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Entries in Reviews (1280)

Tuesday
Jun282016

Doc Corner: 'O.J.: Made in America' a Compelling Success

Glenn here with our weekly look at documentaries from theatres, festivals, and on demand. This week we're looking at ESPN's much-buzzed five-part documentary about O.J. Simpson.

Even more coincidental than the release of ESPN’s O.J.: Made in America so soon after Ryan Murphy’s star-studded FX mini-series, The People v. O.J. Simpson, is that the rise to fame of their subject coincided so precisely with the rise to prominence of the African American civil rights movement. The irony was not lost on Simpson with the handsome man who everyone thought “had it all” never being able to out-run the shadow that his own meteoric ascent cast over seemingly the United States’ entire black population. Nor is it lost on director Ezra Edelman who makes the parallels the structural spine of this exceptionally thorough, exquisitely compiled, and exhaustively compelling five-part documentary. It’s not called “Made in America” for nothing – another coincidence it’s worth noting, Made in America is also the name of a pretty good 2008 documentary about the Crips and Bloods war in L.A. by Stacy Peralta – and across 463 minutes, Edelman and his collaborators have crafted a powerful demonstration of the dichotomy of race, fame, and justice in America.

Starting in the 1960s with Simpson’s rise in college football, Edelman’s film wisely doesn’t focus exclusively on the murder of Nicole Brown and Ron Goldman and the trial that followed. In fact, it takes until the third episode to even bring it up, instead preferring to spend time examining these early passages of his life for clarity and for clues. Unlike the FX series, O.J.: Made in America is more concerned with attempting to find out how a man like Simpson and the country came to be. [more...]

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Sunday
Jun192016

Review: Finding Dory

This review was originally published in Nathaniel's column at Towleroad

One of the best things about breakout supporting characters is that the fandom surrounding them comes honestly. Scene-stealers aren't handed their movies, but earn them. So it went with Dory, Ellen DeGeneres's forgetful blue tang who swam circles around every other character in Finding Nemo (2003), figuratively speaking, though she did sometimes swim in actual circles since she couldn't remember where she was going.

Thirteen years later, though Finding Dory takes place just after Finding Nemo ends, we're swimming in circles again with Dory, via a suspiciously similar movie. Let us count the ways...

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Thursday
Jun162016

Doc Corner: 'My Love' a Romantic Gem

Glenn here with our weekly look at documentaries from theatres, festivals, and on demand. We're a bit late this week due to internet problems, but we're here now looking at the fan favourite hit, My Love, Don't Cross That River.

The opening shot of Jin Mo-young’s My Love, Don’t Cross That River is one of breathtaking beauty. An elderly woman sits at a grave, the ground and trees covered in snow, her crying a distinctive cut of a knife through the serene nature. If this were a fiction film, people would crow about how artfully it is composed and how even without knowledge of its subject or circumstances it is able to immediately create wells of emotion in the audience. By the time Jin’s film returns to this tableau some 80 minutes later, it does so with the complete story behind it and if the reserved simplicity of it had somehow alluded the viewer in its opening moments then surely the impact will well and truly be made now.

My Love is a film about a marriage. Jo Byeong-man is 98 and Kang Gye-Yeol is 89, and the pair who met when she was just 14 have been married for 76 years. Without that opening shot foreshadowing events to come, one might struggle through the opening half of Jin’s movie which captures the pair in almost unbearably cute form as they play child-like games while doing yard work, wear matching colourful silk outfits on day trips, pick flowers, and take care of their dogs (one of which is named Freebie because, well, he was free). But when Jo becomes increasingly sick, the film takes on a deeper resonance as Kang must confront the inevitability that she will be alone for the first time in nearly eight decades.

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Wednesday
Jun152016

Warcraft. What were they thinking? 

Six questions that trouble me still from the Warcraft screening last week...

What on earth does Glenn Close need the money for?"

For some reason they only hired sexy men to play these monsters

That's just one of many questions I screamed into the abyss whilst watching this expensive, silly, over-stuffed but under-nourished video game adaptation. What's more this was only one of about 7 questions I screamed to which no answers came in a single scene of the movie. I couldn't even begin to tell you what was going on other than it was important enough to precede the climax of the movie. But I'll try. A young sorcerer (Ben Schnetzer) enters some sort of black gooey CGI cube and meets some sort of anthropomorphized supernatural force with sounds just like Glenn Close and finally looks just like Glenn Close as it solidifies and turns to camera upon which she/it/they bestow(s) on the young sorcerer some sort of magic that they've been withholding from some sort of bureaucrat mystics association so that he can return to battle another sorcerer to become "The Guardian" of the world of Azeroth where this all takes place...and that's not even the A plot!

The A plot is slightly less confusing...

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Friday
Jun102016

Sydney Film Festival: Tickled

Josh reporting on a hot find at the Sydney Film Festival.

When the credits rolled at the screening of Tickled at the Sydney Film Festival, the frantic dumbstruck reaction from the audience was palpable. You could see everyone turning to each other, wide eyed and picking their jaws up from the floor. The proceeding Q&A with the filmmakers had hands flying into the air with exasperated questions. And all this from a documentary about tickling!

Directed by Dylan Reeve and David Farrier, the latter who is also front and centre in the film, the film unravels the bizarre and gripping story surrounding Jane O’Brien Media and its non-monetised website generating videos of young athletic men tickling each other.

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