Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
DON'T MISS THIS
COMMENTS
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Reviews (1292)

Sunday
Jun122022

Tribeca 2022: "Land of Dreams" Gives Sheila Vand The Star Turn She Has Been Deserving

by Jason Adams

A splendidly surreal spin on the immigrant experience, Land of Dreams stars the always-great Sheila Vand, best known as the burqa-rocking vampire in A Girl Walks Home Alone at Night. In the new film she plays Simin, an Iranian-American artist turned census worker in the near-ish future.

She's been tasked with recording the dreams of the people the government’s keeping track of. Not dream as in “The American Dream,” not dream like, “One day I hope I will become a doctor.” But the actual literal dreams that these people dream as they sleep at night...

Click to read more ...

Friday
Jun102022

Review: "Jurassic World Dominion" Proves Franchise Charms Are Near Extinct

By: Christopher James

The wonderful teaser moment of a dinosaur walking through a drive-in... not in the final film.All that’s old is new again at movie theaters this summer. However, not all nostalgia plays are created equal. Top Gun: Maverick has successfully delighted audiences old and young, marrying nostalgia with strong storytelling and jaw-dropping stunts. The final chapter of the new Jurassic World trilogy tries to do the same hat trick. Bringing back the original trio - Sam Neill, Laura Dern, Jeff Goldblum - checks off the 90s nostalgia box. A doomsday plot around terrifying dino-locusts eating crops acts as the great thread bringing all our characters together. Finally, is there any spectacle quite as jaw-dropping as dinosaurs?

Unfortunately, all these elements sloppily come together in this letdown of a final chapter. Though it comes alive in fits and starts, the result is far less than the sum of its parts...

Click to read more ...

Tuesday
Jun072022

Review: Lebanon’s ‘1982’

By Abe Friedtanzer

There are many different reasons that nations go to war, and what unites all of them is that many of those affected have nothing to do with the inherent conflict. It’s a concept that might be difficult for modern-day Americans to relate to since most of the wars from our lifetime have been fought on foreign soil; the domestic population doesn’t feel the impact in the same way. But there are so many civilians, throughout history, who have seen their lives irreversibly changed by a war they never asked for that doesn’t benefit them. Oualid Mouaness’ feature debut 1982, which was Lebanon’s official Oscar entry for 2019 (and finally getting a US release) offers a strong and stirring take on that idea with the 1982 Lebanon War.

1982 takes place over the course of a day in the title year when a group of schoolchildren go about their ordinary lives as military clashes in the distance come ever closer...

Click to read more ...

Friday
Jun032022

Review: "Watcher"

by Matt St Clair

With her feature debut Watcher, director Chloe Okuno offers up a simple but discomfitting concept. What if you felt a stranger was watching your every move? The concept alone feels paralyzing thanks to its proximity to every day fears. If you’re so much as going on a simple park stroll, the sense that the person walking behind you is following your footsteps, whether or not they actually are, is terrifying.

For protagonist Julia (Maika Monroe), those kinds of anxieties are only amplified by her physical and mental solitude...

Click to read more ...

Wednesday
May252022

Cannes Diary #8: Reshaping the world through voices or silence

by Elisa Giudici

TORI & LOKITA

Speak up for yourself and change the world. The problem is that sometimes that the most vulnerable people have no voice, enduring violence and betrayal in silence. Sometimes a forgotten language is found again. At other times silence is a radical choice made. Today, an immigrant story from the Dardennes, and a vivid true story from Agnieszka Smoczyńska, the director of The Lure...

Click to read more ...