Almost There: Pam Grier in "Jackie Brown"

by Cláudio Alves

Last week, the Almost There series featured the likely sixth-placer in the 1997 Best Supporting Actress Oscar race. However, as much as Sigourney Weaver seemed poised for Academy recognition, hers wasn't the year's biggest snub. That sad honor belongs to Pam Grier, whose star turn in Quentin Tarantino's Jackie Brown earned nearly-unanimous critical praise and sturdy precursor support. Like John Travolta before her, she was a movie icon from two decades prior now fallen from the spotlight, an erstwhile star reintroduced within the context of a verbose acting showcase with modern verve. So if Travolta scored a nod for Pulp Fiction, why didn't Grier do the same with Jackie Brown?

The answers to that question are many and most dispiriting, especially if, like me, you find Jackie Brown to be one of its director's best films. That love extends to Grier, whose lack of an Oscar nomination stands out as one of the Academy's greatest injustices in the 90s…

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1997: Debbi Morgan in "Eve's Bayou"

We're revisiting the 1997 film year in the lead up to the next Supporting Actress Smackdown. As always Nick Taylor will suggest a few alternatives to Oscar's ballot.

You’d be forgiven for not immediately lingering on Mozelle Batiste Delacroix. When we first meet her she’s one of several dozen luminous, handsomely dressed and manicured faces floating around a party at the home of the Batiste family in 1960’s Louisiana. Mozelle’s very first scene, giggling with her sister about some poor woman’s teeth before they’re interrupted, is largely dominated by other actors, and she doesn't mind sitting back and enjoying her niece and nephew’s shenanigans.

There’s also a lot of stuff happening around her. Not just the laying-out of key figures and relationships but the very nature of Eve’s Bayou as a memory play...

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Introducing... Gloria Stuart as Rose in "Titanic"

The Smackdown of '97 is in just 5 days. Here's how to vote.

We first see Gloria Stuart 11 minutes into Titanic (1997). Rose (age 100) is the first and only one of the film's main characters we meet in Titanic's twenty-one minute prologue which takes place in 1996. The television is on in the other room when we first see her in long shot. A news report about a discovery involving the RMS Titanic is playing, piquing her interest...

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1997: The Ensemble of "Female Perversions"

We're revisiting the 1997 film year in the lead up to the next Supporting Actress Smackdown. As always Nick Taylor will suggest a few alternatives to Oscar's ballot.

Women, amirite? You've got the unique expectations foisted upon them to perform their gender by strangers, coworkers (no matter the field), loved ones, and themselves. There’s the generational traumas, both inherited and inflicted. Not to mention the way their psychosexual hang-ups function as ungainly manifestations of their repressed selves desperately seeking some kind of release. You can try reaching out to others for help, but all you’ve really got is yourself, and who trusts that bitch?

This is the territory Female Perversions resides in...

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Almost There: Sigourney Weaver in "The Ice Storm"

by Cláudio Alves

As the 1997 Supporting Actress Smackdown approaches, our celebration of that cinematic year continues. But of course, this project wouldn't be complete without a deep dive into the performance that almost made it to the Oscar lineup, representing a previous Academy Queen's comeback after years of unheralded work. In the 80s, Sigourney Weaver seemed poised to be one of those names who'd inevitably win a little golden man. However, after 1988's double nomination, awards organizations lost interest. Because of that, Ang Lee's The Ice Storm felt like a return to form in terms of sheer prestige, positioning Sigourney Weaver as an expected contender for the Best Supporting Actress Oscar.

Unfortunately, the critical hit failed to secure any Academy Award nomination, a surprising result after a good performance that season. All these years later, Weaver's snub hurts the most…

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