Would you still read faithfully if we disabled comments altogether?

We're considering our options. We haven't been able to figure out what the impetus is for people pretending to be other commenters or pretending to be writers or editors of this blog. We don't have psychology degrees. Sometimes the perpetators post totally non-offensive non-disagreeable things while pretending to be someone else, but it's still at its core, disgusting and dishonest behavior, intended to mislead even in the times when it isn't intended to offend. The reason we have never forced user registration is we didn't want to set up an obstacle to reader engagement and we hate it, ourselves, when we have to "log in" to our own favourite websites. It's so easy to forget passwords and the like. But perhaps we should do that? Thoughts? Would you register to the site in order to have commenting privileges? Or perhaps a pay wall where only patrons of the site can comment? Maybe that's the solution. 

Emmy Review: Period Costumes

by Cláudio Alves

In the past three seasons, The Crown and The Marvelous Mrs. Maisel have won the Best Period Costumes Emmy. This year, they are again competing for the prize. If history repeats itself, Netflix's royalty porn will triumph over Maisel's midcentury stylings, but we never know. After all, two new contenders are joining the race in the form of two Emmy-loved limited series Hollywood and Mrs. America. Pose  is also there, but the FX show seems to bound to go the Mad Men route, always a worthy nominee, never a winner…

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Berlinale goes for genderless acting prizes

There were quite a few comments the other day wondering why we hadn't shared the news that Berlinale, one of the world's top film festivals, will no longer be giving out separate Best Actress and Best Actor prizes. Instead they'll now be giving out two genderless acting prizes, one for a leading role and one for a supporting role. The reason we hadn't yet shared the news is that we found it self-sabotaging and depressing. A disclaimer before we continue: Before yet another angry comment explosion wherein we're accused of not having any perspective -- 'the world is burning, who cares about movie awards,' etcetera, you know the drill -- we must state upfront that we're fully aware that film awards are not the most important thing going on in the world. To which we must also state "duh!" reflectively and pre-emptively. But this is a film site, and a film site that is obsessed with film awards so please just let us do our thing. If you want to read about the world burning, you're at the wrong website anyway. This one is built for talking about arts and entertainment with a heavy emphasis on the filmed kind.

Now let's continue to the Berlinale topic...

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Poland's Oscar stats and the first 2020 news of the International Feature Race

If you've been reading TFE for any length of time, you already know we're obsessive about Oscar's Foreign Language Film race, last year retitled to Best International Feature Film. Normally we've long since begun talking about the submission list, but 2020 remains an unruly unusual beast. But we do have two pieces of news to share regarding our favourite non-actress based category.

First, we've neglected to mention that Oscar's longer-than-usual release eligibility period has also affected Best International Film...

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1938: Doris Nolan in "Holiday"

Before each Smackdown, Nick Taylor highlights alternates to the Oscar nominations for Best Supporting Actress... 

I’ve written about a lot of movies for this series that have meant a great deal to me, both because I love them and because they are very, very good. With only three events left in this current Smackdown season, I think I can safely guess that I will not be writing about a film that has touched me quite as dearly as Holiday has. Along with being an indisputable peak in classical Hollywood filmmaking, in the romantic comedy genre, in the careers of its directors and its leading couple, the film is also a deceptively sharp ensemble feature. To say any performer matches the heights Katharine Hepburn and Cary Grant reach would be hard to argue, but to call Doris Nolan's savvy, multifaceted supporting turn as the character who kicks the whole plot into motion a sterling achievement all its own is a claim I'd be very happy to make...

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