10th Anniversary: That Jazzy "Chicago" Win

[Editor's Note: You know "Denny" well from the comments section. Since he's a choreographer by trade, I asked him to sound off on Dance in film. Particularly on Chicago since its win was so strangely celebrated at this year's Oscars making the show a weird mix of 2012 & 2002. Take it away, Denny. - Nathaniel R.]

a happy night for CZJ & Friends, March 23rd, 2003

Oh, how I remember the cheers.

I was at an Oscar party with a group of theater friends ten years ago when Rob Marshall’s Chicago became the first musical in thirty-five years to win the Oscar for Best Picture. It’s easy to see why everyone was excited: Following Moulin Rouge! (and to a lesser extent, Hedwig and the Angry Inch) the year before, it was clear that Hollywood was finally interested in live-action musicals not aimed at children again. There hadn’t been a major live-action Hollywood musical aimed at adults since 1996’s divisive Evita, and before that the last one was 1986’s Little Shop of Horrors. The last to receive major awards attention was 1982’s Victor Victoria (or 1983’s Yentl, depending on your definition of “major awards attention”), and a musical hadn’t won the Oscar for Best Picture since 1968’s Oliver!, a much-derided winner in a year that actually saw two musicals nominated for Best Picture (the other being Funny Girl), if you can believe it. more...

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"Road to Perdition" (Plus: Posthumous Oscars)

75th Annual Oscars ~ 10th Anniversary Special
On this very day 10 years ago, one of only two posthumous Oscars for the past decade in film was handed out. It went to Conrad Hall for his lensing of Road to Perdition (the other was Heath Ledger's). So here's one from the vaults since we did a Hit Me With Your Best Shot on it just last year. If you click on these shots, deemed best by our 'hit me' club and arranged here in narrative order, you can read more about them and why they were chosen.

It's a strange symmetry that a film as funereal as Road to Perdition would be a member of the Posthumous Oscar wins club. Here's a list of all 13 of them:

• Sidney Howard, Adapted Screenplay - Gone With the Wind (1939)
• William A Horning, Art Direction - Gigi (1958)
• William A Horning, Art Direction - Ben Hurt (1959)
• Sam Zimbalist, Best Picture - Ben Hur (1959)
• Eric Orborn, Art Direction - Spartacus (1960)
• Walt Disney, Animated Short - Winnie the Pooh and the Blustery Day (1968)
• Raymond Rasch & Larry Russell, Best Score - Limelight (1972)
• Peter Finch, Actor - Network (1976)
• Geoffrey Unsworth, Cinematography - Tess (1980)
• Howard Ashman, Best Song - "Beauty & the Beast" from Beauty & The Beast (1991)
• Thomas Goodwin, Documentary Short - Educating Peter (1992)
• Conrad Hall, Cinematography - Road to Perdition (2002)
• Heath Ledger, Supporting Actor - The Dark Knight (2008)

Art director William A Horning is the only double posthumous winner though acting legend James Dean and Disney's brilliant comeback-making composer Howard Ashman both received more than one posthumous nomination.

10 Years Ago, This Weekend, "The Hours" Won Best Picture at the Globes

Nicole Kidman was having a pretty great night. 

Meryl won for "Adaptation" and Nicole won for "The Hours"

Hanging' out on all sorts of red carpets with Meryl Streep usually helps in that regard. If you can't share scenes with her at least have her on your team by way of a shared movie.

Our 10th Anniversary Celebration of The Hours

• Nicole Kidman remembers her Oscar win (Exclusive Interview!)
• Breakfast with... Clarissa, Virginia and Laura Brown
• Epic Discussion Part 1: Ravenous Kisses, Fidgety Hands
• Epic Discussion Part 2: Score, Performance, Re-Casting

We hope you enjoyed this look back. I imagine The Film Experience would be more popular if it stuck to current movie news all the time like every other site but I cannot live without my retro celebrations. I'm greedy. I need films from all eras in my movie diet. 

This next part is for Hours and Film Experience Obsessives only...

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Steven Soderbergh @ 50

You guyz. I totes forgot to honor Steven Soderbergh on his 50th birthday on Monday but The Stubborn Jodieness of Jodie, who also just turned the half-century mark, was all I could process. And process. And process. Anyway... Soderbergh announced his retirement so long ago and kept right on making movies that it's started to seem like a comic dark cloud that's hung over his career since, oh, sex, lies and videotape (1989).

I couldn't begin to list my 50 favorite things about him, or even my top ten films since I haven't been a completist and he's often as much of a deterrent as a draw for me (especially this past decade). But there's no denying that he's a restless, creative guy who occassionally crafts something masterful.

Here are his five essential films according to my brain... aka my favorites. I love them so much more than the rest of his output that it's not even close. That said I have very very dim memories of King of the Hill (1993) and some people swear by it. (Which five Soderberghs are closest to your heart?)

• sex, lies and videotape (1989, Palme D'or at Cannes, Oscar screenplay nom)
• Out of Sight (1998)
• Erin Brockovich (2000, Best Director nomination with Oscar)
• Oceans Eleven (2001)
• Magic Mike (2012)

And how thrilled are you that Behind the Candelabra, his Liberace biopic, is not so very far away now?

"Come to bed, Laura Brown"

Programming note: Actressexuals unite! We'll be celebrating The Hours 10th anniversary Friday, January 18th through the 22nd. We'll look back on its Globe winning night, it's Holy Trinity of Actresses and much more. (Suggestions welcome in the comments). Pass it on and join in the fun - we'll link up to any off-blog celebrations of this great film that week, too.

P.S. The Hours is available on Netflix Instant Watch making things much easier for discussions that week!