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Monday
Feb032020

Almost There: Lana Turner in "The Bad and the Beautiful"

This week The Film Experience will be celebrating Lana Turner for her Centennial. Here's Cláudio Alves

According to legend, Lana Turner was discovered in 1936, when she happened to be spotted by the publisher of The Hollywood Report while drinking a Coke at Schwab's Pharmacy. As with most myths of the cinematic Olympus, the story is unlikely to be true, though that doesn't take away from the allure of the actress. Whatever her origin story, Turner appeared in her first film the following year and quickly became one of Hollywood's most beloved sirens, an icon of glamor and sensuality, a megawatt star the likes of which we haven't seen in decades. 

Despite it all, stardom doesn't necessarily equal prestige. Turner was often seen as little more than a pretty face and her acting craft was underappreciated. In 1957, a conflagration of many scandals, personal and literary, secured her a single Oscar nomination for Peyton Place. That wasn't the first time she was in the running for awards, however...

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Monday
Feb032020

LGBTQ Highlights from Sundance

Here's Ren Jender filing her final report from Sundance 2020...

Tabitha Jackson and Kirsten JohnsonSundance didn't have a big queer film this year, as they have in many previous years (most recently in 2018, when director Desiree Akhavan's The Miseducation of Cameron Post won the Grand Jury Dramatic Prize) but with this year's awards came the news that a black, queer woman, Tabitha Jackson, would take over from outgoing, longtime Sundance Film Festival Director John Cooper. Jackson also made news on the first day of the festival when she married documentary director Kirsten Johnson (Johnson's Dick Johnson is Dead, was a favorite among many critics and audiences at Sundance this year), and they jointly announced that Johnson would no longer be submitting her films to the festival during her spouse's tenure. 

Sam Feder's Disclosure: Trans Lives on Screen premiered on Monday. The film is a documentary in the tradition of The Celluloid Closet, which included clips of queer characters in films and commentary on those characters by writers, actors and filmmakers...

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Sunday
Feb022020

Weekend Box Office

It was a quiet weekend at the box office with both new wide releases (horror film Gretel and Hansel and revenge thriller The Rhythm Section) opening softly, apart from a few noteworthy monetary marks for indie films...

Weekend Box Office
January 31st through February 2nd (ESTIMATES)
🔺 = new or expanding / ★ = recommended
WIDE RELEASE (800+ screens)
PLATFORM TITLES
"Gretel and Hansel" Oscar Nominated Short Film "Hair Love"
1 BAD BOYS FOR LIFE  $17.6 (cum. $148)
1 🔺 OSCAR NOMINATED SHORT FILMS $1.0 on 460  screens *NEW* THE CHARTS 
1917  $9.6 (cum. $119.2) THE ACTING,  CONTINUOUS SHOT ★ 2 THE LAST FULL MEASURE $519k on 617 screens (cum. $2.0)
3 DOLITTLE $7.7 (cum. $55.2) THIS ODD FRANCHISE 3 WEATHERING WITH YOU $405k on 224 screens (cum. $7.2) REVIEW  ★ 

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Sunday
Feb022020

Parasite's Architectural Storytelling

by Cláudio Alves

This year's Oscar nominations weren't particularly rich in surprises, positive or otherwise. Still, there are plenty of things to be ecstatic about like the Best Production Design nomination for Bong Joon-ho's Parasite. It's relatively unusual to see non-anglophone films score nods outside the Best International category and even rarer for the Academy's design branch to recognize excellence in contemporary narratives. Usually, period movies, sci-fi adventures and fantasy extravaganzas are de rigueur choices in these categories. However, the Korean masterpiece turned awards season juggernaut was able to overcome whatever prejudices the Academy might have and score a very deserved nod for the work of production designer Ha-jun Lee and set decorator Won-woo Cho.

With that in mind, let's celebrate this miracle of design, an essential element for a film about class in which social hierarchies are materialized in architecture…

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Sunday
Feb022020

Sundance Awards (Plus Abe's 'Jury of One' Wrap)

by Abe Fried-Tanzer

Minari won Sundance

The Sundance Film Festival is officially over, closing out yet another busy week and a half of nonstop movies. I managed to catch 41 films this year, including almost all the Premieres titles and most of the U.S. Dramatic Competition films. I enjoyed running into Murtada a few times and noting how much we disagreed on a few films (one of his least favorites is on my top ten list, and I hated Zola, which he loved).

After the jump, the official awards and the best of what I saw... 

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