Emmy Review: Lead Actress in a Comedy

By Abe Friedtanzer

I’m still sad that Elle Fanning isn’t here for The Great and I can’t understand how Better Things gets nothing but rave reviews and somehow Pamela Adlon isn’t nominated? That said, the list of actresses here is strong, And you'd think that previous winner Rachel Brosnahan would be the frontrunner with last year’s tough competition, victor Phoebe Waller-Bridge (Fleabag) and six-time consecutive champ Julia Louis-Dreyfus (Veep) out of the way. The Marvelous Mrs. Maisel may be the comedy nominations leader, but Brosnahan isn’t likely to eclipse Moira Rose. 

I’ll try to avoid major plot details in my analysis – but if you’d like more spoiler-filled descriptions, click on the episode titles. Let’s consider each nominee…

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Alain Delon on Criterion

by Cláudio Alves

For some people, the word handsome isn't enough. Such beauty defies description and almost seems to bend reality, becoming uncanny in its perfection. French star Alain Delon is one such person. It's no wonder that many a master filmmaker has lost themselves looking at the actor, making devotional songs to his besotting allure in the shape of cinema. Antonioni, Clément, Godard, Malle, Melville, Visconti were some of those masters of cinema and their works have immortalized Alain Delon in poems of celluloid that are some of the best films ever made… 

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Doc Corner: Barbara Kopple's 'Desert One'

By Glenn Dunks

Barbara Kopple’s new film is an interesting one. But not necessarily for any reason related to style or form and potentially completely by accident. Rather, it’s interesting for how well it encapsulates America’s idealised image of itself. For Desert One is a documentary that charts the various ins and outs of a top secret military mission that was, to be perfectly frank, an utter shit show. A botched rescue attempt in 1980 of American hostages in Tehran that, in retrospect, was lucky to take off in the first place.

It’s in part because of this debacle that we got Argo.

And yet…

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Emmy Review: Fantasy/Sci-Fi Costumes

by Cláudio Alves

Compared to other Emmy awards, the Best Costumes tryptic of Contemporary, Period, and Fantasy/Sci-Fi represents a fairly recent addition. For decades, there was no distinction between genres. Contemporary, period and fantasy competed together, to the obvious disadvantage of the more modern-set series. Later on, fantasy and period designs were joined in a single award, leaving space for contemporary fashions to win. As of 2018, all three got their own category.

We'll be starting our analysis of the Best Costumes contenders with the Fantasy/Sci-Fi race which has been dominated by Game of Thrones in previous years. As that series' reign has ended, a new champion will emerge…

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The Furniture: Fantasies of Castle and Forest in The Adventures of Robin Hood

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail.

Eleven films were nominated for Best Production Design in 1938. And a number of them would be a great subject for a column, from lavish period pieces set in France (Marie Antoinette and If I Were King) to screwball comedies about class (Holiday and Merrily We Live). And four musicals.

Yet it’s hard to look past The Adventures of Robin Hood, which won. Warner Bros' first big budget Technicolor feature drops Errol Flynn and Olivia de Havilland into a lavish, colorful fantasy of Medieval England. Happily, it’s worth quite a bit more than its price tag. Its primary virtue is playfulness...

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