Link-a-round

Cinemascope Ari Folman (Waltz With Bashir) is working on a stop motion animated film about Anne Frank. Yes, that Anne Frank
The Stake has a great piece on Tina Fey's firestarter comedy, especially its willingness to constantly poke at our racial discomforts
Playbill has fun making Stephen King's books into stage musicals
Pajiba has seen (well the first ten minutes) of a porn parody of Guardians of the Galaxy with characters named Star Load, and Bonin
EW shares the 20 best episodes of Mad Men. Great choices overall - I'll be furious forever that Jon Hamm and Elisabeth Moss didn't win Emmys for "The Suitcase"
MNPP I missed Matthew Goode's birthday but this is the perfect gif set with which to celebrate

Women and Hollywood the annual Crystal Awards for women in film are here and this year's honorees are Nicole Kidman and Ava DuVernay
Boy Culture celebrates the one and only Buster Crabbe with some pre-code footage
Deep Dish celebrates Bette Davis on her birthday with lots of clips from TV & film
The Guardian raves about Carey Mulligan's career and artistry. She is currently playing Bill Nighy's ex-lover on Broadway at the moment in Skylight. Yes, Nighy. He is 36 years older.
Theater Mania yes, it's true. Cats will be revived on Broadway
Salon Michelangelo Signorile writes about the bleak state of gay characters on TV, usually sexless even in shows where their straight counterparts have plenty of physical intimacy (this is especially sad to read after Looking's cancellation though the article doesn't mention that)
Comics Alliance the superhero craze has officially jumped shark? an Avengers inspired menswear line is upon us. No, not a boys underoos line, a menswear line. Kind of brings us back to that gender doublestandard discussion again, right?
Huff Post Comedy speaking of double standards read this great piece on the headlines that would follow Madonna if she did the same things celebrity men her age or older did
Maria Shriver's Blog also has a piece on ageism and sexism via the prism of Madonna
i09 proof that awards are always political -- and it isn't just Oscar that's perpetually under attack -- in this investigative piece about a very weird two years for sci-fi's "Hugo" Awards
TV Line "The Muppet Show" will be returning to ABC at some point. Let this serve as your reminder that they tried to revive it one other time in the 1990s and Michelle Pfeiffer was a guest! Here is video proof. (Yes, I was very excited that night)

Unfortunately, as in The Muppets (2011) they thought it wise to invent a new Muppet character that wasn't even a tenth as good as any of the originals. Why does this keep happening? I'm all for shaking things up lest one be fossilized in nostalgia but if you can't come up with a good character DO NOT steal screen time from the good ones!

Cast This: NBC's "The Wiz Live"

Margaret here. Earlier this week, NBC announced that this December they will be following the surprise ratings smash that was The Sound of Music Live and the more modestly-rated Peter Pan Live with a third simulcast musical: The Wiz! Producers Craig Zadan and Neil Meron (fresh off their third and likely final Oscar ceremony) are returning, with Harvey Fierstein on board to augment William F. Brown's original book. The team is also partnering with Cirque du Soleil for the production, with plans to later move it to Broadway.

The 1975 "Super Soul Musical" is, for many reasons, an excellent choice. Because it's a pop musical, the network heads' desire to stunt cast with big stars will actually serve the material. And it's become a staple in high school productions because of its generosity with its musical parts- it requires a deep cast, with 9 characters who have their own show-stoppable numbers.

Like with most pop music, the score to The Wiz is only as strong as the people performing it, and the right actor can take even the least crucial number and make it into a sensation. That makes casting especially crucial. We owe it to the good people of NBC to make their jobs easy!

Here's my dream cast:

Click to read more ...

Michelle Pfeiffer to Return to Television

True story: I have had this tab open for 6 hours and 14 minutes and this is the first sentence I have typed. I am a bundle of inchoate feelings about this news and may never fully process it. Reports have been coming in since last night that TFE's unofficial goddess (aka Nathaniel's all time favorite Michelle Pfeiffer) is heading to the small screen where she started 36 years ago in "Delta House" (1979), a sorority comedy trying to capitalize on the success of Animal House and "Bad C.A.T.S" (1980) a drama about young undercover cops and car thieves. 

More...

Click to read more ...

Letting Go of "Looking" Has Not Been Easy

This article originally appeared in Nathaniel's column at Towleroad. It is reprinted here with minor adjustments. 

The first Sunday night without HBO's "Looking" came and went. Of course there would have been no "Looking" this past Sunday night even had the show been renewed, since the second much improved season had just wrapped. One of the funniest things I heard after the cancellation was this:

The good news is Looking thinkpieces are also cancelled."

Well, yes. Those are almost at an end, too.

The autopsy reports have to run their course and so does the mourning process. And if HBO makes good on its promise of a wrap-up movie (believe it when you see it), the cycle starts all over again in miniature even if the end point is still goodbye. Given all this finality, it's strangely apt that the second season's finest episode "Looking for a Plot" took places at a funeral (Doris's father) and sent Dom, Doris and Patrick spinning emotionally, even if they didn't quite realize it at first. But the mourning is real. At least for those of us who loved the show for what it actually was. More...

Click to read more ...

Attending the Mad Men "Black and Red Ball"

Margaret reporting from Los Angeles. On Wednesday night, television phenomenon Mad Men screened its final premiere, and I had the pleasure of attending to represent The Film Experience. This premiere leads off the second half of Mad Men's seventh and final season. While introducing the episode, AMC President Charlie Collier spoke to the legacy of the show, claiming that:

in the history of television, there will be a permanent line of demarcation: Before Mad Men, and After Mad Men.''

It's a strong claim, but it's true. 

Compare the television landscape of today to the television landscape of a decade ago, and the influence of Mad Men's success is evident. Certainly without that show AMC would not have taken off and there would be no Breaking Bad, nor The Walking Dead. The Americans, Downton Abbey, and Netflix's entire original programming arm also owe Mad Men a sizable debt.

The Event
In celebration of their achievement, the cast and crew gathered in the Dorothy Chandler Pavilion in downtown Los Angeles which housed the Oscars for many year. The Pavilion isn't new to Mad Men either, the foyer having played the lobby of a Rome hotel in season three. 

Margaret and Jordan attending for The Film Experience

Nearly the entire cast was present except for Elisabeth Moss (currently on Broadway) and Jessica Pare. When Robert Morse was called on stage he practically held court, and all but did a soft-shoe. Jon Hamm was, understandably, like the class president, high-fiving everyone and adorably rough-housing with little Bobby Draper when he seemed to get restless. And finally, Kiernan Shipka who we watched grow up on the show, is now unnervingly tall and very poised. 

The mutual respect and love among the team was evident, and the program reserved special (and richly deserved) praise for the visual artists who gave Mad Men so much of its richness: cinematographer Chris Manley, production designer Dan Bishop, art director Christopher Brown, set decorator Claudette Didul, props master Ellen Freund, and the genius costume designer Janie Bryant whose work on the show is so long overdue for an Emmy. Christina Hendricks clearly adores them giving enormous hugs to everyone.

Coming up on seven full seasons, Mad Men has pulled down four Emmys for Best Drama Series, traced the decade of shifting cultural history between 1960 and 1970, and has inspired more spiraling fan theories than its cast has smoked cigarettes.

Keirnan Shipka, Jon Hamm, and January Jones at the event on Wednesday

So how does it end? The first of the final episodes, true to the series spirit, plays it close to the vest. It riffs on the show's established intertwining themes (sex, business, identity) but it's a little looser, a little more relaxed. (As if they knew that the TFE readership would be on the look out for a "Mad Men at the Movies" reference, they toss off an aces Mildred Pierce joke midway through.) The pace is unhurried, as ever, and where the slow burn will flame out is still anyone's guess. TV has changed so much since Mad Men arrived. How will it change once it's gone?

Mad Men returns to AMC for its final episodes on Sunday April 5th, 10/9c