Cannes: Peter Jackson

by Elisa Giudici 

Peter Jackson. Photo by Elisa Giudici

At the end of the ’80s Peter Jackson arrived in Cannes for the first time as a self-taught splatter filmmaker from New Zealand and immediately got thrown out of the Palais for wearing shorts. Nearly four decades later, he returns to the Croisette as the director behind one of the most successful trilogies in cinema history. The director is still talking about movies with the enthusiasm of somebody who never stopped being the kid borrowing his parents’ Super 8 camera to film homemade monsters. Across an unusually relaxed and funny conversation at the festival, Jackson moved freely from King Kong to The Beatles, from Andy Serkis to artificial intelligence, from Tintin 2 to the collapse of DVD culture. What emerges most clearly is how little of his career feels planned in retrospect. Again and again Jackson describes cinema as a chain of accidents, obsessions, and strange coincidences somehow turning into films...

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Bernard Hill (1944-2024)

by Cláudio Alves

THE LORD OF THE RINGS: THE RETURN OF THE KING (2003) Peter Jackson

Today, sad news comes from England. Actor Bernard Hill has passed away at the age of 79, comforted by his family to the end. 

Among Oscar obsessives, Hill is best known for his appearances in Titanic and the Lord of the Rings trilogy. For James Cameron, he played the stalwart captain of the doomed ship, while Peter Jackson saw him embody Théoden, King of Rohan. Both roles share a touch of quiet authority, power laced with the deep sorrow of someone responsible for countless other lives. Hill's very presence seemed to project these qualities, making him a dream character actor, able to shape a movie's tonalities with little more than a glance, a shift of posture, a sigh. To this day, he's the only actor to star in two of the Academy's all-time champions, pictures with eleven Oscars each…

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April Foolish Predictions: What will happen in 'Toon Town'?

by Nathaniel R

Will the new emotions in "Inside Out 2" impress voters?

Last season, we finally saw another hand drawn film take the Best Animated Feature Oscar with The Boy and the Heron emerging triumphant. Will we have another rarity this year or will Oscar voters return to their Pixar and/or American CG habits? Each year we root for the underdogs in this category since great studios like Laika and Cartoon Saloon have yet to take home an Oscar. Sadly, neither of those companies will have a film ready this year. Still, we'll dream that it will prove a truly competitive year no matter what emerges. That always makes it more exciting.

Herewith our April Foolish predictions...

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The Phantom Link

• The Atlantic "Fear of a Black Hobbit" insightful piece about politics and 'nostalgia' franchises
• Boy Culture the latest updated edition of "Encyclopedia Madonnica" (one of our all time fav showbiz books) is out. Buy one if you haven't yet and love Madonna. It's a treasure trove.
• Vulture looks at Baz's tortured artists from Moulin Rouge! to Elvis

Very significant Broadway news regarding The Phantom of the Opera, A trans riff on Gotham City characters, Superman II cosplay, and more after the jump...

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YNMS x 4: Amsterdam, The Woman King, The Last Movie Stars, and Luck

A lot of this actually happened.

Let's talk trailers. Here are the five latest we've seen (though we skipped a few "final trailers" because we don't need to see that much of new movies before we actually see them!) Talking to you, Nope! We've seen more then enough and we WANT to be surprised, that's especially helpful with jump genres like thriller or horror where surprises are a huge part of the pleasure.) After the jump we'll break down five new trailers into quick Yes No Maybe So responses as is our habit. Provide your own in the comments... 

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