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Thursday
Oct292020

How Had I Never Seen..."Bram Stoker's Dracula"

By Michael Cusumano

“You haven’t seen Bram Stoker’s Dracula?” my girlfriend gasped, stopping her laundry folding dead.

This caught my attention as it upset the established dynamic of our relationship. I am the one who interrupts every conversation with some version of “What? You’re telling me you’ve never seen [insert name of film no one has ever watched outside a film studies program]?!"

She then reflected on how gorgeous Coppola’s vampire opus is and chastised herself for not owning it. This again was a reversal of the natural order. I wake up with night sweats at the thought that there is a great movie somewhere I don’t own. She owns approximately seven DVD’s she acquired by accident in the early 00’s which she stores in a dusty case next to "Jagged Little Pill" and her old Microsoft startup discs.

I immediately turned off what I was watching and popped on the Coppola film...

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Thursday
Oct292020

International Contender: Canada, Germany, Japan, and more...

Since the last posting of this kind we've had six new submissions announced for Oscar's International Feature Film race, bringing the total to 25 thus far. We're tracking both here on the Oscar charts and at letterboxd. (We usually end up around 90 titles but we suspect there will be fewer titles this year due to the pandemic and the resulting cinema chaos.)

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Thursday
Oct292020

Halloween Costume: "Drive" and "Fury Road"

by Tony Ruggio

Before I was 24 I never used Halloween as an excuse to tout one of my favorite movies. I’ve been a self-described cinephile since the age of 14 and yet somehow it had never occurred to me to dress up as a character from any film, less it was an already uber-famous character like Batman and such. When I discovered that, lo and behold, there were replicas being sold of the iconic scorpion jacket from Drive, I jumped at the chance to purchase one for myself and have some Ryan Gosling cool rub off on me...

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Thursday
Oct292020

How Emma Got Her Groove Back

by Jason Adams

Oh thank the heavens, a leading role for Emma Thompson! It's been too long since we've seen one of those (does Late Night count? I never saw Late Night) and this one sounds like a doozy -- Dame Emma will be starring in a comedy titled Good Luck to You, Leo Grande, which will have her playing a recent widow who decides to spice up her life with all the things she missed during her long marriage, chiefly among them some high quality sexual intercourse. So she finds herself a "sex therapist" in the form of a young man in "his early twenties for a night of bliss." These are Variety's words, not mine -- I would be much, much more vulgar.

As I have no doubt Dame Emma would and perhaps hopefully will be! Her boozy bawdy real-world presence, the one we get to see on red carpets and talk shows, doesn't get utilized nearly often enough on-screen, so the thought of her starring in a proper sex comedy sounds like, well, a, dare I say, "night of bliss." The film will be directed by Austrailian director Sophie Hyde, who made Animals with Holliday Grainger and Alia Shawkat last year -- no word on other casting yet, but of course our minds turn to the young actor playing the sex worker. Who'd you like to see play opposite this grand Dame?

Thursday
Oct292020

1987: Veronica Cartwright in "The Witches of Eastwick"

Before each Smackdown, Nick Taylor looks at alternates to the Oscar ballot...

Happy Halloween!! God, I missed writing these pieces. And I’m so excited to finally discuss a horror film performance, even if The Witches of Eastwick isn’t anyone’s first example of "horror". Probably the purest element of horror in the film - and its best element period - is Veronica Cartwright’s unforgettable turn as the devout, unraveling selectwoman Felicia Alden. An actress possessessing an uncanny ability to give plausible, full-bodied expressions of terror to films as frightening and atmospherically rich as Invasion of the Body Snatchers and Alien, her gifts are put to the test in an equally ambitious but more tonally inconsistent film. Felicia surely ranks among the most showcased roles she’s ever had, which is all the more exciting given how different she is from Lambert, though I can’t fathom why her career didn't explode with juicy offers thereafter. Regardless, what she accomplishes here might be the crown jewel of her vivid, horror-cult career...

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