Gene Tierney @ 100: "Laura"

by Nathaniel R

Dear reader, we had such fun doing the Montgomery Clift Centennial that we want to do more of them. Of course not every movie star inspires the same passion in cinephiles, nor has a cooperatively small enough filmography to be completist about. For instance I put out the feelers on Gene Tierney, who made 37 films in her career, and received only 2 volunteers. And herewith a confession: I, myself, despite my love of Old Hollywood, was unfamiliar. I had seen only two of her movies and so long ago that I had next to no recollection. So I queued up her most famous picture, Laura (1944), which I'd somehow never seen even when I was a uncool kid in the horrific "colorizing" days of pop culture who relished seeing old black and white movies... 

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One Score and Five Years Ago: Revisiting "The American President" at 25

by Josh Bierman

As we are only 62 days away from a new, brighter era in the White House, now is the perfect time to revisit the Rob Reiner/Aaron Sorkin classic, The American President which is celebrating its 25th birthday this week. Back when it was released, Joe Biden was still a senator from Delaware and Tronald Dump had declared a loss of $915.7 million on his tax returns. I don’t want to make this piece a reflection on the Dump years through the lens of The American President, but as we’ve found in the years since Dump took that fateful ride down a golden escalator, it’s hard to avoid him when watching something overtly political. Or is that just me?

Let’s take it back a little bit. If you haven’t seen The American President since Hillary was just a First Lady, allow me to give a refresher. President Andrew Shepherd (Michael Douglas) is in his first term with high approval ratings, poised to cruise to a reelection victory. Enter Sydney Ellen Wade (Annette Bening), an environmental lobbyist, who catches the widowed president’s eye. But the president’s popularity and reelection chances begin to wane due to their courtship...

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100th Anniversary: "Leaves from Satan's Book"

by Cláudio Alves

Carl Theodor Dreyer is one of my favorite filmmakers. I'll never forget the first time I watched The Passion of Joan of Arc on the big screen and was transported, how experiencing Vampyr felt like witnessing a projected nightmare, the ecstasy of Ordet's ending or Gertrud's stern ruminations on love. It's to my great shame that I'm not familiar with the Danish director's early works, having mostly ignored them until now. The centennial of Dreyer's second feature, Leaves from Satan's Book, makes this a great time to start correcting these cinephilic lacunas…

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Ethan Hawke at 50: An Appreciation

by Lynn Lee

If I had to pick one actor who most perfectly embodies the spirit of Generation X, the choice would be a no-brainer.  With all due respect to other 40 and 50something stars (Leo, Brad, Johnny, Keanu) or dead icons (River, Heath) in his peer group, it could never be anyone other than Ethan Hawke.  Not because—or not only because—of Reality Bites, which made him the poster child for cynical, disaffected (but secretly vulnerable) Gen X slackers everywhere.  Rather because his career exemplifies the quiet independence and under-the-radar achievements of that not-quite-lost, but certainly liminal, generation.  He’s been working steadily since his debut, at the age of 14, in Explorers (1985), yet like any good Gen Xer, has successfully eluded easy characterization.  He reaches the half century mark today having assembled one of the most intriguing and eclectic bodies of work of any currently living actor... 

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25th Anniversary: "Home for the Holidays"

by Mark Brinkherhoff

In high school, I managed to hoodwink my journalism advisor into letting me review movies for our semi-regular school paper. In some cases, these were movies my parents certainly did not approve of (Se7en, Showgirls, etc.); in other cases, there were movies I would have seen anyway but was able to write off as a “class expense.” Home for the Holidays, Jodie Foster’s sophomore directorial effort, fell into the latter camp.  

Arriving on a post-Oscar blitz of new films starring Holly Hunter (e.g. Copycat, Crash—no, not that one), Home for the Holidays got lost in the shuffle of both 1995’s crop of holiday fare and its stars own filmography...

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