Landmark gay adult film Passing Strangers (1974), restored

by Nathaniel R

If you use movies for time travel, as we often suggest people should given that they're cheaper than time machines, you could do worse than renting the restored 1974 porn Passing Strangers.  The site Pink Label.TV, which is queer owned and operated, and specializes in ethical and niche adult queer indie fare is currently hosting a restored print. It's the latest restoration for the work of the trailblazing filmmaker Arthur J Bressan Jr. Bressan also made the landmark gay drama Buddies (1981) and the documentary Gay USA  (1977) which Glenn recently raved about. His earlier porn, Passing Strangers, emerged during that brief heyday in the 1970s when mainstream media was taking porn seriously -- think Deep Throat and Behind the Green Door's blockbuster box office.

More, but definitely NSFW, after the jump...

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Loving "Love, Victor"

by Nathaniel R

Is this what good fan-fiction is like? In the first awkward episode of Love, Victor... and, again in the eighth "very special" cringe-worthy episode, and, fiiine, in scattered bits inbetween in virtually all episodes, the new Hulu series perpetually draws attention to the fact that it's inspired by the motion picture Love, Simon (2018). That said it wisely positions itself as a sequel, rather than a remake.

Instead of writing to a mysterious gay schoolmate online as Simon did in the first mainstream wide release gay romcom, Victor writes to Simon himself, inspired by his story and perpetually sliding into his DMs asking for advice...

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Phantom Thread: When bad fashion is good costume design

by Cláudio Alves

There are many ways to talk about Phantom Thread. My favorite Paul Thomas Anderson production is, among other things, one of the best films about romantic love I've ever seen, looking at the way that loving another person is to willingly become vulnerable to them. To love is, in essence, to open ourselves up to the possibility of mutually assured destruction. The picture is also a canny dissection of the muse/artist relationship, one that illuminates matters of obsession, dynamics between the sexes, the luxuriant pleasure of touching silk, and gazing upon that which is beautiful. It's all that and much more, a multifaceted jewel of cinema about which I could write endless rhapsodies of passionate praise.

Still, for this piece, let's look at the aspect of the movie that earned one of its makers an Oscar (and a jet ski). I invite you all to peruse the costumes Mark Bridges created for Phantom Thread, a film which proves that lackluster fashion can be masterful costume design…

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Release Dates, for the hell of it...

by Nathaniel R

Remember when reporting on movie news and release dates used to have meaning? It's a distant foggy memory but there was, in fact, a time when release dates felt, if not certain, than likely... something to get giddy about while you waited for the next "Must See". The Bond and Fast and Furious producers who pushed their films No Time to Die and F9, respectively, several months away when people first started to learn the word "coronavirus" are looking very smart in hindsight. They got the hell out of there before anyone was sick! Disney with Mulan and WB with Tenet chose to play the "let's just wait one more month" game and keep playing it. Both movies have recently pushed back to August.

Here's the schedule of the big(gish) movies for the rest of the year though obviously you should read it with not a grain of salt but the whole Great Salt Lake from Utah...

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Oscar Trivia: Ranking the His & Hers Supporting Oscar Wins

Moreno & Chakiris winning for WEST SIDE STORYby Nathaniel R

Only 8 times in the 92 year history of the Academy Awards have both Supporting trophies gone to the same movie. We were thinking about this factoid recently given that 1957 is the topic of next week's Smackdown (get those votes in). 1957's Sayonara wins for Miyoki Umeshi and Red Buttons (who played newlyweds) marked the third instance of both supporting trophies going to the same movie in just a seven year span. Given that that specific type of Oscar pairing has only happened five times more in the next sixty-two years of history, it's clear that "his & hers" was definitely more of a 1950s voter mindset than it is now.

[Tangent: Lead 'His & Hers' statues happen with about the same frequency but are mostly bunched up in the late 70s for some reason]

Let's rank what came before with double supporting wins in a highly unscientific fusion of the performances...

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