Nathaniel's No Fly Zone

Are you rushing to plan an international jaunt days before said jaunt? I can't recommend!

Last week I realized that TIFF was upon us and realizing that I hadn't at all planned for it (the summer was bumpy) - no accreditation requests, no tickets, nothing, I attempted to course correct.  I thought I'd pop up to Toronto for the last four days of the festival and scrambled: line up premiere invites, find lodging, buy new premiere outfit, order first pair of glasses ever (for long nights staring at my laptop). I closed my eyes tight-shut and hit "purchase" on the expenses as my card buckled in protest. Then Tuesday evening whilst packing, I realized that my passport had vanished. When was the last time I'd used it? Iceland??? Seven hours later my apartment, looking like Dorothy had just been violently whisked off to Oz, still refused to give the sacret document up. I brought every document of my existence with me to the airport last night (expired passport, birth certificate, you name it) and was unceremoniously turned away. I was offered the option of driving with one caveat -- Canada would let me in with my current documents but the US would not let me back in.

The worst part of the whole experience? The Boyfriend said "You're like Nasseri in Charles de Gaulle". And just when I had managed to forget all about the existence of Steven Spielberg's woeful The Terminal, too! Argh!!! and thanks a lot.

The bright side? (Always make lemonade, people.) The airline and the hotel did not rob me blind on cancellation fees but merely pickpocketed. Amir is still there to cover the fest. And now that I'm not in Toronto there's time to catch up on posting, hit some screenings right here, share my Lizzy Caplan interview, and tell you the story of how I met Kristen Stewart and Gabby Sidibe. Stay tuned! Yes, Fall Film Season, and Starry Oscar Campaign Trails are already upon us. I'm thrilled despite being grounded for the forseeable future.

May your September travels be smoother!

TIFF: "The Sessions"

Amir reporting from the Toronto International Film Festival

It's hard to think that a film about a man living in an iron lung could be labelled “the feel good movie of the festival.” But The Sessions beats the odds. For director Ben Lewin, who himself struggled with polio as a child, and his stellar cast, sex, disability, Catholicism and humour blend together to shape the unlikeliest of crowd pleasers.

The Sessions centres of Mark O’Brien (John Hawkes), a poet who fell victim to polio in his childhood and lost all his muscle strength from the neck down. His body retains its sensitivity, hence the narratively critical ability to achieve erections, but is unable to move and requires an iron lung to breathe. At the age of 38 and faced with the prospect that his days might be numbered before he ever gets to “meet” a woman, O’Brien decides to lose his virginity; and to do that, he’ll have to overcome two obstacles: an overwhelming sense of anxiety caused by his physical disability, and a fear of being sinful resulted from his devout belief in the Catholic church.

The second obstacle is easier for him to clear as he consults Father Brendan (a hilarious and poignant William H. Macy), an unconventionally forgiving priest who tells O’Brien that in his heart he knows Jesus will give him a pass. With that green light, O’Brien goes on to find Cheryl Cohen Greene (a top-form Helen Hunt), a sex therapist who is willing to take him through the mechanics of sex in six sessions.

The Sessions isn’t exactly a biopic...

Click to read more ...

Catching Up: Oscar Buzz & Blunders, Festival Debuts & Misses

Deep breaths. Deep breaths.

Fall Film Season is upon us. And with it the 0 to 60 Oscar buzz. Even if you're blessed enough to have the means to jetset from Telluride to Venice to Toronto to New York, chances are you can't keep up with it all. I know I haven't been able to while juggling other demands. Before I fly up to Toronto on Wednesday for the last heady days of TIFF, I should do my best to catch up on the buzz and update those dusty Oscar charts. They're not yet a month old but.... 0 to 60, you know. The movies are upon us!

BUT FIRST LET ME VENT...
So, they announced the winners of the honorary Oscars this week and as per usual, they've demonstrated their complete lack of respect for Actresses. There are so many fine actresses who never won Oscars who are still alive and yet year after year they ignore all of them to honor various men. I don't mean to take anything away from this year's talented recipients who all deserve a congratulatory round of applause (mogul Jeffrey Katzenberg, stuntman Hal Needham, documentarian D. A. Pennebaker, arts advocate George Stevens, Jr.) it's just that the pattern is obvious and concerning.

Worse yet, when AMPAS does honor a woman, it's someone without a rich acting background (Hi, Oprah Winfrey). By the time this year's Oscars have wrapped, for a twenty year stretch from 1993 through 2012, thirty-eight people will have been given honorary Oscars or Jean Hersholt Humanitarian Awards and there are only three women among them (Deborah Kerr, Lauren Bacall, Oprah Winfrey). Oscar has a very real problem with women so if living screen giants like Maureen O'Hara, Doris Day, Catherine Deneuve, Mia Farrow, Eleanor Parker, Angela Lansbury, Gena Rowlands and other classic actresses ever want an Honorary prize, they might want to look into sex change operations or at least a tuxedo rental. Exasperating!

Now on to movies people have talking about...

Click to read more ...

TIFF: Charmed by Ewan McGregor and "Frances Ha"

Toronto International Film Festival reports. Amir is already on the scene...

Amir here. The first couple of days at the festival have been so fantastic, surreal even, that I fear there’s no way to go from here but down. There’s been quite a lot of star gazing: Ryan Gosling, Snoop Dogg Lion, Selena Gomez, Abbie Cornish and the impossibly gorgeous Greta Gerwig. I also happened to run into the super lovely Ben Whishaw and most significant of all, had a one on one interview with William H. Macy for The Sessions. It was an amazing experience as Macy’s long been one of my favourite actors and to get to meet him in person was more than I could ask for. (The interview is forthcoming.)

The most unexpected of my encounters with the celebrities, however, happened at the screening of Noah Baumbach’s exquisite Frances Ha. Those of you following me on twitter have already seen my picture with the man in question but the story went as such: prior to the film, my friends and I were discussing which celebrities we most wanted to see and my pick was Ewan McGregor, who’s in town for the premiere of The Impossible; he's probably my favourite actor working today. Then, as we settle in our seats in the theatre, I look to a few rows ahead and lo and behold, McGregor – who is in no way involved with the film and is only there to see it – is sitting there, just chatting with a friend.

And then this happened...

me and McGregor!

Having worked behind the scenes at TIFF for so many years, I’ve seen a good share of celebrities but this was something truly special.

Click to read more ...

TIFF: "Lore", Australia's Formidable Oscar Contender

Toronto International Film Festival. Glenn is in Australia but he's seen Monday's premiere "Lore".

Australia isn’t a regular player in the Academy’s annual game of Best Foreign Language Film. We’ve only submitted five films prior to 2012: Clara Law’s Floating Life (1996), which I have never seen; Steve Jacobs’ La Spagnola (2001), which is fun, if slight, immigrant comedy; Rolf de Heer’s Ten Canoes (2006) a fabulous film that was the first ever filmed in native Aboriginal dialects; Tony Ayres’ The Home Song Stories (2007), which features an incredible performance by Joan Chen; and Samson & Delilah (2009), Warwick Thornton’s groundbreaking indigenous drama about two teens escaping their remote lives only to stumble upon tragedy at every turn. Thornton’s film was the closest Australia has ever come to snagging a nomination, having managed to find a spot on the nine-wide shortlist. As great as that film was, however, its hard-edged take on the plight of our country’s most troubled citizens was always going to be a tough ask for a nomination.

Much easier, I suspect, will be Cate Shortland’s Lore, which seemingly comes to us with the Oscar-nominee stamp blazoned across it. Transmission Films, the film's distributor in Australia, has officially announced that Lore will represent Australia in the Foreign Language Film category at this year’s Academy Awards. With a story involving an epic journey (!), children (!!), and WWII (!!!), it has to be considered a strong contender for the shortlist on nomination morning.

Shortland hasn't made a theatrical feature since she broke through in 2004 with Somersault, which helped launch Abbie Cornish and Sam Worthington. Her latest is a finely crafted, delicate WWII drama about five children who must make their way across a divided Germany in the final days of the war after their Nazi parents are taken away. It receives a local release in two weeks time, but I saw it a couple of weeks back and was utterly captivated. It’s the best Australian film of the year (so far) for sure, even if it doesn’t have anything to do with our nation’s identity. Shortland’s knack for navigating tricky territory (a young girl’s burgeoning sexuality in Somersault, a traumatised police officer in TV movie The Silence) is at her finest here, exploring the crumbling world of these children whose affluent life is rapidly disintegrating upon the news of Hitler’s death. The final scenes are particularly pertinent as it begins to dawn on the kids – and the audience – that their lives will never be the same. They will always be Nazi children who spent their childhood in the shadow of Hitler’s rhetoric.

Wonderfully acted (especially by newcomer Saskia Rosendahl as the eldest sibling, Hannelore), expertly filmed by Adam Arkapaw (Animal Kingdom, Snowtown), sublimely edited by Veronika Jenet (Oscar nominated for The Piano), and featuring an original score by Max Richter (Waltz with Bashir, Sarah’s Key) that is so far above and beyond the best of the year, I have no doubt you will be hearing about Lore over the next year. It’s an official Australian/German co-production with many Aussies behind the scenes, so it remains to be seen whether the Academy’s voters see it as “not Australian enough”, but it is a powerful film that would make a worthy nominee.

Its American distributor, Music Box Films, has no set date for a US release yet, but distribution could give it a bit of extra marketing muscle come awards season. Lore screened in competition at the Sydney Film Festival, won the major audience award at the Locarno International Film Festival in Switzerland, and has its North American premiere tomorrow at TIFF.