To Uma on her 50th Birthday

Happy 50th Uma!by Mark Brinkerhoff 

There is the world before Uma Thurman, and the world after Uma Thurman—or at the very least for the world of actressexuals (unite!). A movie star like no other, her origins are almost as mythical as her stature. The daughter of an erstwhile Buddhist monk and a former high-fashion model—I kid you not—Uma, as mononymous as any great, was born on this date in 1970 and lived mainly in the rural environs of interior New England and upstate New York (Woodstock, to be exact).

 

A self-described awkward, introverted child, she nonetheless cut an arresting figure, catching the acting bug early. She followed in her mother’s footsteps as a professional model starting at the tender age of 15. 

 

Uma's early Vogue cover. Shot by Patrick "We have Patrick" de Marchelier

 

Soon enough she landed in magazines and on the cover—twice—of British Vogue, where her Amazonian proportions and striking visage were put to effective, glam ‘80s use...

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"Rob Roy" at 25

by Eric Blume

It’s been a quarter century since the release of Rob Roy, a film directed by Michael Caton-Jones and featuring the pairing of Liam Neeson and Jessica Lange. The period drama is about the eponymous 18th Century Scotland clan chief Robert Roy MacGregor.

Evidently there was a box-office hunger for this type of film around 1995, since one month later Mel Gibson’s Braveheart opened. The latter tragically went on to win Best Picture some nine months later.  Both films feature tales of broad-stroke heroism, where the main figure is portrayed as a rebel fighting the system, full of masculine bravado and BDE (the un-fun kind)...  

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Eric Rohmer Centennial: Six Moral Tales

by Eric Blume

Last weekend marked the 100th birthday of one of France’s greatest directors, Eric Rohmer, and we here at TFE figured that a nice way to celebrate him would be a look back at the six-film series that launched his career, the Six Moral Tales, which were released between 1962 and 1972.  

These films basically have the same plot:  a man obsessed or in love with one girl finds himself distracted by another woman, only to return to the first girl.  Rohmer uses this framework to examine the stunted male psyche, the rationalizations of behavior, and the mystery of love...

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"Patton" opened 50 years ago today

by Nathaniel R

Here's a timeline to marvel at. The war biopic Patton (1970) opened a half century ago today. The following Monday the Oscars celebrating 1969 were held. And an an entire year and a fortnight later, Patton would win Best Picture at the following Oscars. Isn't it crazy how slowly the movie world buzz used to turn? Now Hollywood never dreams of launching its big Oscar intendeds in the spring (not that they could at the moment but you understand). The only time we witnessed a long stretch from release to Oscar win like this in our moviegoing lifetimes was The Silence of the Lambs which won the Oscar in March 1992, a year and a month and a half after its initial release. 

Which nominee would you have voted for in 1970?

• Airport
• Five Easy Pieces
• Love Story
• MASH
• Patton

We would've been a MASH voter among those five but that's not a stellar vintage. We assume that Women in Love was in the dread sixth spot.

Toshiro Mifune @ 100: Red Beard

Our Toshiro Mifune centennial tribute has come to its final day. Here's Cláudio Alves...

Throughout his career Toshiro Mifune worked with some of the best Japanese directors ever, becoming the face of that country's cinema in the aftermath of World War II. He gave great support to Mizoguchi's leading ladies, provided emotional intensity to Naruse's deepfelt dramas, was perfect in Kobayashi's Samurai Rebellion and utterly iconic in many a Hiroshi Inagaki production. Still, his collaborations with Akira Kurosawa remain the most important. From 1948 to 1965, they made 16 films together, ranging from crime thrillers to action spectacles, from melodrama to historical epics, and the great majority of them are either considered classics or should be.

While I find High and Low to be their best film and Throne of Blood to feature Mifune's greatest performance, when it came time to choose, I knew there was no other option than to write about Red Beard. Released in 1965, it was the last film the Emperor and the Wolf ever did together. It's also an absolute masterpiece that deserves much more love than it usually gets... 

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