Advertisement
Advertisement
Advertisement
Oscar History
Welcome

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

Like The Film Experience on Facebook

Powered by Squarespace
What'cha Looking For?
Don't Miss This!
Comment Fun

Comment Du Jour
Visual Effects Oscar Semi-Finals 

"All I know is that if I had worked on A Monster Calls, I'd be pretty pissed that I didn't get in but Sully did." -The Jack

Keep TFE Strong

Love the Site? DONATE 

Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

INTERVIEWS

Maria Schrader (Stefan Zweig...)
Boo Junfeng (The Apprentice
Gianfranco Rosi (Fire At Sea)
Chris Kelly (Other People)
NWR (Neon Demon)

Previous Interview Index

 

Subscribe

Entries in LGBT (403)

Wednesday
Nov092016

Noirvember: "Bound" (1996)

by Chris Feil

It's worth remembering that while the Wachowski's career has been defined by The Matrix and to a lesser extent their following sci-fi films, they actually started their careers in another genre entirely. Bound, their 1996 queer crime thriller starring Gina Gershon and Jennifer Tilly, launched them onto the scene as audacious visual stylists and smart thrillmakers. If noir has basically died in our current film landscape, this film represents one of its great final moments.

Click to read more ...

Sunday
Oct302016

Podcast: Moonlight, Sully, and Birth of a Nation

Impossible though it may be to believe, the podcast is back after an unintended hiatus. Joe, Nick, Nathaniel, Katey (and special guest Charlie) are all in house to discuss the arthouse hit Moonlight with a little on previous releases Sully and Birth of a Nation, too. Please continue the conversation in the comments if you've seen any of the films!

Index (42 minutes)
00:01 Welcome back everyone
01:48 Sully
09:08 Tom Hanks Best Actor nomination?
10:00 Moonlight
22:55 Moonlight's ensemble and Oscar prospects
30:25 Birth of a Nation's implosion and the Braveheart comparisons
38:20 Moonlight again for the wrap-up

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you?  

Articles referenced in this conversation
Thankless Marvel Roles | Nick's Moonlight Tweets |  TFE's Moonlight Review | VF's conversation with Barry Jenkins | Joe's Series "The Gay We Were" 

Moonlight and More

Thursday
Oct272016

One Mississippi Burning (Episodes 3-6)

By Steven Fenton

Welcome back to Bay Saint Lucille, readers. Join me in wrapping up the last few episodes of this fine comedy's short first season.

Click to read more ...

Sunday
Oct232016

NewFest: "Don't Call Me Son", "Esteros", and "Paris 05:59"

NewFest, New York's LGBT Festival, runs through Tuesday. Here's Chris on three of the festival's foreign selections...

Don't Call Me Son
Anna Muylaert continues to explore complex family dynamics in Don't Call Me Son, her follow-up to last year's Brazilian Oscar submission The Second Mother. Teenage Pierre (Naomi Nero) and his younger sister have their lives upended when their mother is jailed for stealing them at birth, thrusting them apart and into the homes of their birth parents. Further complicating the film's identity politics is Pierre's burgeoning gender dysphoria...

Click to read more ...

Friday
Oct212016

Review: "Rocky Horror" Loses Its Edge

by Eric Blume

Last night, Fox TV gave us a remake/update of the cult classic Rocky Horror Picture Show, a staple of midnight movie screenings for decades.  This update, with the tag "Let’s Do The Time Warp Again," aired at the family hour of 8pm, which pretty much sums up everything that’s wrong with it.   

The original 1975 film is the definition of “lightning in a bottle.” There had been nothing quite like it at the time. It was genuinely transgressive, and featured one of the all-time out-there performances by Tim Curry as Frank-n-Furter, everyone’s favorite "sweet transvestite".  While it’s easy to romanticize the original and ignore its weaknesses, the film does deliver as a warm-heated parody of sci-fi and horror movies as intended. What's more it's actually kinky, sexy, unsettling, and fun...

Click to read more ...