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Entries in Veronica Cartwright (6)

Saturday
Apr202024

Happy 75th, Veronica Cartwright

by Mark Brinkerhoff

Veronica Cartwright in a 2020 documentary "LIfe After The Navigator" exploring one of her 80s films

Happy 4/20, which happens to be the birthday—same day/month/year—of both Jessica Lange and one Veronica Cartwright, the British-born former child star and current character actor extraordinaire.

When did you first clock the extraordinary Veronica Cartwright on screen? Though she mainly does TV guest spots (and the occasional direct-to-VOD titles) nowadays, I can say that she made an immediate impression for me in the mid-‘80s, starting with The Right Stuff (1983), Flight of the Navigator (1986), and most notably The Witches of Eastwick (1987)...

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Thursday
Oct292020

1987: Veronica Cartwright in "The Witches of Eastwick"

Before each Smackdown, Nick Taylor looks at alternates to the Oscar ballot...

Happy Halloween!! God, I missed writing these pieces. And I’m so excited to finally discuss a horror film performance, even if The Witches of Eastwick isn’t anyone’s first example of "horror". Probably the purest element of horror in the film - and its best element period - is Veronica Cartwright’s unforgettable turn as the devout, unraveling selectwoman Felicia Alden. An actress possessessing an uncanny ability to give plausible, full-bodied expressions of terror to films as frightening and atmospherically rich as Invasion of the Body Snatchers and Alien, her gifts are put to the test in an equally ambitious but more tonally inconsistent film. Felicia surely ranks among the most showcased roles she’s ever had, which is all the more exciting given how different she is from Lambert, though I can’t fathom why her career didn't explode with juicy offers thereafter. Regardless, what she accomplishes here might be the crown jewel of her vivid, horror-cult career...

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Sunday
Jun072015

Podcast: Smackdown Companion 1979

You've read the new Supporting Actress Smackdown. Now hear its companion podcast. Our panel widens its view from the supporting nominees to talk about the unique cinematic landscape of the late 1970s, the women's lib movement and concurrent movie gender wars, and which movies give the best period punch and which we've misremembered completely.

Host: Nathaniel R
Special Guests:  KM Soehnlein,  Kristen SalesBill Chambers, and StinkyLulu.

Contents

  • 00:01 Introductions and memory vs. reality w/ Breaking Away
  • 03:20 Gender Wars of 1979. Misogynistic or merely non-coddling and complicated? 
  • 09:00 Cynicism and Optimism in Starting Over and Manhattan, which is particularly self-critical and discomforting
  • 15:50 Contextualizing the movies. 1979 versus what was to come with shifting tastes. Do people still make movies about "how we live now?"
  • 21:00 Meryl Streep's command of subtext and Kramer vs. Kramer as a film 
  • 28:00 The oddity of Starting Over's comedy - we recommend
  • 31:30 Movies we wish we had had to watch for the Smackdown: Alien & All That Jazz and non-nominated supporting actresses
  • 36:45 Final random observations: valium, money in 1979, and new actors who weren't yet famous
  • 39:00 Meryl Streep then vs Meryl Streep now. Of course we spend the last five minutes on Meryl Streep.

And because we joke about it - Here is Candice Bergen's off-key hit single "Better Than Ever" from Starting Over.

Please to enjoy and continue the conversation in the comments. You can listen at the bottom of this post or download from iTunes tomorrow. THE NEXT SMACKDOWN IS AT THE END OF JUNE. WE'LL BE LOOKING AT 1948 SO ADJUST YOUR QUEUES ACCORDINGLY.

Smackdown Companion 1979

Friday
Jun152012

Oscar Snub? Supporting Actress 1987

Witches of Eastwick 25th anniversary week ends this weekend. I intended to do much more but we'll see what little can be conjured still.

Cherries, Oatmeal, Satan and her weak husband just make her sick!

Film Experience Trivia: Veronica Cartwright was the star of the very first episode of Craig's "Take Three" series right here (well, at the old location) in 2010. He spotlighted her work in three genre pieces (Alien in which she was originally cast as Ripley (!!!) , Invasion of the Body Snatchers and The Witches of Eastwick) concluding that she is the sci-fi-horror scream queen. On Witches:

Cartwright's skill at creating profoundly memorable characters is none more evident than in Witches: you see the very bile rise up in Felicia's face; she vehemently means every word in her religious rants, summoning up as she does some kind of wicked, wrathful acting goddess. With cherry-scented vomit (or even hospital oatmeal) smeared ungainly across her mouth, and spitting hellfire sermons at everyone who'll listen, Cartwright was unafraid to eschew vanity to maintain supporting performance perfection. If the "Alien" lead was stolen away, a Best Supporting Actress nod was more so here. Remote-control fruit-based possession doesn't get any classier than this.

...she exited the film way too soon. 

There were surely people at the time who thought she over reached but when you're the god-fearing counterpart to Jack Nicholson's Devil, you have to go big.

SO, LET'S TALK OSCAR 1987. Here's how the year shook out for Best Supporting Actresses but did you agree with their choices?  

The Oscar List

I saw Moonstruck for the first time in 2 decades last year. My god it holds up. Dukakis, Cher, the screenplay, Nicolas Cage even? All fantastic.

  • Norma Aleandro, Gaby: A True Story
  • Anne Archer, Fatal Attraction
  • Olympia Dukakis, Moonstruck (WINNER)
  • Anne Ramsey, Throw Momma From the Train
  • Ann Sothern, The Whales of August

 

The Globe List
the same list but for the following

  • Ann Sothern, The Whales of August
  • Vanessa Redgrave, Prick Up Your Ears ( also won the prestigious NYFCC Prize)

 

Vanessa, like Shirley Maclaine, is an oft-nominated Oscar caliber performer who also happens to have a surprisingly large list of snubs (despite the oft-nominated part) suggesting that if they don't love her work in a given year, they don't feel welcoming.

Martha Plimpton in a very unsettling scene in "Shy People". Good movie that's hard to find now.The Indie Spirit List

  • Karen Allen, The Glass Menagerie
  • Kathy Baker, Street Smart (also won the NSFC Prize)
  • Anjelica Huston, The Dead (WINNER)
  • Martha Plimpton, Shy People
  • Ann Sothern, The Whales of August

 

I haven't seen Street Smart or The Whales of August but I remember liking the other three performances quite a lot. Sometimes I think I should watch The Dead again as an adult because I'm pretty sure I didn't fully understand it as a teen. I'm always hoping (in vain) that Martha Plimpton's current fame as a dramatic stage star and Emmy nominated comedic lead on Raising Hope will remind people of what a fresh compelling presence she was on the big screen in the 1980s. So talented that one.

The BAFTA List

  • Maria Aitken, A Fish Called Wanda
  • Anne Archer, Fatal Attraction
  • Judi Dench, A Handful of Dust (WINNER, Oscar eligible the following year but wasn't nominated)
  • Olympia Dukakis, Moonstruck

Though I've seen all of these films I'll admit to trouble recalling Aitken and Dench's work in those films. But I haven't seen them in 20 years so...

 

Other Key But Less Kudo'ed Supporting Actresses in 1987

the scene to end all scenes for foot fetishist everywhere. Maggie Han and Joan Chen in THE LAST EMPEROR (1987)

  • Veronica Cartwright, The Witches of Eastwick (Saturn Nominee)
  • Joan Chen, The Last Emperor
  • Paulina Poriskova, Anna
  • Margaret Whitton, The Secret of My Succe$s
  • Dianne Wiest, The Lost Boys and September 
  • Sean Young, No Way Out 

 

Sean Young's current reputation as a Crazy Person is a bit unfortunate considering that in the '80s (when properly utilized) she was just on fire.

In other retrospective news... I'm never eager to call Oscar "racist" the way so many pundits do. The truth is that they can only choose from what's put in front of them in any given year. Roles for actors of color have never been as juicy nor as abundant as those offered white actors in English language fare and when they get plum opportunities they usually win attention. That said, if there's a "racial" issue with Oscar it's one that doesn't get any attention. For whatever reason, Oscar rarely ever nominates Asian actresses for anything even when they achieve international stardom or headline blockbusters of the arthouse or the multiplex (think Gong Li, Maggie Cheung, Zhang Ziyi, Michelle Yeoh) -- both of which are achievements that get European foreign-language actresses nominated on occasion. They don't even notice Asian actress when they're key players in movies that voters can't otherwise get enough of (Joan Chen right here or Ziyi in Crouching Tiger) I'm not saying Chen should have been nominated -- I haven't seen the movie in way too long -- but wouldn't she have been in other circumstances considering that she plays a drug-addled royal in a Best Picture winner?

WHAT WOULD YOUR NOMINEE LIST LOOK LIKE?
Do you like Cartwright in Witches or do you wish she (and Jack) would tone it down? Which performances do you most wish you'd seen from 1987 that won attention? 

 

Tuesday
Jun122012

Tuesday Top Ten - Motion (Picture) Sickness

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JA from MNPP here. First off, my apologies to those of you with weaker constitutions. This might not be your sort of Top Ten list today. With that out of the way, want to know why I still won't eat cherries to this very day? Since it's "The Witches of Eastwick week"I think y'all can probably put two and two together. Take a giant silver bowl of them, stir in a trio of witchy women under the influence of one Big Bad, and shake thoroughly - out spills what might be the always game Veronica Cartwright's most memorable cinematic moment. (And this is a woman who has been terrorized by Hitchock's birds and phallically attacked by HR Giger's Alien, so she knows from memorable scenes.)
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You'd be excused for expecting it to be the walls and furniture to be what tumbles out of her mouth since she spends the first half of the scene devouring the scenery in a tour de force of bravura overacting, but the devil's in the details - that red-stained torrent of cherry pits is something you just don't forget, even 25 years later. (Watch the whole scene here.)
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So in it's honor, a list!
Here are 9 more cinematic spews... from Bridesmaids through The Exorcist

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