The many faces of Hannibal Lecter

by Cláudio Alves

1991's The Silence of the Lambs won five Academy Awards, including Best Picture, thus becoming the only horror movie to ever conquer that much-coveted prize. Still, overall, the film seems to owe more to the crime thriller, the police procedural and investigative manhunt than it does to the horror genre. However, one element plunges it right into the depths of cinematic nightmares. It's a character so malevolent that it often feels larger than life, like a primordial evil closer to the divine than to the human. We're talking about the monster that tops the AFI's greatest movie villains list, the role that earned Anthony Hopkins his Oscar and made us never look at Fava beans the same way ever again – Hannibal 'The Cannibal' Lecter…

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Horror Actressing: Jodie Foster in "The Silence of the Lambs"

by Jason Adams

When I think back on Jodie Foster's Oscar-winning turn playing Clarice Starling in The Silence of the Lambs in 1991 I tend to think of a overwhelmed young woman -- Demme is constantly framing Foster as the smallest person in the room -- but one who musters up unimaginable courage. She pushes deeper into that blacked-out basement as another young woman and an injured dog shriek from the bottom of a blood-streaked pit. And I tend to think of that same small and overwhelmed young woman standing in room after room after room of big dope-faced men staring down at her, eyes narrowed, disbelieving. 

What I don't particularly tend to think of first is Clarice Starling smiling. And yet she does... Often and broadly!

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Horror Actressing: Eva Green in "Dark Shadows"

by Jason Adams

I don't think before today that I've written of a terrific performance trapped inside a truly terrible movie for our "Great Moments in Horror Actressing" series. (No Frankenhooker is actually a terrific movie, don't you dare.) But we do what we have to in order to bow down to a stellar queen like Eva Green here on the occasion of her 40th birthday, and unfortunately for me that meant suffering through for a second time Tim Burton's 2012 big-screen flop of a reboot of the Dark Shadows television soap opera. Oh the exquisite agony, but she really is that good...

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Horror Actressing: Isabelle Adjani in "Possession" (1981)

by Jason Adams

The dissolution of a marriage rendered palpable, ectoplasmic -- Andrzej Zulawski’s 1981 cult freak-out slash Cannes winner Possession was birthed mid-divorce from the director, and the labor pains are writ like arterial sprays across its every frame. It's Bergman via Jodorowsky; Scenes From a Marriage on a severe acid trip. The screen's awash in Evil Dead amounts of gunk, puss, a sparkling rainbow of ejaculatory fluids -- several squishy mattresses and one murder scene contingent on barfing later his star Isabelle Adjani takes to the hallway of a West Berlin subway station and acts so much that her insides literally come spilling out of her ears. 

Possession is, it must be said, a lot...

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The New Classics: It Follows

By Michael Cusumano

Scene: Explaining The Rules
Every movie with a supernatural horror needs the 'rules' scene. The one where we lay out for the hero exactly what it is they’re up against and why they are in deep, deep trouble. These scenes require the film to strike a tricky balance. You want enough info so we can get a firm grasp on the dynamic, without getting bogged down in minutiae. Share the tape in seven days or die. Got it! Too much and you end up like the heroes of Inception, shouting explanations at each other well into the film’s second hour. Not enough and the threat ends up too vague to be scary. Pennywise the Clown can do anything at any time, and kill kids sometimes but not others based on nothing. Whatever. 

The best modern example of this scene, the one that hits the balance exactly right, is the post-coital explanation scene from David Robert Mitchell’s It Follows (2015)...

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