Remembering River Phoenix on his 50th Birthday

by Camila Henriques

This Sunday marks what would have been River Phoenix’s 50th birthday. A talent taken away from us much too soon, he went from adorable teenage prodigy to Oscar nominated scene stealer to Volpi Cup winner in less than five years.  Seeing the work that other actors of his generation, who also started young, like Leonardo DiCaprio and Christian Bale, have delivered from the mid 90s until now can be heartwrenching. They make it impossible not to wonder what could have been if that fatidic night in 1993 had not happened...

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Shelley Winters @ 100: Bloody Mama (1970)

We're celebrating the centennial of Shelley Winters. Here's Cláudio Alves…

In October 1966, less than six months after her second Best Supporting Actress Oscar win, Shelley Winters appeared in two episodes of the Batman TV show. Winters once again played a villainous mother. Unlike most Batman villains though, Winters' Ma Parker wasn't based on a comic book character but a historical figure. Kate Barker, commonly known as Ma Barker, was the matriarch of a criminal family who terrorized Arizona during the first decades of the 20th century. Boisterous, vicious, merciless, and bad to the bone, this monster mother was, in many ways, a perfect role for Shelley Winters in this period of her career.

It's no wonder then, that four years after the Batman episodes had aired, Winters returned to the iconic part. This time, however, there were no euphemisms or layers of superhero camp between the actress and the character. Roger Corman's Bloody Mama is a biopic of Ma Barker that, more or less, follows the historical narrative. That being said, if you think this is any sort of stuffy Oscar baity prestige picture, you are terribly mistaken...

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Shelley Winters @ 100: A Double Life (1947)

For the next few evenings we'll be celebrating the career of Shelley Winters for her Centennial. Here's Nathaniel R...

Shelley as a young starlet (1943) and as a prestigious character actress (1968)

Shirley Schrift had been kicking around showbiz for eight years before the needle moved. At just 19 years of age, before she had any real professional credits, she auditioned for Scarlett O'Hara (like virtually every aspiring actress of the time) during the famed nationwide search. Director George Cukor himself (the initial director of Gone With the Wind) advised her to get acting lessons. She did and her work ethic and ambition paid off. Broadway roles followed and Hollywood soon after. The first years of her movie career were mostly filled with uncredited bits in Columbia and MGM pictures. With studio jobs came the usual tinkering with persona starting with a stage name. Shirley became Shelley and the Schrift became Winter and then Winters. Though some screen icons were given the instant star treatment, Winters career was closer to the norm of working actors in studio-era Hollywood. You were just one of thousands of faces but if you were lucky, charismatic, talented, or if executives took an interest (all four was naturally ideal), they'd work carefully on your image and groom you for larger roles.

At twenty-six the actress's luck changed suddenly -- as it does if it changes at all -- with two roles that launched her to stardom...

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10th Anniversary: Scott Pilgrim vs The World

by Nick Taylor

I first saw Scott Pilgrim vs The World with my mom at an advanced screening, the benefit of a summer-long stint in 2010 where my parent’s work received passes for secret audience test runs of upcoming blockbusters. The theater was decently sized and completely packed, mainly crowded with teenage boys escorted by parents, grandparents, and other miscellaneous chaperones, plus a good number of twenty- and thirtysomethings who likely read Bryan Lee O’Malley’s recently concluded graphic novel series. You can imagine any number of reasons why this movie would’ve played well to the teen boys in the audience, though it still amazes me how much everyone in the theater seemed to be having a good time with it. Ten years later and it’s still a reliable hit with my immediate family, and someone referring to it as Edgar Wright’s best film can get me on their side real quick...

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Clueless @ 25: The Best Costumes!

by Cláudio Alves

As previously mentioned in my "Emmas of Yore" miniseries, Clueless is one of the best cinematic adaptations of a Jane Austen novel. By modernizing the core narrative of Emma and stripping it of historical detail, Amy Heckerling was able to create a teen movie classic whose biting satire exists hand-in-hand with a sense of overwhelming affection for every character on-screen. Humor and romance are well-balanced, with the comedic element always taking precedence over the love story – as it should be when tackling one of Austen's prickliest and funniest novels.

That being said, to celebrate the 25th anniversary of Clueless' release, we're not going to focus so much on its genius screenplay or how it updates Regency-era social commentary to the Beverly Hills of the 1990s. Fashion is our concern this time around or, more accurately, we're exploring the costume design of Clueless. Since 1995, Mona May's colorful stylings have become as iconic as the screenplay's witty dialogues and, in a fair world, they might have even won the designer some well-deserved Oscar gold… 

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