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Entries in Reviews (1281)

Tuesday
Nov062018

Review: "The Front Runner"

by Chris Feil

Fresh off of delivering exacting holistic wisdom with frequent collaborator Diablo Cody in this past spring’s Tully, Jason Reitman is already back and pivoting hard into political commentary with The Front Runner. Detailing the combustion of Gary Hart’s 1988 presidential campaign due to the outting in the press of Hart’s not-so-secret affairs, the film stars Hugh Jackman as the prideful candidate fatally underestimating the public’s association between his character and marital fidelity. Reitman and cowriters Matt Bai and Jay Carson cover the unraveling in stringent attention to the timeline, while angling this as a key breakdown in the separation of political media consideration and tabloid press.

The result is something unintentionally passive, a film about a political candidate flailing against public expectations he refuses to assuage. The film itself is equally headstrong about satisfying on its own rather limited terms...

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Saturday
Nov032018

Review: Bohemian Rhapsody

The review was originally published in Nathaniel's column at Towleroad

‘C’mon Gay Shame!’ That’s what we imagine the movies are shouting at us right now, spirits ablaze and fingers snapping. Though it’s surely a coincidence, the Freddie Mercury biopic Bohemian Rhapsody (‘yaaas, Queen’?) and the gay conversion therapy drama Boy Erased have arrived simultaneously. This accidental double feature is a double closeted whammy. 

It’d be wonderful to report that they’re both worth seeing, but only one might rock you. And it isn’t the one with the famous “we will we will rock you” chorus. But more on Boy Erased later since it’s just beginning a platform run on 5 screens and will be expanding as awards season heats up. Bohemian Rhapsody, on the other hand, is opening wide on 4,000 screens and hoping to fill them like Queen filled stadiums…

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Monday
Oct292018

Stage Door: Bernhardt/Hamlet

by Dancin' Dan

It's a tall enough order to write a play about one of the greatest actresses the world has ever known. It's quite another to write a play about that same actress taking on one of the most famous plays ever written. But Theresa Rebeck has never been one to back away from a challenge. Her delightful new play Bernhardt/Hamlet imagines what it must have been like for the great Sarah Bernhardt to assay the role of none other than Hamlet, all the way back in 1897. To say the least, it was difficult.

Bernhardt (Janet McTeer), in her fifties, was past the point where she could believably play the dying ingénues that made her famous (and also far past the point where she wanted to). Out of money but full of ambition, she decides that Shakespeare's melancholy Dane will be her vehicle for a comeback after her last play, written by Edmond Rostand (Jason Butler Harner), flopped with audiences despite love from critics. But she is having difficulty "finding" the Prince, frustrated by his ease with flowery verse and his inability to take action.

Can a powerful woman play a powerful man? Bernhardt is absolutely sure of it. She says...

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Thursday
Oct252018

Review: 1985

by Murtada Elfadl

Do most people think of how their stories will be told? Probably when they are closer to the end. That’s the question at the heart of 1985. The greater question it poses is how does someone make sure they are are remembered as their whole self when society has conspired to muffle their voice?

The film tells the story of 20 something New Yorker returning home one last time to his small hometown in Texas before succumbing to death from AIDS. Adrian (Cory Michael Smith who's appeared in Carol and Wonderstruck) knows he’s dying so he tries to patch up things with his loving but disapproving religious parents (Virginia Madsen and Michael Chiklis), create memories and a connection with his preteen brother Andrew (Aidan Langford) and finally own up to a former girlfriend (Jamie Chung) who he’s never come out to...

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Thursday
Oct252018

Festival Wrap - All The Reviews

We screened them at TIFF or NYFF or Middleburg but you also may have heard about them from Cannes or Venice media coverage. Now that the festivals are wrapped (only AFI remains and we're unable to make it this year *cries*) the rest of the year is all of these treasures and some of the duds hitting movie theaters (hopefully) near you. THEN, THE OSCARS. You know how it goes. It's our very very very favorite time of year. That sound you hear is the squealing of movie fans everywhere.

Nicole making the festival rounds in the fallHere's everything we reviewed from TIFF and NYFF or Middleburg in case you missed any of them...

'extras'

It's true we didn't review everything we saw at Festivals but the biggies we didn't get to --  Shoplifters, El Angel, Capernaum, and Boy Erased -- will be in theaters very soon so reviews are forthcoming.