Review: Swoony "Cyrano" is a must-see

by Catherine Springer

There is a whole lot of love behind the new musical film Cyrano, directed by Joe Wright and starring Peter Dinklage. That's quite appropriate for one of literature’s all-time classic love stories. Screenwriter Erica Schmidt, who adapted the screenplay from her own 2019 stage adaptation of the classic Edmond Rostand play, is married in real life to the film's star Dinklage, who also played the title character in the off-Broadway production, while director Joe Wright is married in real life to Haley Bennett, who plays Roxanne, the object of Cyrano’s affection. While all four artists are consummate professionals, there is no doubt that a certain amount of personal affection seeped in during this project, as the end result is a sumptuous, warm and truly heartfelt ode to love, a beautiful work of art made by artisans unafraid to explore their passions.

The setting is seventeenth-century Paris and Roxanne, a beautiful but poor noblewoman, has fallen in love with a man she sees across a crowded theatre. When she finds out that the man is Christian de Neuvillette (Kelvin Harrison, Jr.), a new cadet in the French army battalion stationed in the city, she calls upon her lifelong friend, Cyrano de Bergerac...

Click to read more ...

TV Review – ‘Yellowstone’ Prequel ‘1883’

By Abe Friedtanzer

Paramount Network, formerly known as TNN and Spike TV, has found its flagship series in Yellowstone, the Montana-set drama starring Kevin Costner currently airing its fourth season. It’s no surprise that the show’s immense popularity would create the desire for a spinoff, and instead, sister streaming service Paramount+ has opted for a prequel. Set more than a century before the original, 1883 is a pretty straightforward Western tracking the establishment of the Yellowstone Ranch that serves as the center property of the franchise…

These two shows come from Taylor Sheridan, writer of the underrated Hell or High Water and also director of Wind River and Those Who Wish Me Dead. After I sampled the pilot, I didn’t stick with Yellowstone, even though I did enjoy Longmire, which had a similar vibe, and I continue watching the Montana-set Big Sky for unknown reasons since it’s really not good at all. Objectively, 1883 probably appeals more since it has to do with the trek west during lawless times and the official establishment of an American presence in a rural region already populated by indigenous people...

Click to read more ...

Review: "Nightmare Alley" only in theaters

by Matt St Clair

Nightmare Alley, Guillermo del Toro’s anticipated follow-up to The Shape of Water, is quite a risk for the Oscar-winning auteur. Del Toro ditches the phantasmic monsters he’s known for in favor of human monstrosity, the beasts within all of us that drive our carnal needs. As with the original 1947 noir, Nightmare Alley is an exemplary exercise on the folly of man and what happens when the line between man and beast becomes blurred. 

The main anti-hero who toes that line is Stan Carlisle (Bradley Cooper), a carny with a knack for manipulating people. His subjects include fellow carny and eventual love interest/accomplice Molly Cahill (Rooney Mara), Paul Krumbein (David Strathairn) and his fortune teller wife Zeena (Toni Collette), and a wealthy fearsome widower Ezra Grindle (Richard Jenkins). Cooper's piercing eyes and bewildering smile make him a perfect casting fit for the manipulative con man. He is a man of few words which is just as well; the words when they come are lies and deceit. It is in Cooper’s expressive face where we see Stan’s constant fear of his troubled past resurfacing...

Click to read more ...

Streaming Review: Sandra Bullock in "Unforgivable"

Please welcome new contributor Catherine Springer

Sandra Bullock has something to prove. No matter how beloved she may be as a performer, she’s never really been taken seriously as a dramatic actress. Her Best Actress Oscar win for The Blind Side (2009) is widely considered to be one of the weakest, as many feel she won more as a nod to her popularity and successful career than for the performance itself. Bullock has always had a healthy perspective on herself and her career, and has taken all the criticism in stride. And yet, there must be a place deep inside that wants to prove to the world that she deserves her Oscar, and that she is so much more than the funny, affable girl next door. 

Bullock’s starring role in Alfonso Cuaron’s Gravity (2013) went some of the way to proving she is more than the feel-good funny girl. But the question still remained: can Sandra Bullock deliver in a dramatic role, with no CGI or alien buffers? She's never truly played an unlikeable character, either. Can she change her brand this late in her career, and prove she can deliver in a serious and not loveable role?

The new Netflix film, The Unforgivable, proves the answer is an unequivocal yes. Unfortunately, few may hear that answer because anything she’s doing in this film that’s right is offset by everything else that is so, so wrong...

Click to read more ...

Review: "Being the Ricardos"

By Ben Miller

Writer/director Aaron Sorkin is no stranger to historical drama and Being the Ricardos adds to the list.  With a deft ensemble and a dynamite lead performance from Nicole Kidman, the film will be an enjoyable time for fans of I Love Lucy and Sorkin fans alike.  Fair warning though: If Sorkin isn't your cup of tea, this film can be hard to swallow.

Lucille Ball (Kidman) is at the height of her powers. Alongside her husband and co-star Desi Arnaz (Javier Bardem), their sitcom I Love Lucy is the most popular show on television.  But in 1953, Senator Joseph McCarthy was on the hunt for Communists within the United States.  Word gets out among the CBS executives that Ball was interviewed by his committee. Ball and Arnaz begin to question the viability of the show if this information became public...

Click to read more ...