have Seventh Row's latest e-book, Roads to Nowhere: Kelly Reichardt's broken American dreams, as a handy guide… 

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Friday
Oct092020

Best Actress Predictions

by Nathaniel R

Sophia Loren with her son, director Edoardo Ponti

We try to save the best for last. We know where our bread is buttered. Or, rather, what kind of bread we like in the first place, and which buttery spread is the perfect topper. Which brings us to BEST ACTRESS...

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