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Entries in Reviews (1249)

Monday
Oct292018

Stage Door: Bernhardt/Hamlet

by Dancin' Dan

It's a tall enough order to write a play about one of the greatest actresses the world has ever known. It's quite another to write a play about that same actress taking on one of the most famous plays ever written. But Theresa Rebeck has never been one to back away from a challenge. Her delightful new play Bernhardt/Hamlet imagines what it must have been like for the great Sarah Bernhardt to assay the role of none other than Hamlet, all the way back in 1897. To say the least, it was difficult.

Bernhardt (Janet McTeer), in her fifties, was past the point where she could believably play the dying ingénues that made her famous (and also far past the point where she wanted to). Out of money but full of ambition, she decides that Shakespeare's melancholy Dane will be her vehicle for a comeback after her last play, written by Edmond Rostand (Jason Butler Harner), flopped with audiences despite love from critics. But she is having difficulty "finding" the Prince, frustrated by his ease with flowery verse and his inability to take action.

Can a powerful woman play a powerful man? Bernhardt is absolutely sure of it. She says...

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Thursday
Oct252018

Review: 1985

by Murtada Elfadl

Do most people think of how their stories will be told? Probably when they are closer to the end. That’s the question at the heart of 1985. The greater question it poses is how does someone make sure they are are remembered as their whole self when society has conspired to muffle their voice?

The film tells the story of 20 something New Yorker returning home one last time to his small hometown in Texas before succumbing to death from AIDS. Adrian (Cory Michael Smith who's appeared in Carol and Wonderstruck) knows he’s dying so he tries to patch up things with his loving but disapproving religious parents (Virginia Madsen and Michael Chiklis), create memories and a connection with his preteen brother Andrew (Aidan Langford) and finally own up to a former girlfriend (Jamie Chung) who he’s never come out to...

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Thursday
Oct252018

Festival Wrap - All The Reviews

We screened them at TIFF or NYFF or Middleburg but you also may have heard about them from Cannes or Venice media coverage. Now that the festivals are wrapped (only AFI remains and we're unable to make it this year *cries*) the rest of the year is all of these treasures and some of the duds hitting movie theaters (hopefully) near you. THEN, THE OSCARS. You know how it goes. It's our very very very favorite time of year. That sound you hear is the squealing of movie fans everywhere.

Nicole making the festival rounds in the fallHere's everything we reviewed from TIFF and NYFF or Middleburg in case you missed any of them...

'extras'

It's true we didn't review everything we saw at Festivals but the biggies we didn't get to --  Shoplifters, El Angel, Capernaum, and Boy Erased -- will be in theaters very soon so reviews are forthcoming.

Thursday
Oct182018

Review: "Halloween"

by Chris Feil

After being reinterpreted by Rob Zombie in two grittier takes, Michael Myers returns to Haddonfield and to his storytelling roots in David Gordon Green’s Halloween. And even more importantly, so is his first survivor Laurie Strode and the indomitable woman that plays her: Jamie Lee Curtis.

This take unfurls the fortieth anniversary of the original John Carpenter film (dispensing with the narrative of all other installments) as the septuagenarian Michael escapes his asylum confines to return home and kill again. But this time Laurie is ready, perhaps too ready. She’s been waiting actually, devoting her life to preparing for his inevitable return by outfitting her home with intricate safety mechanisms and a cache of guns. The fallout has been isolating herself in a constant thrum of anxiety and becoming estranged from her daughter, played by Judy Greer. Michael’s return puts him and Laurie on their fated trajectory, this time with Laurie’s granddaughter (and the fate of her family’s survival) in the middle.

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Wednesday
Oct172018

Review: The Hate U Give

by Dancin' Dan

Audrey Wells, the screenwriter of The Hate U Give, lost her battle with cancer the day before the film opened. A sad story, to be sure, but what a send off. The Hate U Give, adapted from the novel by Angie Thomas, is a marvel of a film, one that completely belies its "YA literature" categorization. Its wrangling with the complex issues faced by black Americans surely owes a debt to Thomas's source material, but Wells's adaptation, directed by George Tillman, Jr., brings the novel to the screen in a form that breaks out of any audience box that it might be put in. It may come from a novel for teens, and it may feature a mostly black cast, but make no mistake: This is not just a film for everyone, it's one of the best, most vital films of the year.

Teenage Starr (Amandla Stenberg) and her family live in the "ghetto" area Garden Heights, because her parents think it is important to be with their people (they themselves grew up there), and daddy Maverick owns a grocery store there. But she and her older half-brother Seven attend a private school in a wealthier, whiter neighborhood...

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