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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Sunday
Sep012024

International Feature Race - 15 Contenders Thus Far

by Nathaniel R

Though I know I've been absent from writing, I have been updating the International Feature Film Oscar charts to track the submissions. So far 15 countries have announced their submissions, some of which are available to US viewers. After the jump, the list so far, impending decisions from Israel and South Korea, and general observations...

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Sunday
Sep012024

Venice 2024: "Maria" and "Pooja Sir"

by Elisa Giudici

MARIA © Pablo Larraín

MARIA by Pablo Larrain
In Pablo Larraín’s unofficial trilogy of melancholic 20th-century female icons, Maria finds itself positioned somewhere in the middle. Maria is better than Spencer but falls short of Jackie's excellence...

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Saturday
Aug312024

Venice 2024: Series Better Than Movies #1 - Disclaimer

by Elisa Giudici

Alfonso Cuarón, behind the scenes of DISCLAIMER | © Apple TV+

From the moment the Venice lineup was announced, it was clear that this year, the festival was betting heavily on TV. The impression was that the quality was high enough to justify their inclusion and the commitment to watch long episodes, even at the expense of film screenings. Early viewings have confirmed this prediction. In these diaries from the Lido, I can already tell you that at least two series will make headlines. The first one is:

DISCLAIMER by Alfonso Cuarón

When it comes to TV series, Alfonso Cuarón proves to be the dream director for a platform like Apple TV+…

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Friday
Aug302024

Best International Film: Meet the Portuguese Finalists

by Cláudio Alves

THE BURITI FLOWER is one of Portugal's five finalists.

As the Best International Film Oscar race starts to take shape, the Portuguese Academy has begun the process of choosing the country's official submission. This year's selection committee was composed of nine individuals, all of whom work in the Portuguese film industry. The group ranged from directors to a distributor, encompassing actors, producers, a writer, and even a cinematographer. They include Cristèle Alves Meira, the Listen director who won gold two years ago in Venice; Luís Gaivão Teles, whose documentation of the 1974 Revolution is a precious historical artifact; and DP José Tiago whose filmography contains the Meryl Streep-led The House of the Spirits and our first-ever Oscar submission, Manhã Submersa

They have selected five features in hopes of breaking Portugal's unfortunate record, but it's now up to the Portuguese Academy membership to vote on the final choice. Will we stop being the country with the most submissions without a single nomination? Oh well, hope is everlasting. In any case, let's meet the finalists…

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Thursday
Aug292024

Venice Diary: Ghosts in Mostra

This year, Elisa is once again covering the Venice Film Festival for The Film Experience, writing a daily diary of her cinematic experiences from the Lido. The two opening films that inaugurated the 81st edition—one from the main competition and the other from the Orizzonti section—create a surprising and unexpected dialogue.

BEETLEJUICE BEETLEJUICE (2024). Credit: Warner Bros Entertainment Inc)

by Elisa Giudici

BEETLEJUICE BEETLEJUICE by Tim Burton
Gossip has revealed that much has changed recently in Tim Burton's personal life. He has a new woman by his side, both personally and professionally and a young muse who perfectly embodies his signature gothic aesthetic. Surprisingly, this shift has had a positive impact on Beetlejuice Beetlejuice, the sequel that, 36 years after the original, finds a legitimate reason to exist. It’s moderately entertaining, offers some successful sequences, and proves itself more than worthy of opening the 81st Venice Film Festival...

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