Cannes Diary 04: Ari Aster's "Eddington" is uncomfortably contemporary

by Elisa Giudici

In Eddington, Ari Aster brings his signature excesses and flaws, yet, as always, these are interwoven with genuine strokes of genius, his remarkable visual talent, and a flair for the audacious. Eddington is set to be divisive, much like his previous film Beau is Afraid, though it's arguably more focused and sharp, albeit still far from perfect.

The very fabric of Eddington makes it incendiary, divisive, and ultimately, a tough nut to crack. Set in the fictional New Mexico town of its title, it's an uneven but admirable attempt to take a genre deeply rooted in the past -- the Watern -- and use its tropes and language to narrate our present. Naturally then we get the classic standoff as well as  reaking shop sign swinging in a desert landscape. The shop is actually a gun store, from which the protagonist will emerge armed with both an automatic rifle and a smartphone. Because today, vigilantes and criminals alike carry a lens ready to film themselves or to be pointed in others' faces, like a weapon...

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Review: Shouldn't "The Gorge" be more fun?

by Nathaniel R

My invite arrived in February. So what if I finally walked in? I'm late to the party, true, but it's doesn't appear to be much of a shindig and it's still going on over at Apple TV+. Party planners director Scott Derrickson and screenwriter Zach Dean have done the bare minimum and way too much, respectively, to prep for their big event...

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Now Available to Rent: "Paddington in Peru" and "Novocaine"

by Nathaniel R

Herewith belated reflections on a couple of titles from the first quarter that are now rentable. We meant to cover them at the time of theatrical release but we had writers block then. Oopsie. If you've seen them, do sound off.

NOVOCAINE
When I showed up at the critics screening of this action comedy, an old journalist acquaintance of mine said to me "I haven't seen you in forever! This is what brought you back out?" I may have been being called out for jumping off the hamster wheel of the tenuous writer's life but, also, it's a valid question...

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"Captain America: Brave New World" Or, When Will Marvel Turn Things Around?

by Nathaniel R

Benjamin Franklin famously quipped "in this world nothing can be said to be certain, except death and taxes." We might add "...and new installments of the Marvel Cinematic Universe" to that shortlist. Especially since Captain America Brave New World arrives for digital rental/purchase on tax day itself, Tuesday April 15th next week. Unfortunately the new film is taxing and not to die for. On Valentine's Weekend when the film opened, I was in Pittsburgh (long story). I never regret seeing movies but I most definitely regretted splurging for an uber to get to a suburban multiplex because it happened to be opening weekend. For this, really? What was the rush? 

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Streaming Recommendation: "Lost Boys & Fairies"

by Nathaniel R

Fra Fee (Hawkeye, Prime Target) and Sion Daniel Young (Slow Horses, The Left Behind) are would-be parents in LOST BOYS & FAIRIES

Herewith a very modern problem. You see something interesting on a streaming channel and you subscribe without hesitation. You know you have too many subscriptions already. Before you know it you are paying hundreds of dollars for 10 services + add-ons. As much as I wish I had more self-control in this arena, I know I am not alone. Sometimes, though, the bleeding wallet is worth it. After subscribing to BritBox on Amazon Prime solely to watch "Lost Boys & Fairies", I do not regret it one iota. I will not even regret it a year from now when I realize I haven't watched anything else and am still paying for this one watch every single month.

In other words, I am here to emphatically recommend Daf James' BAFTA nominated miniseries Lost Boys and Fairies.  It's an often surprising, emotionally dense, occassionally tuneful, and funny tearjerker...

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