It's Raining Timothée

Perhaps to capitalize on the excitement for the forthcoming Dune (2020) and maybe The French Dispatch (though it no longer has a release date), Timothée's previous leading role, A Rainy Day in New York, is finally getting a US release (October 9th) given the barren theatrical landscape. As you may recall Amazon dumped it in 2019 during their contract dispute with Woody Allen. 

We haven't seen A Rainy Day -- though the new trailer is the kind where it feels like you've just seen the whole movie -- so our subject is Timothée himself. If this had been anything like a normal year, he would have been everywhere. Think about it. He is coming off of three Oscar hits (Lady Bird, Little Women, Call Me By Your Name) and arriving in two buzzy projects from well loved auteurs The French Dispatch and Dune. What's more had Hollywood been operating at its normal speed, we'd have heard new casting news since he's in-demand. In short, he would have been in the media constantly. The Oscar nominated actor turns 25 in December. Male actors who break out in their early 20s don't always have the career one expects but sometimes they stay popular even when their actual competitors arrive (since most male stars don't truly break big until their late 20s or early 30s). What do you see in Timothée's future? If you were his management team where would you be steering his career next? 

Emmy Winners 2020: "Schitt's Creek" clean sweep and more...

by Nathaniel R

It was both a usual Emmy night (Regina King + HBO dominance) and a very unusual one. In fact, last night's Primetime Emmy Awards were historic in many more ways than just being held in a nearly empty building during a pandemic. Zendaya became the youngest winner ever for Best Drama Actress (she turned 24 three weeks ago). It was a clean sweep for Schitt's Creek with all seven Comedy awards which has literally never happened before. After the jump the full list of winners with more commentary...  

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NYFF: "Malmkrog"

by Jason Adams

The urge to wander off into our own personal worlds has become, presently, understandable. Many of us have been literally forced into it in 2020, covering our faces and taping up our windows, our only human interaction through Zoom. How many of us have watched pixelated people blow out their birthday candles from their corner of the Brady Bunch squares on our laptop screens? But I mean more than physical isolation here -- I mean it feels as if in some ways our imaginations are having a renaissance; in the absence of open spaces and fresh air at the least our brains have been given a moment to breathe.  It's in some ways terrifying and in others liberating, but there seem to be ways of embracing this shitty moment that aren't shit in themselves.

Reality dictates that Cristi Puiu's new film Malmkrog, named after the region in Romania where it is supposed to be set, must have been filmed before right now. But it feels of right now, right this minute, at least in the way of its isolated white-windowed impenetrability...

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Mickey @ 100: "Mickey McGuire" and "Andy Hardy"

by Nathaniel R

While we've never been Mickey Rooney fans, per se, you know we love to celebrate anniversaries here at TFE so we're going to look at three of his most famous films this week. But first a bit of history. This pint-sized sensation, a household name for most of the 20th century, was born in Brooklyn on September 23rd, 1920.  Though his career no longer holds the enduring caché of several of his contemporaries, he was the most popular star of the late 30s and early 40s. What's more he had the longest onscreen career of any American movie star -- he worked in the films from the time he was 6 years old until his death at the age of 93...

Like many famous actors of the Golden Age, his career actually began before the talkies, via vaudeville and then silent film. While franchise stardom is de riguer in the 21st century, it wasn't as common 100 years ago though Mickey Rooney was prime proof that the general concept has always been with us. He first came to popularity in serials, those shorts franchises that would play before features. His first big role was the titular character in the "Mickey McGuire" serials which ran from 1927 through 1934 as direct competition for the popular "Our Gang" comedies (which the wee Mickey had auditioned for). Here's a clip from one of the McGuire films...

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"Nomadland" wins TIFF's People's Choice

by Nathaniel R

This year's TIFF has wrapped. Normally we cover it extensively, as you know, but they cut out a big swath of press this year including us... *cries*. Hopefully we'll return next year and if not we'll have to find a new favourite festival to obsess over. Herewith the winners and some Oscar stats, and if we've already discussed the movies, there's a link...

AUDIENCE PRIZES

People's Choice: Nomadland dir. Chloé Zhao.
(First runner up: One Night in Miami... dir. Regina King; Second runner up: Beans dir. Tracey Deer.)
People's Choice, Documentary: Inconvenient Indian dir. Michelle Latimer. 
People’s Choice, Midnight Madness: Shadow in the Cloud dir.  Roseanne Liang. 

That's right ALL of the audience prizes this year went to female filmmakers! Even the runners up were directed by women. The People's Choice Award is major bragging rights since it often signals kind Oscar fates down the road. Basically it would be a shock if Nomadland misses the Best Picture nomination at this point afterwinning TIFF and Venice though One Night in Miami has less convincing stats on its side. The stats go like so... 

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