Contemporary Costume Watch: "Passages"

by Cláudio Alves

Like it happens every year, as the awards season dawns, I complain that voters should pay more attention to contemporary narratives when recognizing design achievements. In 2023, their reluctance will be especially aggravating since there's such a deep well of costuming excellence within modern contexts. Take Khadija Zeggaï in Passages, for example. 

Ira Sachs' latest feature finds Franz Rogowski playing a Paris-based German director entangled in a bisexual love triangle of his own making. As Tomas, the actor is a sartorial tease whether he's in mesh or ratty green knits, while Ben Whishaw is more modest as his artist husband, Martin. Finally, Adèle Exarchopoulos is Agathe, a teacher who dresses like a young Bardot at the height of the Nouvelle Vague - all tight fits, high hems, and lingerie as outerwear. Across the board, fashion defies heteronormative tenets, everything is unisex and sexy to the nth degree. Clothes articulate tricky character dynamics while offering editorial-worthy queer spectacle…

Click to read more ...

Los Angeles chooses Gravity and Her in a tie

Such a big day for critics' awards - not only are Boston's picks so fresh that the steam is still coming off of them, the Los Angeles critics have announced. In most years, they can be relied upon for the least mainstream picks of any major group - famously, they bullied Universal into acknowledging the existence of Terry Gilliam's functionally unreleased Brazil by heaping awards on it in 1985 - though this year they broke hard for Gravity and Her, which between them took nine wins or runner-up slots out of 11 categories in which they were eligible. Ties in three major categories, which is admirable, I guess, in the sense that it's not nice to pick favorites, but it's a little disappointing as an awards-watcher.

Full list below the jump.

Click to read more ...

Blue Days... To Come

1 Day until... Today Blue Caprice competes for two Gotham Film Awards 
1 Day until... NYFCC, the oldest film critics organization (not to be confused with NYFCO, a much newer upstart) kicks off critics prize season and we get our first clue as to whether Cate Blanchett's Blue Jasmine is a steamroller (Dec 3rd)
2 Days until... NBR announces kicking off the not-critics-but-we-also-give-prizes prize season (Dec 4th)
5 Days until... Blue is the Warmest Color wins (?) the European Film Awards (Dec 7th)
6 Days until... Adele Exarchopoulus wins Best Actress at LAFCA for Blue is the Warmest Color. What? They always go foreign at LAFCA in that category (Dec 8th)
10 Days until... The Golden Globes make like Blue Balls... but how Blue? Nominations for Blue Jasmine are a given but Warmest Color could win nods, too. (Dec 12th)

All of this  might make our Oscar Chart Updates - currently in progress look instantly out of date

41 Days until... Cate wins the Golden Globe (Jan 12th)
45 Days until... until Blue Jasmine is nominated for [HOW MANY?] Oscars and Cate wins the Best Actress "Critics Choice" Awards (Jan 16th) 
47 Days until... Cate Blanchett wins SAG (Jan 18th) 
50 Days until... until Blue Jasmine hits DVD/Blu-Ray (Jan 21st)
60 Days until... Blue is the Warmest Color wins [HOW MANY?] César nominations in Paris (Jan 31st) 
89 Days until... all three Blue titles compete for Spirit Awards in Santa Monica (March 1st)
90 Days until... Cate Blanchett wins her second Oscar (March 2nd) 

Gold is the Most Coveted Color

Léa Seydoux & Adele Exarchopoulos at the Governor's Ball

Let's see Léa & Adèle at all the Oscar-courting events. S'il vous plaît. Werk that circuit, ladies.

Review: Blue is the Warmest Color

Adele (Adele Exarchopolous) is voracious. We first note this when she’s devouring a huge plate of spaghetti at her family’s table. She practically hoovers it down, tomato sauce staining her mouth, before going back for seconds. She reads and writes the same way, albeit offscreen, devouring 600 page novels and writing intimate diaries. But what we see is her various oral fixations and one doesn’t eat literature. If she’s not shoving cigarettes in her mouth, it’s food (and, later, body parts). In one endearing moment she shoves a chocolate bar in her wet face during a crying jag getting a huge laugh from moviegoers who've also eaten their feelings.

Adele will eat anything but seafood. That would be a sly tongue-in-(uhhhh)cheek joke if the new lesbian drama BLUE IS THE WARMEST COLOR didn’t make a point of it in two separate scenes. Instead this provocative film -- already famous round the globe for its explicit sex and post-Cannes disputes between its actresses and director – risks camp by playing it straight. It shamelessly equates oysters to ladyparts and in one scene that is either comical, ridiculous, perverse or all three, Adele’s older girlfriend Emma (Léa Seydoux) teaches her how to eat them… in front of the parents!

Guess what? She likes it.

Click to read more ...