TIFF '24: "Carnival Is Over" and serving poor man's Shakespeare

by Cláudio Alves

CARNIVAL IS OVER (Photo Credit: Helena Barreto)

You know a film has grand ambitions, mayhap delusions of grandeur, when it opens with two extensive title cards setting up a mythos and cast of characters you'll need to follow to make sense of what's to come. Carnival Is Over wants to ensure the audience understands the century-old Animal Game, a clandestine lottery controlled by the "bicheiros" of Rio de Janeiro. Bask in this sense of legacy, for it's about to be upturned as a crisis of power blossoms within the crime lord's syndicate. It all starts with the return of a prodigal son from abroad, a year after his father's suspicious death. Valério is the heir's name, but you might as well call him Hamlet. Or perhaps Macbeth. Later in the narrative, he'll even play a little Titus Andronicus…

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TIFF ’24: Rachel House Directs “The Mountain”

By Abe Friedtanzer

Rachel House is a terrific actress from New Zealand whose most memorable performances are, for most, likely those delivered in Taika Waititi’s films, including Eagle vs. Shark and Hunt for the Wilderpeople. She’s also capable of strong dramatic work, including her first film role, the Oscar-nominated Whale Rider, and as a cruel immigration facility guard in the Netflix limited series Stateless. She’s done voice work in popular animated films like Moana and Soul. After years of coaching young actors like Julian Dennison and directing theater, she’s made her own first film as director, The Mountain, a delight making its North American premiere at TIFF…

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TIFF ’24: Māori History in “Ka Whawhai Tonu - Struggle Without End”

By Abe Friedtanzer 

Many modern countries are founded on colonization, and what’s taught in schools may not fully cover the true nature of what happened. In New Zealand, the relationship between the native Māori people and the English-speaking settlers who arrived there later is a complicated one, and the country’s cinema continues to pay homage to that history. After Muru in 2022 and The Convert in 2023, TIFF once again features an important film about the clash of cultures with Ka Whawhai Tonu - Struggle Without End… 

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Venice '24: "The Room Next Door"

By Elisa Guidici

THE ROOM NEXT DOOR

There’s no living storyteller with a more profound, intimate understanding of death than Pedro Almodóvar. I call him a "storyteller" because, in the 2020s, that’s become his most defining identity. His first English-language feature—set in an alternative, upper-class, hyper-cultural, Almodóvarian version of the United States—once again showcases his incredible narrative talents...

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TIFF '24: Sasson Gabay and Asi Levi in “Bliss”

By Abe Friedtanzer 

Getting older is supposed to come with certain issues, but there’s a notion that a peaceful retirement might be the goal. For some, it just doesn’t work that way, and continuing to hold down a monotonous job for many years while dealing with troublesome family dynamics may be their fate. The Israeli film Bliss spotlights a couple with a big age difference both dealing with unexpected relics of their pasts confronting them later in life… 

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