On Jean Harlow, "Beauty", Screen Presence & Short Lives

75 years ago today Jean Harlow died. The Platinum Blonde superstar, arguably the ur blonde bombshell that Marilyn Monroe gets the bulk of the credit for being, was only 26 years old. She'd been a sensation since the age of 19 when Howard Hughes' Hell's Angels (1930) premiered. I loved the Scorsese-directed Hughes bio The Aviator (2004) when it premiered because of its handsome snapshot of Old Hollywood Glamour but I never quite understood what Gwen Stefani was doing playing Harlow. I couldn't see the resemblance beyond hair color and anyone can have that; Platinum Blonde does not normally occur through natural means!

When I was a baby cinephile and more familiar with Old Hollywood giants from their still photos than their actual work, Jean Harlow's huge fame and legendary sex appeal confused me. I thought she looked... odd and weirdly masculine (maybe it was the nose and chin? or maybe just my youth). Definitely not "beautiful". But I learned quickly that traditional beauty, both the male and female variety, is often flat onscreen. Screen presence always trumps beauty. Even the most famously beautiful movie stars are famously beautiful because their screen presence augmented their beauty, permanently burning it into the collective consciousness.

Leo & Gwen as Hughes & Harlow in THE AVIATOR (2004)

That's a lesson that unfortunately many casting directors and studio executives have never learned. This is especially true on television where entire shows are populated with "beauties" but you can instantly forget what everyone looks like by the time the credits are rolling in the sidebar as commercials for the next whatever play. It's especially true on networks like the CW and for whatever reason it always reminds me of those legendary stories about the casting of X-Files. Many executives didn't want Gillian Anderson because she wasn't "hot" enough but an interchangeable pretty blonde that would be easy to imagine doing photoshoots for men's interest mags, would never have seized the public imagination like Gillian did as Agent Scully. But I digress!

Seeing the pre-code movie Red Dust (1932) cured me of all Harlow doubts, since her carnality still reads as so immediate, unwithered by the passage of time.

Doesn't it feel sometimes as if being a Movie Star was more of an Occupational Health Hazard in earlier cinematic decades. So many film stars died young: James Dean (24), Jean Harlow (26), Rudolph Valentino (31), Carole Lombard (33),  Marilyn Monroe (36), John Gilbert (38), Natalie Wood (43), Monty Clift (45), Stephen Boyd (45), Judy Garland (47), etcetera. Or is it merely that those who die young stick in the memory, filed under What Could Have Been.

Tues Top Ten: Tennis in the Movies

The world's number one ranked male tennis player turns a quarter century today so in honor of Novak Djokovic why not celebrate with a list of best tennis moments in the movies?

Because... uh...

Are there any? When I first thought of doing this list I was like YES -- little known fact: I played tennis daily one summer in high school and still love the game  -- only to hit a brick wall rather than a low net. You may have heard this complaint before from tennis fans but given the abundance of sports movies of every other stripe it's almost like Hollywood hates the game. Those private tennis courts on celebrity acreage are all going to waste.

I've come up with ten things anyway.

BEST TENNIS SOMETHING OR OTHER IN THE MOVIES

You should know upfront that I've never seen the Chad Lowe boy-in-drag masterpiece Nobody's Perfect (1989) -- no decade ever loved cross-dressing comedies like the 80s -- so I shan't include it. 

10 Wimbledon (2004)
Nobody likes this movie but given the abrupt sharp decline in romantic comedy quality over the past ten years, I bet it'd look pretty good if it came out now. At the very least both Paul Bettany and Kirsten Dunst looked fresh and healthy and sun-kissed as the professional athletes in love.

09 The Witches of Eastwick (1987)
We'll be sure to celebrate this movie's 25th anniversary next month but for now, remember that tennis match? Temperatures are flaring as the three best friends Jane (Susan Sarandon) Sukie (Michelle Pfeiffer) and Alex (Cher) all compete for Devil Jack Nicholson's attention. In a game of doubles things get vindicative and then supernatural.

 

Funny girls and dangerous men after the jump...

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Jack Attack

Jack Nicholson is 75 years old today. He has only made 3 movies in the past eight years and his last great performance (About Schmidt) was a full decade past. His frequent absences would be a much greater loss to cinema if his current taste didn't lean more Bucket List and less Schmidt. But he has meant so much to so many moviegoers for so many decades that his big day is definitely worth celebrating.

So herewith ten random things off the top of my head that I love about Jack Nicholson... and it shouldn't surprise you that most of them involve his actress co-stars. That's not just because you're reading this at The Film Experience but because, for all of Jack's showboating style, he regularly ups the game of his leading ladies (and vice versa)

• "Dear Ndugu..." (About Schmidt)

• the fascinating and atypical restraint of his character work as Eugene O'Neill in Reds (1981). He lets Warren Beatty & Diane Keaton lead (which they do spectacularly well -- what a great movie) but manages to leave an indelible searing impression all the same. I sometimes wonder if it's his best performance.

• That it took him a good  long while to become JACK NICHOLSON -- he started in 1956 and he wasn't really JACK til 1969's Five Easy Pieces, and those slow burn rises to superstardom really ought to inspire all great actors who are looking for a defining breakthrough.

• The electric but very different push/pulls of his beastly seductions of Michelle Pfeiffer in Witches of Eastwick (1987) and Wolf (1994). They had great chemistry together. 

• Chinatown (1974) in general and in its entirety. Also specifically in just about every scene. Let's simplify...

• Chinatown (1974) !!!!

• "Do I ice her? Do I marry her? Which one of dese?" Dumb pussy-whipped Jack in Prizzi's Honor (1985) who is talking about Irene (Kathleen Turner) but might just as well be describing his topsy turvy relationship with his ex (Anjelica Huston) too. 

...His women keep pulling the rug out from under him, the Oriental rug to be precise.

 Right there on the Oriental. With all the lights on. 

• Everything about The Jack & Shirley Show within Terms of Endearment (1983)

• His long friendship with Warren Beatty, also newly 75. Imagine the influence and power they've wielded in their time on American cinema.

• "Heeeeeere's Johnny!" My favorite Jack Nicholson moments are rarely the iconic ones that everyone knows (in which I always find myself feeling "pull it back!") but his literally splintering-crazy work in The Shining is the best of his YOU CAN'T HANDLE THE TRUTH style screen beats. 

Your turn!

What's your favorite Jack Nicholson performance? Which screen moments from his long history stick with you.

"Titanic" Times Three. And Forever.

I had grand plans for the Titanic centennial, plans filled with a supersize hubris not unlike the power players at the White Star Lines albeit without the deadly consequences. It would be the biggest boldest blog post ever and would compare every last detail of all film versions of Titanic from costuming to art direction to special effects to young loves lost in the icy waters.  Film Experience readers would feel as if they'd won the lottery for a first class ticket, no slumming in steerage required! But before I drive this analogy into an uncomfortably tone deaf iceberg moment -- like the one James Cameron collided with when he mixed "King of the World" bragging with that moment of silence for a 1517 souls lost on the tragic night -- I will stop and just get on with it. Picture time!

Titanic (1943), Titanic (1953), and Titanic (1997)

Here is a brief visual history of the Titanic sinking via the greatest of all art forms, The Movies. All images are culled from films named Titanic directed by Germany's Herbert Selpin, the Romanian Hollywood success Jean Negulesco, and Canada's box office colossus James Cameron in 1943, 1953 and 1997. These are hardly the only films about the infamous oceanic disaster even if you exclude the filmed narratives where the disaster is only a minor plot point in everything from one of the earliest best picture winners Cavalcade (1933) to today's popular British series Downton Abbey (2010-)

The three Titanics begin very differently... before settling in as narrative siblings.

The German film begins with a board meaning at White Star Line staging the event as a cautionary tale about big business. The 1953 picture begins with an eery human-free depiction of the forming of an iceberg that Malick might love (though it instantly flips back to a stuffy 50s drama). The 1997 blockbuster begins with a contemporary dive with an explorer (Bill Paxton) and an old survivor Rose (Gloria Stuart) about to reminisce... cue three hour flashback!!!

After that they're much more similar. We get...

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Artist & Muse via Robert Doisneau

Today marks the centennial of the great French photography Robert Doisneau and though he wasn't a celebrity photographer --  the kind we obviously have the greatest use for as film obsessives -- he did them on occassion. I love this shot of one of the great auteur/muse pairings (both onscreen and off) actor Jean Marais (left) and Jean Cocteau (right). 

Here's another of Pablo Picasso and Françoise Gilot.

Remember when Anthony Hopkins and Natasha McElhone pretended to be them? I know I know. No one saw Surviving Picasso (1996)... but I did because Julianne Moore was Dora Maar (another Picasso victim... excuse me, lover!) and with Julianne I martyr myself to completism. 

If you could photograph one auteur/muse pairing, who would it be?