William S Burroughs Centennial

Today is the centennial of the infamous Beat era writer William S Burroughs and I've been thinking about him lately due to Philip Seymour Hoffman's death via heroin (why is it that I always start stringing the celebrity junkies together when they die? Is it because there are so damn tragic many of them?) but mostly because I was really gripped by Ben Foster's portrayal of him in Kill Your Darlings, a problematic movie about guys that weren't nearly as palatable in real life (despite the movie being about murder) that had a great moment here and there. Of course the movie wasn't really about Burroughs but about Lucien Carr's (Dane Dehaan) murder of his lover (Michael C Hall). From time to time I have wondered why we've had no straight up biopic about Burroughs (Keifer Sutherland is the only other actor I can think of that's played him), given that he's a very famous white guy genius and that's the kind of biopic Hollywood likes best. But I guess it couldn't be done; The MPAA and most moviegoers and possibly even myself would just never be able to deal what with the sex, the drugs, the finger-chopping, the wife-shooting, and what not.

So let's move over to actual movies. Burroughs appeared in a small role in Gus Van Sant's terrific Drugstore Cowboy (1989) which I highly recommend to any of you wondering why Matt Dillon was a "you owe him" Oscar nominee for Crash (2005) and then of course there was David Cronenberg's Naked Lunch (1991), a film version of Burrough's, ummmm, unfilmable novel. (Incidentally our friend Nick, who you know from Nick's Flick Picks and the podcast, writes extensively on this film in his first book "The Desiring Image") Whether or not any cinematic interpretation of Naked Lunch could be considered definitive if we didn't have it we would never have seen Julian Sands buggered by a towering insect monster or Judy Davis injecting bug powder into her breasts.

Have you seen Naked Lunch or read any of Burroughs work?

Burroughs with Cronenberg during the filming of Naked Lunch

Some Centennial Celebrations
Time Magazine "Rebel, Junkie, Exile, Genius"
NPR "Possessed by Genius"
The New Statesman "To say it country simple, most folks enjoy junk” - Burroughs in 1966 on kicking his heroin addiction 
Dreg Studios Brandt Hardin celebrates the history of Burroughs with a portrait 

Beauty Break: Smoking Kills (Glamorously)

Confessions, multiple: I have never been a smoker, I've been thrilled and proud of my friends whenever they've kicked the habit, I have never once missed the days when bars / restaurants allowed smoking...

... but I miss smoking in the movies. 

Rock Hudson blowing smoke rings

Fifty years ago this very day the Surgeon General first deemed it hazardous to your health and over the next fifty years it's slowly faded from the movies. Nowadays when you see smoking onscreen, it's nearly always to signify "rebellious character" or "villain" or is shot through some sharp retro-commentary filters: see everything about everyone in Mad Men or David Straitharn's whole act in Goodnight, and Good Luck. 

I know smoking is wrong. I know it kills. I hate the way it smells. But those tendrils of smoke on screen or a movie star's lips around a cigarette look so damn sexy. Here's proof...

Click to read more ...

Linker and Commander

My New Plaid Pants the greatest "which is hotter?" of all time
Pajiba's bitch rankings for the new season of Downton Abbey. So happy it's back. Love Mary so much. 
The Backlot Did Sir Ian McKellen out gay actors who everyone knows are gay even though they're not actually really out even though they're gay? The silliest "controversy" of the weekend. Gay gay gay

Awards Daily seems convinced that American Hustle is going to win Best Picture and everyone knows it. Ummm... we don't even have the nominations yet. I'd say the race is still on.
The Carpetbagger let's ask Siri about Samantha in Her why don't we? Yes, let's.
Variety Judi Dench, Bruce Dern and 12 Years get props from the AARP in their annual "best movies for grownups" list
In Contention oooh, it's BAFTA's rising star nominees! I always forget that they do that.  The nominees are: Dane DeHaan (Kill Your Darlings), George Mackay (How I Live Now), Lupita Nyong'o (12 Years a Slave), Will Poulter (We're the Millers), and Léa Seydoux (Blue is the Warmest Color). They aren't nominated for those specific pictures but I just include them to remind you. Who would you vote for?

Best Read
If you haven't yet read this open letter to James Franco from The Village Voice's Amy Nicholson, titled "do the double dick dude" you absolutely must: hilarious, provocative, and smart.

Today in Randomness...
A happy 25th birthday to actor Max Pirkis. Remember how great he was opposite Paul Bettany and Russell Crowe in Master and Commander: Far Side of the World? I've been meaning to rewatch that for in forever. You never know with child actors if it's merely a great director, a natural gift, or a happy accident. Pirkis later had a supporting role on HBO's Rome as the evil Gaius Octavian (I only saw the first season of that show but I understand it was akin to a King Joffrey part?) but he's been absent from screens for all of his twentysomething years. He's returning to the movies this year in Flying Home (with Jamie Dornan) and the horror flick The Quiet Ones (opening in April) and we wish him well, especially if Master and Commander was indication of his potential. As I was typing this up I realized he was on twitter and twitter accounts from non celebrity actors are a peculiar joy. There you can sometimes spot actual opinions instead of careful PR positivity about everything. For example, he has Oscar opinions, didn't like whatever Jodie Foster was doing in Elysium (but who did, really?). And, this is my favorite, because I never quite understood why people were so gaga for The World's End (which I think is the worst of the Cornetto Trilogy and by a significant margin. 

#TheWorldsEnd old fogeys trying to revive former glories by making a film about old fogeys trying to revive former glories #timepleasegents

— Max Pirkis (@Pirkky) August 1, 2013

Have A Super George Reeves Centennial

One hundred years ago today, the second but arguably most famous pre-Christopher Reeve era Superman was born. George Reeves didn't rocket in from outerspace, landing like a meteorite in the backyard of some kindly adoptive farm couple in Kansas. He was born the normal way a few hours to the northeast in Iowa. But by the time he was 38, the struggling movie actor who had had minor roles in two Best Picture winners (Gone With the Wind and From Here to Eternity) was a national celebrity in Superman's trademark blue longjohns with red underpants... albeit in black and white on the telly.

Remember when Ben Affleck played him in Hollywoodland (2006)? 

I hadn't heard people mention this movie in years (here's a good review of it from Erik Lundegaard) until they announced that the sequel to Man of Steel would co-star Ben Affleck as Batman. At that point, pictures of Ben in the Supes suit resurfaced with a vengeance online.

I always thought George Reeves deserved a better biopic than the one he got in Hollywoodland. Not that it was a terrible movie but you have to focus to make an impression and Reeves somewhat controversial death (suicide or murder?) made that impossible. In there somewhere was surely a potentially universal and moving story about bad luck, personal demons and thwarted potential via typecasting (or as non-actors know it: being pigeonholed or underestimated). But the movie, if I recall it correctly, flattened out while trying to also be a costume drama about the tumultuous 50s in showbiz (when TV first truly freaked the movies out) and a romantic drama and a movie about Detective Adrien Brody (huh?). Focus, people!

I'm sympathetic to focus problems as anyone who reads the blog for more than a week will realize. So my mind is already wandering away but not before stopping at this pressing poll of imaginary consequence!  

poll by twiigs.com

To Ozu on His 110th Birthday

Today marks not only the 110th anniversay of Japanese director Ozu Yasujirō's birthday, but also the 50th anniversary of his death. He was born on this day in 1903 and died exactly 60 years later in 1963. For a director whose work is very neatly put together and assembled that feels awfully appropriate. It also makes this a rather opportune moment to bring him up. I hadn't seen any of his works until a few months back, but I've now see Tokyo Story (1953), Equinox Flower (1958) and An Autumn Afternoon (1962), the final film he made. I loved Equinox, but it's Tokyo Story that rightly has the reputation as one of the greatest films ever made. Just last year it topped the director's poll in Sight & Sound's greatest movies poll and ranked third on the critics list. Impressive.

I look forward to investigating more of this master's work (I've thankfully got some time). He never got the stateside recognition that his countryman Akira Kurosawa received (no Oscar nominations for Ozu's films), but maybe he may have if he hadn't died so young. Nevertheless, does the occasion spark anything in you dear readers? I'd love to hear what films I should be on the lookout for in any repertory houses. Or just speak up with your own thoughts on the man.