Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
COMMENTS

 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Reviews (1249)

Saturday
Jan222022

Sundance: Bill Nighy finds purpose in 'Living'

by Cláudio Alves

To remake a masterpiece is to invite comparison and risk redundancy. Still, filmmakers regularly throw themselves into the pit, asking for trouble. Oliver Hermanus is the latest maverick to tempt fate, joining the ranks of directors who have remade the work of Akira Kurosawa. This time around, the subject is one of the director's most beloved classics, Ikiru. It's the story of a stalwart bureaucrat who finds meaning in the last months of his life, discovering purpose in the shape of a playground when faced with the inevitability of death. The original flick is a sentimental jewel and a showcase for one of Kurosawa's favorite actors, Takashi Shimura. In 2022, the Japanese thespian shoes are filled by Bill Nighy, taking on a new version of the role that reimagines him as a British civil servant in 1952 London. 

While I can't speak for worldwide critics and cinephiles, I confess myself happily surprised by Living. No matter how distasteful the prospect of a Kurosawa remake feels, these modern artists have devised a worthy reinterpretation…

Click to read more ...

Saturday
Jan222022

Sundance: ‘Emergency’

By Abe Friedtanzer

 

The very legitimate fear that people of color feel when faced with the potential of confronting police has been featured in numerous films recently, both in documentary and narrative formats. In many cases, it’s a harrowing tale featuring brash reactions by law enforcement that assume the worst and end up needlessly harming those who weren’t doing anything wrong in the first place. The characters in the comedic Emergency know these truths and set out to do everything possible to avoid a tragic fate, which leads to wild hijinks…

Click to read more ...

Wednesday
Jan192022

TV Review: Somebody Somewhere (HBO)

Comedian Bridget Everett takes us to her Kansas roots in HBO's "Somebody Somewhere."by Christopher James

Bridget Everett is a one of a kind performer. The comedian and cabaret star first gained notoriety on Inside Amy Schumer. Her routine is brazen not just because of the sexually forward conduct, but moreso because of the sheer force of her confidence. 

There’s a cognitive dissonance between Everett’s on-screen persona and her starring role as Sam in Somebody Somewhere. So many of the details about Sam’s life mirror that of Everett’s own life. She’s from a farming family in Kansas and possesses an incredible voice. The main difference - there’s something sullen, almost introverted, about Sam. This bravado that has marked Everett’s whole career is purposefully gone. It’s a bold move that sets the stage for a really special performance...

Click to read more ...

Tuesday
Jan112022

Streaming: "Four To Dinner" and the problem with Italian Netflix movies

by Elisa Giudici

In the new Netflix movie Four to Dinner, beautiful thirtysomething singles are invited to a married couple's dinner on a picturesque Roman terrace. The terrace is not quite as breathtaking as the one with the hammock facing Colosseo in The Great Beauty, but it's still the kind of terrace mere mortals can only dream off, in Italy or elsewhere.

The married couple hosting the dinner is playing matchmaker, but they have different opinions on which singles should be paired. Would it be better to match their friends with similar temperaments or to test the chemistry between two opposites? The answer is both, at the same time...

Click to read more ...

Tuesday
Dec282021

The shortest review you will read of "The Matrix Resurrections"

by Nathaniel R

Cons: I didnt understand a lick of The Matrix Resurrection (did you have to memorized the first three?), especially the last act "rescue" involving brain switching which played like a techno-babble illogic exposition in order to give us a botched Sense8 body-switching visual. On the other hand, writer/director Lana Wachowski claiming such ownership from behind the camera felt satisfying despite playing at times like meta snark. Definitely did not enjoy the suggestion that therapists are evil even though the cat with the bell was damn cute. 

Pros: Absolutely loved Jonathan Groff as the new "Mr Smith". Witnessing Keanu & Carrie-Anne fall back in love was a good time; they've always looked sensational together and age-appropriate, too, so that was a rare doublesexy 50something thrill. This has been my review. 

Yours?