Review: The Infiltrator

Manuel here with a review of The Infiltrator which opened yesterday nationwide.

Fact: Steven Soderbergh’s Traffic is one of the most influential films of the 21st century. That’s not a qualitative assessment but an increasingly common thought that’s rankled in my brain. Can you believe Soderbergh actually struggled to get his film financed because Hollywood execs didn’t think audiences would want to watch an entire film about the drug trade?

Fast-forward to summer 2016 when USA is premiering Queen of the South, Netflix will bring us season 2 of Narcos, two competing El Chapo TV series are in development, and Bryan Cranston’s The Infiltrator joins an ever-growing list of films about the war on drugs that range from the sublime (Sicario) to the pedestrian (Blow) with everything in between (Savages, anyone?).

In Brad Furman’s The Infiltrator, the Breaking Bad actor plays U.S. Customs Service special agent Robert Mazur who, as is par for the course in certain genres, decides to take on one last job to go undercover as “Bob Musella.”...

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Doc Corner: 'Zero Days' is One of the Year's Best

Glenn here with our weekly look at documentaries from theatres, festivals, and on demand.

Alex Gibney works with such ferocious regularity that it’s sometimes hard to keep track. Last year alone he had three films released following two the year before that. His latest, Zero Days, falls into the camp of Gibney films in which he most excels - those like Mea Maxima Culpa: Silence in the House of God and Enron: The Smartest Guys in the Room that allow him to exercise his skills at investigative journalism and dig deep into exposing organizations and those who surround them. While it lacks the pop fancies that made Going Clear: Scientology and the Prison of Belief such a success, Zero Days is Gibney’s best documentary in years.

Told with all the propulsive, thrilling excitement of a Hollywood spy blockbuster, Zero Days lifts the lid on a series of cybercrimes (reportedly - the film certainly makes a valiant case for it) committed by the US government in alignment with Israel against Iran and their potentially dangerous nuclear program. The crimes backfired drastically and exposed America and the world to a future of uncertain technological warfare...

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Review: Mike and Dave Need Wedding Dates

This review was originally published in Nathaniel's Towleroad column...

Mike and Dave Need Wedding Dates starts out giddy with a bouncy firecracker of a credits sequence. Please take that literally as the credits involve a trampoline, fireworks, and two gleeful stars Mike (Adam Devine) and Dave (Zac Efron) in mid air. Their joyful abandon is short-lived. A scene or two later we're at an intervention with their parents (Stephen Root & Stephanie Faracy) in which we see these same high-flying images again from a less zhushed-up perspective in home wedding videos their parents play them. The inseparable brothers, always each other's bachelor dates at these gatherings, egg each other on until disaster strikes. Property destruction and ambulance calls follow them... 

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Review: Captain Fantastic

Here's Murtada with thoughts on an essential hero for these particular times, Viggo Mortensen as Captain Fantasic  (opening this weekend).

Captain Fantastic opens by immediately throwing the viewer into its physical world. Forests, mountains, people hunting and gathering. If I didn’t know the synopsis beforehand I’d have thought I was watching a update of Lord of the Flies. Instead the film is about a fiercely independent patriarch (Viggo Mortensen) raising his six children in forests of the Pacific Northwest, teaching them how to thrive while turning his back on a conventional contemporary life and what it means and may offer.

This particular fantasy felt extremely appealing in a post-Brexit, Trump world...

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Review: The BFG

Eric here, with thoughts on the new Steven Spielberg release, The BFG.   

Spielberg lends his patented magical touch to this film adaptation of Roald Dahl’s children’s story The BFG.  It’s the tale of little orphan Sophie (Ruby Barnhill), who meets a friendly elderly giant (Mark Rylance) who instills dreams into children.  They go off together to Giant Country, where we meet other giants who eat children, and Dream Country, where The BFG shows her how he harvests dreams.  Then they enroll the Queen of England in an attack on the bad giants.

The first third of the picture establishes the meet-cute of our two leads, and it’s standard fantasy fare, albeit with a sleek look that blends the live action and CGI material quite successfully into one neat universe.  It’s all a little sparkly and cute, and pitched as most kids’ movies are to generate response for twinkly endearment.  At the end of this act, when we meet the bad giants, the film gets its first jolt of real gas... 

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