Tribeca 2021: "Lorelei" review

by Jason Adams

It's always a thrill to see fantastically talented supporting actors who don't always get the leading roles they deserve actually get the leading roles they deserve. Director Sabrina Doyle's post-prison drama called Lorelei, which just debuted at Tribeca, gives us a two-fer on that front. It stars Pablo Schreiber (of Orange is the New Black and American Gods) and Jena Malone (of Donnie Darko and The Hunger Games and I could just keep going -- she's a long-time personal fave) as, respectively, the ex-convict looking to set his life straight and the girl he left behind. Lorelei starts out kinda obvious but ultimately ends up swerving, thanks to the sheer willpower of its leads and an openness by its filmmaker to follow an idiosyncratic path alongside them. It veers into far more interesting territory than you might first guess. 

Schreiber and Malone each have enormous screen presence, if not necessarily in the same ways...

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"Loki" Episodes 1 & 2

By Ben Miller

The runaway success of the Marvel Cinematic Universe inevitably spread to television earlier this year.  Following the smashing debut of WandaVision and the meh that was The Falcon and the Winter Soldier, Marvel turns their attention to everyone’s favorite God of Mischief, Loki.

Starring Tom Hiddleston as the titular God, the show picks up right where we last saw Loki alive: absconding with the space stone following the alternate timeline Battle of New York from Avengers: Endgame.

Let’s dive in on the first two episodes.  Warning: SPOILERS AHEAD

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Movie review: "Censor"

By Tim Brayton

Giallo homages, modernising the sordid, stylish vibe of Italy's cultishly beloved, violent and colorful 1970s thrillers, have gone from being an odd little niche project to a veritable cottage industry over the last decade. It takes more than just dousing a movie in candy colors to stand out, and so that's the first thing to praise about Censor, the extraordinarily self-assured debut feature by Welsh director Prano Bailey-Bond, is that it has so much to offer. Though it is very candy colored.

The film, currently open in limited release, isn’t exactly a giallo homage, to be honest. Above all else, it's a love letter to the Video Nasties, the notorious list of movies targeted for prosecution on home video by the British government’s Department of Public Prosecutions in the 1980s, when the film is set...

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Tribeca 2021: This "Poser" Sneaks Up on You

by Jason Adams

It is said that our 20s are spent trying to figure out who we are, accumulating likes and dislikes, testing out identities like stage costumes for some great reveal, to be determined. You fake it until you make it, the "it" being some semblance of a self. It's a precarious and unsettling time for a lot of people, and Ori Segev and Noah Dixon's film Poser, screening at Tribeca, does a fine job actualizing on-screen that amorphous state of flirting with emptiness, giving us a slow-burn Single White Female for the 21st century in the process...

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Review: "Holler"

By Ben Miller

2010's Winter's Bone was a surprise Sundance success that depicted the poverty-stricken community of middle America. Debra Granik's debut made Jennifer Lawrence a star and earned four Oscar nominations.  Directors have tried to replicate that film to varying degrees of success, and writer/director Nicole Riegel tries her hand with Holler.

Jessica Barden stars as Ruth, a teenager on the verge of high school graduation. When she receives her acceptance into college, she and her brother Blaze (Gus Harper) join an illegal scrap metal crew in order to get the money she needs to further herself...

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