Year in Review: Jason's Fave "Horror Actressing"

by Jason Adams 

It's been easy to say this for several years running now but it's been a pretty darn good year for Horror Movies. There are filmmakers out there taking risks and big swings with the genre, from art-house oddities (Midsommar) right on up to the mainstream ones (Us). And once you really dig deep -- the Horror Genre has almost always been one where the most interesting stuff has been a dirty secret whispered between likeminded folk -- the beautiful freaks really come out to play.

For the past five weeks in our "Great Moments in Horror Actressing" series I've covered five of my favorite female performances in the genre in 2019, so first let's recap those before we get to the other five -- click their names to read those earlier posts.

Sofia Boutella in Climax

Rebecca Ferguson in Doctor Sleep

Fatma Mohamed in In Fabric

Lupita Nyong'o in Us

Florence Pugh in Midsommar

And now let's round out our top ten...

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Year in Review: Mainstream Box Office (feat. Lupita, Queen Elsa, and lots of Superheroes)

Our Year in Review party is getting off to a bit of a slow start (we launched with 50 biggest documentary hits) but we hope to speed up now and what better festive topic during the holiday moviegoing season than an audience participation one? Herewith six "top ten-to-twenty" box office hit lists regarding various subgenres of the mainstream and what we can learn from them... at least in terms of moviegoers today.

We're starting with female-led pictures because this should not be regarded as a minority or special interest topic given that half of the world's population is female! Little Women was a major late-breaking success in this arena but it wasn't the only success from 2019. Let's look at that chart first.

🔺= the movie is still in over 100 theaters. Figures are as of February 23rd

1. TOP GROSSING (LIVE-ACTION) FILMS WITH A FEMALE LEAD
(Excluding films where a male lead is just as prominent as his female co-star)

Captain Marvel

01 Captain Marvel $426.8 (Disney/Marvel, March 8th) starring Brie Larson
02 Us $175 (Universal, March 22nd) starring Lupita Nyong'o
03 Maleficent Mistress of Evil $113.9 (Disney, Oct 18th) starring Angelina Jolie
04 Little Women $107.1 (Columbia, Dec 25th) starring Saoirse Ronan
05 Hustlers $104.9 (STX, Sept 13th) starring Constance Wu & Jennifer Lopez...

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Horror Actressing: Lupita Nyong'o in "Us"

by Jason Adams

Most folks first reference the voice, the Batman-needs-a-lozenge croak that Adelaide's underworld doppelganger Red speaks with, when praising Lupita Nyong'o's dual performance in Jordan Peele's Us, and for good reason -- she put a lot of work into it, meeting with people who've suffered from the very real neurological condition called spasmodic dysphonia that's brought about by trauma, and that work memorably shows. I made the Batman joke but only because it's very nearly already as iconic a choice as that one -- go find somebody and talk like Red at them and see how movie-savvy people will get it; the percentage won't be low.

You'd also get a lot of mileage talking about Lupita's physicality in the roles...

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Christmas Movies of the Moment

by Tony Ruggio

Christmas movies, full of cheer, pretty lights, and sometimes reindeer. I grew up on ‘em, on Home Alone and Christmas Vacation. I continued loving ‘em as a big kid even, with Elf and The Santa Clause holding a special place in my cold heart. They used to be one of those seasonal things Hollywood did best, but as comedy has sunk, so have movies set during the holidays. 

They were on the fast track to extinction, in fact, until streaming came along. Sure, there were Hallmark hate-watches and other network specials gasping for attention. Hallmark still has a certain devoted fan base despite the decline of cable television, but theatrical movie-going has been devoid of the holiday spirit for some time now. Thanks to Netflix, I’ve been able to indulge and Christmas party like it’s 1999, so here are three new Christmas films you may have heard of (there are two more I won’t even mention) that you may or may not want to spend time with this season...

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Horror Actressing: Florence Pugh in "Midsommar"

by Jason Adams

There is a lot of bodily violence seen on-screen in Ari Aster's Midsommar -- a certain mallet comes to mind. But nowhere at any point did I wince harder than I did during a scene simply involving two people having a conversation in a college dormitory. I often reference the moment that the little ghoul girl crawls through the television screen in Ringu as being the apex of cinematic revulsion for me -- that I very nearly crawled backwards up and over my seat the first time I saw that. Midsommar's dorm scene dropped the same sensation, just emotionally...

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