Harlots (S2:E1-2) New Law, Old Profession

Previously: Harlots Season 1 Review

by Nathaniel R

Jessica Brown Findlay, the jewel of "Harlots"

Season 2 kicked off with two disruptive episodes back-to-back, throwing previous power hierarchies into disarray. A relentless new Justice throws the once powerful Lydia Quigley (Lesley Manville) into prison which sets off several plotlines including a new brothel run by Quigley's son Charles (Dougie McMeeken) and Emily Wells (Holli Dempsey). The show is moving with such speed that it's difficult to keep up with these working women. But we shall try since we want everyone watching this show to ensure a third season! The actressing is even more involving the second time around with new cast members, new alliances, and the masterstroke of adding the undersung Liv Tyler to the cast.

A quick review of the first two episodes before the fourth hits tonight so we'll have to have another post soon on episodes 3 and 4. It's so tough to keep up with these working girls and the 'culls' who can't get enough of them...

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Mamma Mia! Here We Go Again (Review)

by Jorge Molina

Almost ten years ago to the date, Mamma Mia! opened in theaters. The jukebox musical based on the theater phenomenon that at the same time was based on the biggest hits of Europop sensation ABBA went on to gross almost 600 million dollars globally, and became the highest grossing live action musical ever. That movie seems to be divisive among fans of the genre because of the fluffy, silly and often nonsensical joy that poured out of the screens (you can read about the emotional connection I personally have with the movie here). 

Ten years and a Cher later, Donna and her Dynamos make a return to the island of Kalokairi with a sequel that doubles down on everything that made adamant fans of the first one fell in love with it, and made the skeptics roll their eyes...

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Stage Door: "Teenage Dick" and "Boylesque Bullfight"

Stage Door is our intermittent theater column because there is more to live than cinema and also because cinema and the stage frequently interact...

Teenage Dick (Public Theater)
This very cheekily titled show -- so embarrassing to say or type! -- is actually Shakespearean. (What isn't when it comes to theater? We'd love playwrights and directors to leave Shakespeare behind for a few years and discover vast untapped realms, but they're all Bard addicts who perpetually need a fix.) If you're going to riff on the Bard, please have as much fun with it as Teenage Dick does! This comic interpretation of Richard III recast the disabled king as a teenager in hate with his boring high school and the jock star and Christian activist classmates he aims to take down via an upcoming student election...

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Review: "Sorry to Bother You"

by Chris Feil

If you think that the summer movie season is winding down into boredom, Boots Riley has a debut feature to knock you off your ass. Sorry to Bother You, his Sundance breakout, is audacious filmmaking of the rarest order. Already tailor made to stir the midnight movie circuit back to life, the film is a sledgehammer to convention, taste, and politeness to make the likes of John Waters and even Jodorowsky proud.

With such wild territory, part of the thrill of the film is taking its bumps as its concept goes ever so slightly off the rails. But with this first film, Riley has delivered something delightfully convincing with complete confidence even when the film strays into the deeply strange...

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Review: "Sicario: Day of the Soldado"

by Chris Feil

That crowdsourced “fan” remake of The Last Jedi that made the rounds in the past week? The one rooted in thinly veiled misogyny, white supremacy, and general ill-advised sentiment to tool with material that’s perfectly fine on its own? Put yourself in front of Sicario: Day of the Soldado, the new prequel to Denis Villeneuve’s layered 2015 film musing on the pervasive institutional evils of the War on Drugs, and you might be convinced that those fans got their hands on this narrative as well.

The warning signs make themselves known immediately, this time focusing on the more enigmatic men in the thick of the corruption: Josh Brolin’s task force leader Matt Graver and Benicio Del Toro’s patiently vengeful hitman Alejandro. Kicking the film off with a demonstratively labored Islamophobic sequence, the audience is served a video game brand of warfare as Graver and Alejandro initiate a kidnapping plot across the Mexican-American border. The kidnappee is Isabel Reyes (played by Isabela Moner, the film’s brightest spot), the daughter of a major cartel leader that may be linked to Alejandro’s past. As expected, the men's hubris is turned in on itself...

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