Gurus of Gold Begins

What will Oscar love this year? It's the question that never quite leaves the mind of the Oscar fanatic. Especially not this time of year when the bulk of the baity films are about to reveal themselves at festivals and on movie screens. August is practically the last moment of "anything could happen" dreaming. Reality (or whatever passes for it in the land of Loud Opinions) is about to set in.

So it's a perfect time for the Gurus of Gold to begin. This long running group of key awards pundits, assembled by David Poland at Movie City News has a new member this year. Me. I'm truly grateful for the honor of a place at that table.

To "set the field" we were asked to submit our top fifteen (unranked) assumptions about which films might be Best Picture bound. My fifteen won't be difficult for you to guess since they're there on TFE's Updated Best Picture Chart but here is the Guru chart. The joy of group punditry is investigating where consensus emerges and where pundits are out on limbs alone. For instance, I'm the only Guru that named Ridley Scott's The Counselor as a Best Picture possibility and I don't have much company at all when it comes to Dallas Buyers Club either. Spike Jonze's Her, JC Chandor's All is Lost, and Bennett Miller's Foxcatcher, all featured in my top ten (not just my top fifteen) don't seem to be inspiring consensus opinion in terms of Best Picture heat either. As for the consensus titles that I'm cooler on than the almost all the other Gurus, that'd be Monuments Men (the trailer worried me) and Inside Llewyn Davis (I just don't see how the Coen Bros can hit gold every time) but I have good company in doubting those with Pete Hammond and Mark Harris, respectively.

12 Years a Slave was one of only 3 films to receive 14 of 15 votes

What'cha think? The Gurus of Gold chart (as well as my own) will invariably be shaken up by TIFF the festival that always changes everything by way of "First!"

UPDATED OSCAR CHARTS RIGHT HERE
Picture | Director | Actress | Actor | Supporting Actress | Supporting Actor

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Housekeeping Note: I'm running very late today so if you're planning to join us for tonight's "Hit Me" on The Bad and the Beautiful, you have extra time. My post probably won't go up until tomorrrow at noon.

EW First look at Kit Harington in Pompeii. Someone's been working out in their off duty moments on that dull wintry wall. 
The Dissolve remembers the great writer Elmore Leonard (RIP) with an indepth conversation about his rich cinematic legacy
CHUD first look at Steve Carell in Foxcatcher - i can't wait to see this movie. He's such a strong dramatic actor despite his comedic fame
IndieWire lists the 4 million films showing at TIFF this year 
Vulture on the exciting young world of TV criticism 

Cinema Blend rumors suggest that it's Elizabeth Olsen who'll get the Scarlet Witch role in The Avengers: Age of Ultron. I'm proprietary about Quicksilver & Scarlet Witch and this idea doesn't upset me so... good news!
MNPP puckers up for Tom Sturridge -On the Road is now on DVD and Olivier Assayas Sils Maria is next
Empire Beautiful cast lining up for the adaptation of the best-seller Dark Places, a drama about a woman who survived a Satanic massacre, with Charlize Theron headlining and Nicholas Hoult, Corey Stoll and Christina Hendricks supporting
i09 has a Fall Movie Guide for 20 upcoming genre films. Summer is forever. 
Huffington Post Lily Tomlin and Jane Wagner may marry after 42 years together  
/Film on the tight focus of Edgar Wright's Ant Man. In other words: yet another origin story. Does no one believe in 'In Media Res' anymore? Did the world learn nothing from 1977's Star Wars? Skip to chapter 4 people! Let the audience catch up. The last thing the world needs is another origin story. In this way the superhero genre is just as dull as the biopic, with their obsession with This Caused This! How Things Came To Be

Exit Video ...here's a cute video of iconic and funny t-shirts from the movies! Which bring back the most memories?

Goodbye Peacock. And Other Links

Los Angeles Times AMPAS elects their first African American president in Cheryl Boone Isaacs
IndieWire on how newcomer Annie McNamara landed a supporting role in the otherwise starry cast of Blue Jasmine
Filmonic John Williams will score the new Star Wars trilogy 
Maps to the Stars on the Cronenberg exhibit at TIFF this year 
Fashionista thinks Claire Danes has lost a leg in this photoshoot 
IndieWire on the 25th anniversary of Midnight Madness at TIFF this year

Empire another big get for rising star David Oyelowo who was so good in Middle of Nowhere and also eye-catching in The Paperboy - he joins the increasingly crowded Insterstellar for Christopher Nolan
The Backlot on HBO's new gay series starring Jonathan Groff. Is it "special"? 
In Contention A Most Wanted Man could put Philip Seymour Hoffman back in the Oscar race
/Film oh dear god. they can't leave well enough alone. Dexter might get a spin-off series after 8 looooong seasons
Salon Before Fruitvale Station there was Boyz n the Hood
Cinema Blend new teaser poster for Gravity 

Finally, you have undoubtedly heard that the fine comic actress Eileen Brennan passed away earier today at 80 years of age. I have to admit a weird unfamiliarity with the most acclaimed turn in her filmography (unlike me I know!) as I never saw her Oscar-nominated work in Private Benjamin. I remember people being really into it when I was a kid but it was rated R and I somehow never caught up with it when I was old enough. I'll personally remember her most fondly as Peacock in Clue with her frazzled manner, soup sipping, and ungainly hat. Others will cherish her work in The Sting or The Last Picture Show or any number of TV appearances including time on Laugh-In with her future Benjamin co-star Goldie Hawn. What will you remember her for? RIP Mrs Peacock.

TIFF13 Lineup Announced

Amir here, with a sore throat after a few hours of screaming in excitement. Like Oscar nomination morning, 'TIFF lineup announcement day' (what a mouthful)  is marked on my calendar in prominent colours every year. It's a day that brings a combination of excitement, endless 'what-to-watch?'  dilemmas, and the dread of having to plan a 40 film a week schedule while still attending to unwanted obstacles like eating and sleeping and day jobs. If you followed this morning's press conference by the festival's directors, you know that only about a quarter of the films that will eventually grace the screens were named and the actual schedule isn't even out yet, but such is the nature of festival going. It gets you going long before the curtains are raised.

TIFF's opening night film: Bill Condon's The Fifth Estate

Naturally, for a festival that screens nearly 300 films every year, the list is an eclectic mix of hotly anticipated Oscar players, critically acclaimed titles from other festivals earlier in the year and auteur titles that have slipped under the radar so far. It is among this latter bunch, for instance, where my most anticipated film of the year, Sylvain Chomet's live action debut Attila Marcel, showed up in the announcement this morning, greeted by a shriek that had my poor co-workers jumping in their seats.

One mild surprise came in the words "World Premiere" that preceded the not-so surprising inclusion of 12 Years a Slave. [more...] 

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Interview: On Casting and Politics of Sex with the Director of "The Sessions"

Amir here. TIFF has been over for more than a month but I still have one interview left to share with you. With The Sessions opening in theaters today, it was the perfect time to share my chat with Ben Lewin, the film's director. We touched upon everything from the politics of sex and nudity in Hollywood to the influence of his own experience with polio on building the character of Mark O'Brien. It's a film I encourage everyone to see because it's surprisingly funny and incredibly heartfelt, and features two of the strongest lead performances of the year. (In case you missed these back in September, here's my review of the film and my interview with one of its stars, William H. Macy.)

 

Amir for TFE: I can’t think of a better place to start the interview than nudity.

Ben Lewin: Neither can I!

Amir: Because, in general I’ve been accustomed to seeing certain types of people have sex on screen in Hollywood films and everyone else’s sex life is barely ever shown, as if, you know, people in their 40s or black people don’t have sex. It’s unbelievable and I really appreciate that we get to see something very different here. Was the film always so explicit since the idea was conceived in your head?

Ben: I think if you read Mark O’Brien’s article, there’s no other way. The essence of it was that he was learning the ABCs, what goes where, what do you do, and I think the explicitness is part of revealing his naiveté and how childlike he was when it came to sex. I was only keeping faithful to his original work, which was really what inspired me. Every time I felt like I was losing my way in the script, I’d go back to his text and rediscover what turned me on in the first place. The first thing that struck me when I read it was the frankness. The explicitness doesn’t make it sexier, it just makes it more ordinary.

My point exactly! Everybody at every age does it. You don’t have to look like a star.

I’d never imagined myself going there though...[MORE]

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