In Appreciation of "American Crime"

It's a common beliefe that there’s a ceiling to how poignant and brutally honest network television can be.  The often accurate stereotype is that the hour-long dramas that inspire debate and passion are found on pay or premium cable; network TV is for rote procedurals and other series unwilling or unable to truly push the envelope.

Yet In the month since it has premiered, the second season of Academy-Award winning writer John Ridley’s (12 Years a Slave) “American Crime” has been flying in the face of pre-conceived notions about the limitations of network television. [More...]

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TV at the Movies: Agent Carter goes Hollywood, and Hedy Lamarr gets her due.

Since several members of Team Experience are high on Agent Carter, here's Lynn Lee to talk about its new Tinseltown resonance.

Are you enjoying Marvel’s “Agent Carter”?  If you're not watching, you should. The show’s really upped its game in its second season, in part because its main characters have found their groove, but in even larger part because of its change of setting.  

Dispatched to Los Angeles to assist the West Coast office of the Strategic Science Reserve, Agent Peggy Carter (Hayley Atwell) quickly finds herself in the heart of Hollywood’s Golden Age.  Her old friend Howard Stark (Dominic Cooper) is doing his best impression of another famed Howard of the period, dabbling in filmmaking but really most interested in collecting starlets as poolside decorations and “production assistants.”  Meanwhile, Peggy and Jarvis (James d’Arcy) do their own best impression of Nick and Nora Charles (although they also prefigure original Avengers John Steed and Emma Peel), trading exquisitely polite British quips as they navigate palm trees and movie sets, and they’re a delight to watch. 

But it’s not just Howard Stark who draws Peggy into Tinseltown’s orbit. More...

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"Brooklyn" Bounces to TV

The big screen to TV spinoff window keeps getting smaller, now with an adaptation truly worth fawning over. Brooklyn producers Finola Dwyer and Amanda Posey are bringing a spinoff of the Best Picture nominee to the BBC.

As if that wasn't enticing enough, the series is to center around house matron Mrs. Keogh with star Julie Walters set to reprise her role. We're well on the record about adoring those boarding house scenes, from the charmingly tart to the emotionally resonant. If the show can be as inspired as everything we got from the time spent under Mrs. Keogh's roof, we're in for something special indeed.

The concept of the show itself leaves much to obsess over as details develop on this one. Will any of the original ensemble members be returning along with Walters? Has Dolores found any chill? Who is *ahem* trustworthy enough to inherit the basement room from Eilis? We want answers and we want them now!

Walters is the only returning talent so far, and who knows if director John Crowley and screenwriter Nick Hornby might contribute. While it's too much to ask for Saoirse Ronan to commit, it'd be sinful to recast the undersung minor actresses from the film if their characters continue. Whose story are you most hopeful to see more of on the small screen?

Links: Secret Talents, Visual Effects, Best Girlfriends

Salon Why Rooney Mara can't win for Carol. Interesting piece on what really matters in Supporting Actress (Hint: Best Actor)
MCN David Poland looks at the writers branch and how the new Academy rules might affect them
Gurus of Gold interesting to see where the volatility is in the new charts: Best Picture and Best Director contain all the (seeming) drama 
Towleroad Jonathan Groff interviewed by Kevin Sessums talks sex scenes in the Looking movie, filming wrapped, and his Sutton Foster obsession 

 

AV Club The Flash will officially crossover with Supergirl despite different networks
Variety on the new warp speed market for television shows 
The Film Stage first clips and new images from Jeff Nichols's Midnight Special. I'm not watching them because I want to be surprised 
Variety Jessica Chastain still looking for her Oscar movie, in talks for Woman Walks Ahead, about a 19th century woman who advised Sioux chieftain Sitting Bull 
The Hairpin a listical "best friends of rom com heroines"  from Judy Greer through Joan Cusack and back to Carrie Fisher
Pajiba praises Helen Mirren's beer commercial 

Today's Watch
Secret Talents of leading ladies and more links after the jump

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FOX's "Grease! Live" = The Best Live TV Musical Yet

My name is Dancin' Dan and I LOVED Grease! Live.

When Fox announced they were getting into the live musical game, with "America's Favorite Musical", Grease, there was reason to be skeptical. True, the home of American Idol seemed like a more natural fit for a live musical than NBC, but Grease is perhaps an even more iconic show than The Sound of Music, and we all know how that one turned out for NBC.

But then casting announcements kept rolling in, and they felt shockingly on point: Broadway heartthrob Aaron Tveit as bad-boy-with-a-heart-of-gold Danny Zuko. Dancing With the Stars alum Julianne Hough as eternal good girl Sandy Young. High School Musical star Vanessa Hudgens as bad girl Rizzo, pop star and Broadway Cinderella Carly Rae Jepsen as air-headed beauty school dropout Frenchie, former child star Keke Palmer as sex-obsessed Marty.... could this actually work?

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