Burning Questions: Can a Bad Sequel Diminish a Classic?

Michael C here. When you tune in to the movie chatter frequency one of unavoidable refrains you hear is that such and such sequel has spoiled a classic film. You know the drill. Part III forever tarnished The Godfather, turning a perfect two-part saga into a disappointing, lopsided trilogy. Oliver Stone ruined Gordon Gekko by dragging him out for a belated encore.  “Blah blah Jim Carrey blah blah The Grinch blah blah blah MY CHILDHOOD!”  

And so on.

This chorus was most recently heard lamenting the way Oz the Great and Powerful helped itself to a box office bonanza by trampling the sterling legacy of the Judy Garland classic. Next it will be Evil Dead’s turn to besmirch the memory of a cult classic. Amid all outraged accusations of violence towards film history shouldn’t we stop to consider if the basic idea has merit? Can an inferior sequel actually diminish the standing of a classic? 

Let me state right up front my answer is a firm “No, it can’t.” Except when it can. Let me back up...

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I Linked a Link

Yahoo Movies Best Actress Roundtable - I chime in with Thelma, Peter Knegt and others
Buzzfeed Julianne Moore in Elizabeth Taylor's jewels. I'm glad she chose green
Playbill Shia Labeouf departs his intended Broadway debut. Apparently there were issues between him and Alec Baldwin. Drama!
Coming Soon the X-Men set is rebuilt for X-Men: Days of Future Past
LA Times Nominee Herbert Kretzmer on writing the Original Song nominee "Suddenly" 

The Guardian talks to director Joe Wright. "I go nuts if I'm idle." Oh if only some other directors felt this way (*cough Lynch/Luhrmann/Anderson)
Film.com Joe Reid picks the best Oscar acceptance speeches of all time. 
/Film Mark Hamill probably coming back to Star Wars. 
Movies Now that best director race sure is confusing
Pajiba shares their favorite casting notices from new pilots: Kyle Chandler, Tricia Helfer and more... 
Rebecca Rolfe has been studying body language of Oscar winners - huge chart! Everyone is into the art of acceptance speeches this year. I started a trend last year, I did.

Watch It
Gollum sings everyone's favorite precious song this year "I Dreamed a Dream"... but he changes up the words a bit.

Speaking of things I hold precious...

Have y'all heard that the glorious but not exactly movie-ish Kristin Chenoweth will be closing the Oscar ceremony with the host. Wild, right? I wouldn't have expected that but we loveses the Cheno.

ADG Nominees: Period, Fantasy, and (Our Favorite) Contemporary

The Guilds Have Spoken! Or rather, they're beginning to speak. We've just heard from the producers and now the art directors. This time AMPAS will cut the guilds off mid-sentence since Oscar nominations are but a week away. But here are the nominations from the Art Directors Guild which includes production designers, art directors and set decorators. Production Designers are the bosses of this field and when it comes to Oscar only the production designers and set decorators and not the art directors share the Oscar nominations which is why it's a bit odd that it's always called "Art Direction" but AMPAS has finally changed the name of the category so it'll now be 'Production Design'

Anna Karenina may be dressed for grief but her bedroom sure is lusty.

Expect that the five nominated films for Oscar will be (mostly) culled from these three groups. And obviously, given that Oscar is Oscar and "Best" =  "Most" the bulk of the eventual Oscar shortlist will come from Period & Fantasy. TFE's favorite thing about the guild awards is that you can see what the craftsmen and women like best in contemporary work... which sadly rarely goes on to Oscar glory despite being difficult and creatively challenging in its own right.

Some notes on their nominees... and their nominee's past filmography glories after the jump

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Tolkien at 121

JA from MNPP here to wish the author JRR Tolkien a terribly post-mortem happy 121st birthday. Here he was born (in 1892) and there he died (in September of 1973) - twas hardly a moment for you, you took no notice. (Sorry I have that Vertigo quote permanantly on tap, even if inappropriate.)

Anyway! Even if Nathaniel's boycotting The Hobbit, there's a lot of us (a whole heckuva lot, judging from its receipts) who weren't so strong and submitted ourselves willingly to another three hours in Hobbiton and beyond - my reaction to the film was actually one of surprised like, if not really love; I'd convinced myself in a post-Lovely-Bones world (shudder) that Peter Jackson had lost that ineffable something that made him so special, and I was wrong. I thought the film was like slipping back into a warm bath - cozy and quite fine. If I weren't so enamored with PJ's take on Tolkien's world I might find the probably obscene money-grab (point Nat) of stretching this lil' book out to nine hours less palatable, but I do, I do like PJ's take on Tolkien's world an awful lot, so I ended up more okay with it than I anticipated myself being in the end. Ask me again after he's piled the latter six hours on and we'll see how I feel but for now, he's reconvinced me at giving it a go. What's did y'all think?

I saw a joke going around on Twitter about how we'll be getting an epic series of films for The Silmarillion next; nevermind that all the good stuff's apparently somehow making its way into the three Hobbit movies already - where there be gold, there be dragons. Where would movie-making even be without JRR today? How many helicopter shots of groups of people striding across pretty landscapes would we have missed out on? I shudder to think.

The Box Office: An Expected Journey

I was so enamored with Peter Jackson and his Lord of the Rings trilogy a decade ago that it hurts my heart to see him now as merely Smaug, a monstrous collector of coin or even as Gollum, hanging so tight to his precioussssssss (Middle Earth) that he's lost sight of everything that once made him an artist and not a brand. It happens to a lot of über successful people. It's grown increasingly difficult to shake the feeling that his days as a great filmmaker are long gone and maybe ended with the remarkable fantasy trilogy, perhaps casting off to Grey Havens with the elves at the end of The Return of the King. Since then Jackson has made one beautiful but wildly bloated epic (King Kong) that suggested he might have a George Lucas problem (no one willing to tell him "no"), one outright terrible misfire of a whatsit? (The Lovely Bones) that suggested he might not know what the hell he's doing anymore and now The Hobbit, which was a relatively short book that has been stretched into three long films for only one reason: coin.

Maybe that's not a charitable assumption since I haven't seen the film (I REALLY don't want to spoil my Lord of The Rings experience which was beautiful and just-right) but if three big films was enough to cover (grandly) three thick books, three big films is too much to cover one thin one. But on that sordid topic of coin -- we haven't discussed box office in a month -- The Hobbit earned a ton of it though surely not as much as intended given that that seems to have been its entire intent as a cash cow prologue. 

Box Office Top Twenty - Actuals
01 THE HOBBIT: AN UNEXPECTED JOURNEY $84.7
02 RISE OF THE GUARDIANS  $7.4 (cum. $71.3) Capsule Review  
03 LINCOLN  $7.2 (cum. $107.8) Podcast Discussion
04 SKYFALL  $7 (cum $272.3) My Review & Deborah's Review
05 LIFE OF PI $5.4 (cum. $69.5) Michael on the Ending
06 THE TWILIGHT: AN EXPECTED ENDING   $5.1  (cum. $276.8)
07 WRECK-IT RALPH $3.2 (cum. $168.7)
08 PLAYING FOR KEEPS $3.2 (cum $10.8)
09 RED DAWN $2.3  (cum $40.8)
10 SILVER LININGS PLAYBOOK $2 (cum $16.9) Beau's Review

11 FLIGHT  $1.9  (cum. $89.4) Review
12 ARGO $1.1 (cum. $104.9)
13 HITCHCOCK $1 (cum $3) Review
14 KILLING THEM SOFTLY $1  (cum $14.1)
15 ANNA KARENINA $.9 (cum $8.3) Capsule Review

In other moneyed news: Lincoln continues to illustrate that Abraham had long legs and still knows how to use them (100+ million and counting for a talky drama about ideas. WTH? Sasha points out that it's now in the money lead of all the Oscar contenders); Silver Linings Playbook continues to underwhelm (not that it had a chance to break out given that it's a mainstream movie that peculiarly decided to pretend it was an arthouse film); And  Anna Karenina ought to be proud of that gross given the cold shoulder it's gotten from awards bodies. 

Where did you spend your precioussssss coin this weekend?