Errol Morris's Returns to the Fog with 'The Unknown Known'

Ten years ago Errol Morris won the Best Documentary Oscar for his investigation of former Secretary of Defence, Robert S. McNamara. It’s telling that even Morris was surprised, noting in his speech that “I thought it would never happen.” Given his stance as one of the most important documentarians of his time, it genuinely was surprising that he had never even been nominated before let alone won. I guess it didn’t help that titles like Fast, Cheap & Out of Control and Gates of Heaven were likely easily swept aside as unsubstantial, but The Thin Blue Line? A Brief History of Time? It seemed like the documentary branch clearly weren’t fans.

Still, The Fog of War was fairly hard to ignore even for the Academy who have an innate ability to let grudges and bug bears continue for decades and vice versa (I hear Mia Farrow has an appointment to change her name to John Williams).

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Beauty Break: Girl With a Pearl Earring

abstew here with a look back at 2003 with Scarlett Johansson as the Girl With A Pearl Earring and the actual Vermeer painting that inspired the film.

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Curio: "They Live" 25 Years Later

Alexa here. While Thor hammered the box office into submission this past weekend, 25 years ago another brawny blonde was dominating the box office.  They Live, John Carpenter's campy sci-fi film starring "Rowdy" Roddy Piper, featured a six-minute fight over sunglasses and Reagan-inspired class paranoia that still resonates today. Here are some curios celebrating the cult favorite.

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Looking back on the 2003 Best Animated Feature nominees

Andrew Stanton with the first of his Animated Feature OscarsTim here. This November, we’ve been reflecting on the films of 2003, in preparation for the newest edition of the Supporting Actress Smackdown, and I’d like to use this as the opportunity to return us all to a simpler time. An easier time. A saner time. A time when the Best Animated Feature category at the Academy Awards wasn’t routinely filled up with five nominees because some much-too-small arbitrary threshold had been reached.

There were three nominees in the category that year, out of a field of eleven. And even that was not quite a small enough number to keep away from something a bit like a filler nomination (looking at the list, the fact that Satoshi Kon could have two eligible titles in Millennium Actress and Tokyo Godfathers, and swing a nomination for neither of them, depresses me something fierce). But it’s not a bad mix of films at all, anchored by two films that have survived the intervening decade as bona-fide classics of the medium, and one film that… hasn’t, though it’s clung to an appreciative cult.

Fish, Bear and Other after the jump

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Happy 10th, Love Actually!

Dancin' Dan here to wish a happy birthday to the romantic comedy to end all romantic comedies. Love Actually surely caused fans and haters of the genre alike to spontaneously combust upon seeing it – so packed is the film with cliché after cliché after cliché (seriously, the only cliché that isn’t here is the one where an unattractive girl removes her glasses and suddenly becomes hot). Richard Curtis’s film tells the stories of no less than twenty-two Londoners (and one Portugese and four American girls), pretty much making this the first rom-com epic.

It’s true, we have Love Actually to blame for the insipid Valentine’s Day and the even worse New Year’s Eve, but those two films don’t have nearly the lightness of touch, the humanity, the… well… British-ness of the 2003 crowd-pleaser.

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