Review: An American Pickle

by Juan Carlos Ojano

Seth Rogen has built a career mostly composed of comedies of all kinds, from stoner films to dysfunctional family dramedies. In his past decade of work only Take This Waltz and Steve Jobs  can be considered dramatic. In An American Pickle, directed by Brandon Trost and written by Simon Rich, Rogen does not leave his comedy roots but instead, digs deeper with the humor and comic storytelling.

An American Pickle is about Herschel Greenbaum (Rogen), a Jewish man from 1919 Russia  who moves to New York with his wife Sarah (Succession’s Sarah Snook) in search of a better life after an anti-Semitic attack on their hometown. However, an accident in a pickle factory causes him to be brined for 100 years. After waking up in 2019, he connects with his only living relative Ben (also Rogen)...

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Review: The Tax Collector

by Tony Ruggio

I’m not certain I’ve ever seen a movie fall apart so much, so quickly, and so late as The Tax Collector. What begins as an intense, well-crafted, gangster picture -- almost a twisted buddy movie really -- eventually devolves into a poorly constructed revenge film.

The first half, at least, is chock-full of intriguing little details, and workday nuances that could’ve only been culled from real-life experience on the mean streets of East Los Angeles. David (Bobby Soto) is a mid-level collector for his imprisoned ringleader father (Jimmy Smits) and connected uncle (George Lopez). He’s a monied, family man in a wealthy enclave, running the day-to-day errands for their neck of the woods, which mostly involve collecting gang taxes from the neighborhood shops and shopkeepers. His enforcer Creeper, a well-dressed white man and friend he clearly grew up with, is played by a riveting Shia Labeouf...

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What did you watch this week?

Another weekend without moviegoing comes to a close. Thank the cinematic gods for DVDs, blurays, and streaming! We finally finished Mrs America (why did it take so long?) and also screened Algiers yesterday on Amazon Prime because we were in the mood for some beautiful people in noirish shadows (Charles Boyer and Hedy Lamarr provided). Glenn is suggesting a trip to Australia (tempting!) and we noticed a lot of online friends talking about Howard, newly streaming on Disney+. We remember that documentary about songwriter Howard Ashman being quite good (from a festival screening two years back) so perhaps we'll hit that again sometime this week. What have you been watching? 

New to Streaming: The Australian New Wave on Criterion

By Glenn Dunks

The Criterion Channel recently added a whole bunch of Australian movies from well-known directors like Peter Weir, Gillian Armstrong and Phillip Noyce onto their service. While some titles from the “Australian New Wave” series were (I think?) already on there, there are many that are not only new to the service but new to American streaming full stop.

The series features 21 titles that range from 1971 to 1982, several of which are stone cold masterpieces. In a funny little merging of cinematic timelines, a few of these movies have more historically been ignored by the prestigious banner of the new wave era as their genre elements meant they often get lumped less nobly into the “Ozploitation” sidebar of exploitation, sex comedies and horror movies. Whatever it took, however, I’m happy to see some of my favourites find a streaming home internationally.

Now if only Criterion would add more of them to the damned collection!

I thought it would be fun to list the titles—because who doesn’t love a list?—but base it not on their quality. Rather, how much they speak to Australia, the country, the people, and its identity both then and now as we look at them nearly 40 years removed. Subjective, of course, and it's been many years between viewings of many of these, but I feel if you want an education on Australia, then there are some films here that would do a better job than others...

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First images from the surely misbegotten remake of "Rebecca"

by Nathaniel R

Armie Hammer and Lily James as Mr and Mrs de Winter

Netflix has released the first four images from their remake of Hitchcock's Rebecca which begins streaming on October 21st ---  Excuse us, Daphne du Maurier's Rebecca. People will be quick to note that it's less sacrilegious to adapt the novel than the 1940 best Picture winner. Now, we understand that remakes are not automatically "bad," but there are numerous reasons why remaking Hitchcock films, of all things, is a spectacularly dumb thing to do. For one, auteurs that get adjectives named ever them are inimitable and so you lose the distinct personality. For another, Hitchcock movies have (mostly) aged terrifically well; there's a reason people still watch a wide swath of them and so many are still easily available to the public, referenced in so many modern movies, and an intrinsic part of culture...

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